Tag Archive for: new

Elinchrom HS system first tests

You probably already read some things about it, but Elinchrom recently released their new Skyport and that introduces a whole new way of shooting images outside (and inside). In case you didn’t let’s quickly tell you “all about it”

 

Skyport
The skyport is the system for triggering Elinchrom strobes (and they also have an universal version of course), main advantage of the system is that you can also change the output of your strobes and turn on/off the modeling lights, use groups and channels etc. A pretty cool system in a remarkable small package. Well you can skip the small in the new incarnation of the skyport, you could say it’s matured now.
ELI19366

But as you can see it’s a good thing, because one of the first things you notice is the big LCD display, and that is awesome. You can now see which strobes are active, you can select the strobes and change settings, and of course you can still change the output of the strobes, switch between groups and much more.

 

In short the new system has the following new features.
1. Much stronger, so longer distances (something that was needed in my opinion)
2. ODS control, later more but very important for HS use
3. Focus assist beam (very handy in darker studios)
4. HS
5. USB for updates
6. Uses normal AA batteries (yeah)

 

But the biggest thing is of course: HS

 

What is this HS?
Well it’s actually quite easy to explain… it makes it possible to sync at higher shutter speeds.
Normally studio and location strobes (except small flash and some other brands) are limited to the so called X-sync which often means that you can shoot up to 1/125 or 1/160 without any problem but above that it’s hit and miss to let say 1/200 and after that you will start to see black bars (second shutter curtain).

 

Now when you’re used to this it’s not a real problem, but it does limit your creativity, you can’t fight the sun and shoot wide open, simply because the shutter speed would be way too high, you can of course use ND filters but then the camera has problems with focussing so perfect…. well far from.

 

The HS system from Elinchrom breaks this barrier and makes it possible (in certain configurations) to shoot all the way up to 1/8000 of a second. Which is pretty cool and something that was not possible yet on the Elinchrom system. They achieve this by very clever timing with the TL pre-flash and making sure everything is syncing as good as possible, and this way it “seems” like you have strobe power over the total range of shutter speed, and this is true but… there are some things you have to realize and that you probably don’t read in other reviews, so that’s why I wanted to give some attention to it.

 

What you need to know
In theory (and real life) the system works awesome, it doesn’t eat your battery (which a strobed system would do where the flash is repeated constantly, like speed lights) and the Quadra for example recycles very fast, just like you’re using it normally.

 

What happens is that the timing is so accurate that it seems the whole sensor is lit even with 1/8000 of second as shutter speed, but… this works only with SLOW strobes, for example the D-lite series (believe it or not) are perfect for this, but an ELC on the middle setting (clocking in at 1/5600 of a second) is not very good for this system (it actually cuts off at app 1/500 on a Canon 5Ds without fine tuning I have to add), but the BrX, D-Lite etc. all work surprisingly well, and this is very cool because this means you don’t need to buy new strobes. Then why did Elinchrom release new heads (the Quadra HS head for example), well that’s easy to explain, the HS head is a VERY slow head and this means it’s perfect to reach that 1/8000 of a second shutter speed without any problem. So in short, shorter duration strobe heads will not work that well, long duration heads will work perfectly.
The other thing you have to realize that (and it hurts to say this) you can forget about the light meter.
The reason for this is simple to explain but sometimes hard to understand (yeah it sounds funky I know).
To achieve the higher shutter speeds the camera cuts the strobe off earlier, with ODS you can tune this but, the effect is that the higher the shutter speed the LESS of the strobe duration is used.

 

If for example a strobe has F16 on 1/125 it’s not also F16 on 1/4000. In fact it could very well be F2.8 by that time. And no that’s not a bad thing, it’s simply how these systems work, and the same happens with speed lights, you loose light output the higher you set the shutter speed, ANY system on the market has this “problem”, but thanks to the digital polaroid on the back of the camera we can check.

 

We did some tests very quickly with the Elinchrom Quadra and the HS head in combination with a Canon 5Ds and it was easy to reach shutter speeds of 1/8000 f2.8 and get some stunning results that were not possible before during day time. It’s a bit getting used to for me to constantly check my digital polaroid, but within a few minutes it becomes second nature, and because the skyport is very easy to operate and give more and less light to the strobe it’s actually something you get used to very fast… and if you never  used a meter before… you will probably don’t even notice this.

 

In practice
It’s incredibly handy to be able to control your DOF on location, but most of all to control the ambient with the shutter speed over a MUCH greater range than from 1/125 to the minimum you can hand held. You do (again) have to take notice that if you change the shutter speed to let in more ambient light you have to adjust the strobe, but already after one hour of use I found myself doing it almost automatically and nailing the exposure almost spot on every shot I took. And let’s be honest I rather be able to break the barrier of 1/125 and not being able to meter than to meter and be stuck on 1/125. For your creativity this is a HUGE step forward. Plus you can now do almost everything with just the Quadra, add a maxi light and you’re in lighting heaven so the say 😀

 

Canon and Nikon
At the moment the system only works on Canon and Nikon, Sony will follow soon (I hope very soon), you can of course use the new skyport already on Sony, Fuji, MF etc. but it will do actually everything EXCEPT the HS option.

One could say that Elinchrom is late in the game with their HS system, but I have to be honest the product I see now (and worked with) is superieur to what I’ve used before (note : I don’t really care for ETTL on these systems) and I rather wait a bit longer and have something that works like this than cut corners.

 

I’m very excited about the system and can’t wait for the Sony version.

We filmed two small videos for the HS system, and today I share some images from the video with Nadine, videos will follow later.

 

Let’s start with just natural light, everything else is strobed.

Nadine (2 of 79) October 28 2015
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Nadine (20 of 79) October 28 2015

 

 

 

 

New instructional video MTM 2 On location

New Mastering the model shoot instructional video : OUT NOW !!!!

Today sees the release of the second video in the “Mastering the model shoot” series, Video 2 : On location.
Working on location is one of the most challenging things a photographer can face, but also one of the most exciting and of course it can give you great portfolio results, but there can also go so much wrong.

In more than 100 minutes you travel with me, Nadine, Lenaa and of course Annewiek through the UK and Scotland and you see me shooting in different amazing locations and with each locations I share the tips, techniques and the gear to go from ok to WOW.

Topics include :

GEAR
Working with small flash/speedlights, natural light, the Elinchrom Quadra. Old lenses on modern cameras.

TECHNIQUE
Metering the scene and calculating for stunning results on the fly, dragging the shutter, cheating to get out of the 1/125 rule without HSS, modifiers, working with wide angles or longer lenses and why.

COMPOSITION
What to look for in a scene, finding the right angles, changing positions for the perfect light, concessions you sometimes have to do and how to work around them

RETOUCHING
A complete run through of two images of the shoot from start to finish with loads of techniques and tips (I didn’t take the easy ones)

MODELS
Working with the model, coaching, poses, styling, story telling

And MUCH much more….

The video is now available on https://frankdoorhof.com/web/shop-videos-etc/direct-video-downloads/ and is priced at 35.00 euro.

We also created a new section with classic videos where you can download the first series of instructional videos for a very attractive price.

 

Only a few of the images shot during this trip.Nadine 113 - July 13 2015

nadine 10 - July 14 2015

Lenaa 40 - July 13 2015

Lenaa 25 - July 13 2015

UK (79 of 134) July 08 2015

UK (20 of 160) July 08 2015

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Nadine 65 - July 13 2015

nadine 93 - July 14 2015

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UK (138 of 160) July 08 2015 1

 

The new Elinchrom ELC the game changing strobes

Elinchrom meets a new dimension in lighting
Photographers play with light, but above all we play with time. Actually for me photography is freezing a unique moment that will never happen again in the exact that same way.
In the studio we basically have two ways to use light. The first one is continuous light, the second is with strobes. You can also use both at the same time or mix them. Supporters of continuous light talk about: What you see is what you get.  The strobe supporters say: The power of strobes allows us to create stunning freezing action shots. I’m a supporter of the second group. Don’t get me wrong, I also often work with continuous light, but with continuous light I don’t have the possibility to do a day to night shot with the bright sun, freezing the moment and I cannot play with depth of field (especially creating a deep depth of field) when shooting my medium format camera.

 

One real disadvantage of strobes is that strobes often have to recharge after every flash, and that can sometimes can take the “flow” out of shoot.

6c540d7cb22d4bb3e9c346418940ccb8Enter the ELC
Elinchrom strobes were already very fast in comparison with most other brands, but now they introduced one of the fastest strobe in the world. This is a new high end strobe  and will catch a lot of attention, not only because of it’s performance, but it will also push photographers to the next level of creativity. It will help  you to create pictures which weren’t possible before due to a load of features you will love and never saw in Elinchrom strobes before. Of course there is a lot of information in the manual and on the specsheets, but let me show you what I think are the biggest advantages of these strobes.

 

A few months ago Elinchrom send me the ELCs to test. It’s really exciting to test photography gadgets so long before their official release. But sometimes it’s also really really hard because, as you can understand, you canot tell anyone and trust me I’m REALLY enthusiastic about the ELCs.  And to keep it a secret and only share my experiense with a very small group… believe me it was very very hard.  I’m glad we can finally demonstrate the strobes in our workshops, on trade-shows and events.

Nadine Februari 7 2014 (222 of 297)-Edit

What is so special about ELC?
Basically the design of the units is like an ordinary Elinchrom strobe.  Only the 500 and 1000 watt are in the same housings now. This is easier for transport, and it just looks nicer in the studio when mixing strobes. The major difference however, which will make a lot of photographers very happy, is something that has actually nothing to do with the light itself 😀

 

The display
We all know this problem, you have to change something in your setup and…. Whoops where was that thingy again…. Is it this button in combination with that button? If you found it, than you have to search between codes like FB, FX, F1, F2 etc. and after that you have a lot more of menu options. To be honest, I love Elinchrom a lot and I work on a daily basis with it, but I need a cheat sheet when I have to change a setting that I don’t use weekly or monthly. Not a big deal of course, but sometimes in a stress full situation it can be…challenging.
Luckely this is a part of history. The new ELC units have a fantastic menu system. No cryptical desciptions, but a very clear display with full phrases and a great menu structure. In one word AMAZING!

 

In the menu you’ll find, of course the settings for the sky port, modelling lights, beeps etc…. but you’ll find way more than that. You can change the sound signals itself, the speed of recycling, set standby options, use the strobes in series, adjust the delays, adjust the…….. well let me put it this way……and much more.

 

I hear you think….. “Hey! I heard some settings that I haven’t seen before.” and yes… the ELC strobes can do a lot more than simple flash to freeze the movement. It will fill way too much space to explain everything, but I will show you some basics, which I use very often.

Sanne Januari 11 2014 -17-Edit

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New model Bertrie

As mentioned before, most of the time we are looking for new talent, normally this means we will shoot 1-2 models each month via so called “test sessions”, small bare bones 1 hour sessions (sometimes 2) in which we try several things but keep everything really simple. From the models we shoot maybe 10% will also end up working for the studio for the workshops or assignments.


In this blogpost I like to introduce Bertrie.
She will be doing some workshops in the near future so watch out for more images from this beauty from Leeuwarden.

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