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The brand new Geekoto Lantern in action

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The New Geekoto Lantern

 

It’s always fun to play with new gear, and light shapers always have a special place.
And let’s be honest the light shaper defines a large part of how your image will look. This blog is about the new Geekoto Lantern.

Having new light shapers triggers creativity

The new Geekoto lantern has a few tricks up its sleeve.
First of all, like all Geekoto softboxes we use, the lantern is super easy to set up and collapse and also has the removable speedring you guys love.

What does the Geekoto Lantern do?

The big difference is in the way the lantern projects the light.
With a normal softbox, the light travels first through a diffuser which makes the light source softer and larger, after which it leaves the softbox through the front diffuser. If you want to narrow your light beam you can use a grid. But that’s about it.

Now let’s take a look at the Geekoto lantern.

The New Geekoto Lantern

The Geekoto Lantern on the Geekoto GT400

As you can see the lantern doesn’t just aim the light forwards, but it also lights from the sides.
Now this has some huge advantages.

At first, you might think that this is the perfect softbox for product photography.
Especially with product tables, you can super easily light your product and the background with a lantern.
But also for newborn photography, it’s great to create a beautiful floodlight effect.

So you might think that this is like an umbrella a softbox for the more “broad” lighting setups.
However, the lantern actually shines in the more high-contrast setups.

 

Let’s take a look at some examples.

Normal softbox with grid

One of my favorite setups is lighting the model from the side with a medium-sized softbox.
I often add an extra light source on the opposite side to open up the shadows and also to light the background.
With the main light, I cannot light the backdrop enough when it’s a more darker color. This is why I use the accent light often in a striplight configuration which I use horizontally or slightly horizontally. This makes it possible to light both the model and the background with one light source.

By aiming it slightly away from the background I get a very nice even light fall off on the background.

The first image is just with the main light.
The light used is a Geekoto GT 400 with the 36″ softbox + grid

As you can see adding the accent light creates not only a beautiful lens flare but also lights the model and the background (I love striplights).

But let’s switch to the Geekoto Lantern

The main reason I love the lantern is that it makes it possible to throw a lot more light on the background creating a totally different look.
So let’s take a look at how that works out.

using the new geekoto lantern

Also here first a setup with just the lantern, and the second one is with the striplight on.

It’s no battle

Remember that it’s a matter of which one is better.
I like them both for their lighting.
The first setup is great for a more high-contrast look with a darker background.
The second setup has a much nicer wrap-around effect and “glues” the model and background nicer together.

The cool thing about the lantern is that it gives you a totally different kind of light shaper due to the translucent sides. And that is not just better for portraits but also when you shoot full body images. It makes it possible to place the light very close to the model and still light the bottom part. Something that with a normal softbox that close can be very tricky or even impossible. Now you can place your light super close and still light the background and bottom part of your model.

I would highly recommend getting one for your studio.
We added them to our webshop of course.
On the webshop you find all the gear I use and like.
The lantern can be found here.

 

We also used the Geekoto Lantarn on the Click Live show in the UK in juni. Check out the BTS video 

 

 

 

A cool behind the scenes during a fashion shoot including all the info free tutorial

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A behind the scenes look

This is how digital classroom started.
Just a webcam starting in the morning and ending when we were done, and I could hardly believe it but some people stayed awake the whole day, which for them was actually night time.

Although this was fun, it was not really something we could do often due to the very bad internet quality.
A few years later we wanted to start the live streams again but in a different format, a 3 hour live semi workshop.
At that moment we had to stream via a satellite uplink, which mostly meant I was worried almost the whole episode, because just one fat cloud and it would fall below the range of YouTube which meant “lost connection”.

Nowadays everything has changed.
We are now streaming with 4 live cams, we have a chat running where people can ask questions and of course we are now streaming via a super fast fiber connection.

Digital classroom has grown

Digital classroom now is totally different from when we started, but we are continuously looking at ways to make it more interesting for you guys. And the first thing we did was shorten the episode length to 90-120 minutes (3 hours was too long).

And of course we can’t do it without the support of our sponsors. So let’s give them a big shout out.

BenQ :
Great monitors for designers, photographers and video.
Without a doubt my choice for monitors.
And they sometimes have great offers for our viewers, like a 10% discount for all EU customers (mail us for the coupon).

Rogue :
We’ve been working with Rogue for almost as long as I shoot models.
The Flashbender is probably the product I’m the most involved in, but Rogue is the kind of company that really listens to their ambassadors and create awesome products. I use the flashbender and magnetic system in almost all my shoots.

Geekoto :
Awesome compact strobes, with great easy to setup softboxes.
And for the price, it’s almost unbelievable what they deliver. I’m very picky and have been shooting with them for over 2 years now and didn’t have any issues at all.

Calibrite :
I always advise to get a proper calibrated workflow, and Calibrite delivers all he goods you need.
I’m using their colorcheckers and analysers to get proper colors in my workflow.

Cascable :
When you see me shooting live there is a 99% change you see me using an iPad Pro, and on the iPad Pro I’m running Cascable, without any doubt my favourite tethering solution for iPad, it’s super fast and reliable, just what a I need under stress.

IQwire :
Tethering is showing your images directly on a large screen while shooting.
IQwire delivers the fastest and most reliable tethering cables and a complete defence system for camera, laptop/desktop and cable.
Available in 5-10-15 meters length (I’m mostly using the 15mtr which makes it possible to move around my whole studio without ever tripping over a cable.

ClickBackdrops :
We started with a signature series and I ended up with my whole studio filled with their amazing backdrops, and eventually we started selling them (they are just too much fun). Available in almost any size and in 2 materials. Vinyl for sharp and “harder” prints and ProFabric, which mimics the old canvasses we all love but can’t afford 😀

Most of these products we now also sell in our webshop at frankdoorhof.com/shop so make sure to check it out.
The reason we chose these brands to work with, or sell, is that they are designed FOR photographers/videographers/designers instead of designed for the photography market (a huge difference in usability).

Ok…
Let’s go straight to the brand new episode of digital classroom with our model Claudia.

A very cool lighting technique with just one strobe and softbox

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A tip on lighting

Today in the blog a video about a very powerful lighting setup for ultimate moody shots.

In the short digital classroom videos I explain the lighting of one of my photos I took during the workshops. You see the results, the behind the scenes video and an in depth explanation about the technique.

If you have any questions feel free to ask and maybe you see your question answered in a video.
Want to visit one of our workshops?
Visit fotografie-workshops.nl for more info on the Dutch and English workshops.

I’m using Geekoto strobes and softboxes in the video.

What happens when you change it to Black and White?

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What happens if you change your photo to Black and White?

The choice between black and white, or color can be tricky.
For me personally I sometimes shoot something with the intent to make it black and white. But then when I see the results I often keep it in color, because I just love the way it looks. And what happens if you change your photo to Black and White?

Sometimes you might shoot something that is very colorful and you don’t even think about black and white. That’s why I post this today.  Luckily with digital, we can of course do both 😀

The horror clown is back!

Well she was here just 2 days ago, so she was not really gone 😀
But as you could have seen in the previous blog post about the horror clown, the color was pretty colorful. So this is the kind of set where you might not immediately think about a black-and-white conversion, but…. think about this.

Black and white doesn’t just mean we take out the color.

In fact, you can still manipulate the colors via the H(S)L adjustments in Lightroom. A bit like in the old days photographers did with filters. We can now manipulate images to our hearts’ content in our RAW convertor.

The idea of black and white in this setting is not to take out color but to inject a lot of mood and make the images more creepy. And that’s the cool thing about black and white. I sometimes make the joke

“if you mess up a shot, add a lot of contrast and noise, make it black and white, and voila instant art”

It sounds weird, but it’s really true.
If we look at a color image that is just slightly out of focus or has a shadow that’s not 100% correct in color we immediately see this as “bad”. But make it black and white and we see it as mood, or we don’t even notice it. Now that doesn’t mean that all my images that are black and white are “bad” images of course. But some street photography images have been “saved” that way in the past 😀

But let’s first take a look at the original blog post about the horror clown.
Now that you have seen the color versions, let’s go to black and white.

change your picture into black and white change your photo to black and white change your image into black and white

As you can see the images get a totally different vibe and look.
For me even more creepy than the color versions.

Learning all about lighting in our workshops

For me teaching the workshops is not all about lighting.
Personally, I think there is a lot more than just lighting or a cool/fitting backdrop.
A good photo is a cooperation between the model and the photographer. So coaching and making a model feel at ease is vital. But after that, the real creativity comes into play, and during the workshops, I try to focus at least 80% on creativity.

This can be with lighting, but also with the storytelling part.

As mentioned in the previous blog post, working in “super creativity” model can enhance your skills way above the level you would achieve if you only shoot what you are hired for. Plus if you can shoot images that your client is not used from you it could very well be that he/she asks for something a bit more creative.

Visit www.frankdoorhof.com and www.photography-workshops.eu for the workshops in Dutch and English.