Tag Archive for: studio

How to shoot a model that’s lying down

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This must be one of the most asked questions during workshops and especially the glamour workshops.
“How to shoot a model that’s lying down on the floor?”

 

Now at first this might seem simple.
Just lay her on the floor (watch out where you walk) and shoot her.
But in reality it’s often not that easy, for example what to do with the light, what to do with the background, what to do with her legs, pose, eyes etc. there are actually many things that can go wrong (including tripping over her).

 

In this shot we used a speed light to light the model from above.
As a modifier I used the Rogue grid which is awesome to really pin point the light to our model Ingrid.
One of the things I love to do with these kind of shots is make the light fall off, this also immediately takes care of the background which in most cases in studio work is not that interesting. Make sure the background is dark (no shiny objects like stands in the back) and just change the grid (or the distance of the strobe) so that the light fall off is nice and covers her face and just a bit of her lower legs in the pose you like.

 

Remember that you narrow the beam of your light with :
The distance of the strobe relative to the model (further away will make the beam wider)
The thickness of the grid (the thicker the grid the narrower the beam)

 

Now the light fall off you can determine two ways.
1. the hard way and long way.
Just shoot, and look, change, shoot, and look, change etc.

 

2. the easy way and looks pretty darn professional (meaning it looks like you actually know what you’re doing).
Use a a light meter and make sure the difference in light between the face and the part you still want SOME details in is app 4 stops apart, meaning if the face meters f11 the fall off should meter app f2.8. However in most cases we shoot this kind of stuff on f2.8 to get a really nice shallow depth of field (later more on this) so to make metering a bit more easy you can cheat a bit by setting your light meter to meter on ISO1600 while you shoot on ISO100 this way the meter will not show you the dreaded EU reading (Extreme Underexposed… yeah I know it means something different).

 

So as soon as we have the light fall off correct it’s important to talk about lenses.
We want a shallow depth of field so this often means we are shooting this kind of shots with a LONG lens, anything about 100mm works fine, but a 200mm will give you a really narrow depth of field but makes focussing very tricky.
As soon as we have the lens sorted, it’s now about angle.
So where do we sit, stand or ……
In my opinion the best angle depends on the model, the pose and personal taste, but I love to shoot from an angle where I actually sit on the floor or on the lowest possible position of my studio stool (which is pretty low). But this REALLY depends on your taste and the pose you choose.

 

So now it’s about pose.
In my case I always like to see the legs a bit more up, model is lying on her back looking towards the light slightly (to get a nice nose shadow) or totally away from it (more mysterious) and I most of the time will start with one leg at a 45 degree angle and one just playing around it, not on the floor, not at 45 degree but just “puzzle” a bit, this is very personal and often the most difficult part. One final tip on this is to count down and make the model put tension on her body on the moment you click.

 

What about the eyes?
Good question…
In some cases it can be downright CREEPY if she keeps her eyes open, so in that case close them… yep it’s as easy as that, it’s not rocket science. If you want a bit more “sexy” close the eyes and let her hands just slightly move around her neck area but beware that you don’t go to far with this because a nice and relative sexy shot can VERY quickly become a very erotic shot which might not be what you’re after. Also make sure you focus on the CLOSEST eye.

 

So the next time you shoot a model lying on the floor I hope these tips help out.
Make sure to show your results at our facebook group with the name “Mastering the model shoot” and check out my book with the same name for much more information on photographing model, or get one of our instructional videos from the site.

 

Ingrid January 7 2016 0021 BW

Ingrid January 7 2016 0059

Ultimate Weekend October 2/3

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It’s almost that time again……
On October 2/3 I teach another one of the Ultimate weekend workshops from our studio in Emmeloord. As you know I love teaching and these weekends are very very dear to me. In a normal workshop you work with a group for the better part of a day, but at the moment you start to know each other well it’s almost over.

 

 

In the Ultimate weekend we work from 10:00-21:00 on day 1 and from 10:00-16:00 (17:00) on day 2, including an awesome diner on day 1 with the whole team, this is a lot of time to get to know each other and really get those questions and discussions rolling and heating up, it’s for me the best teaching experience period.

 

 

We always keep these groups very small so we have a great interaction between the group and there is always an assistant close to you to help you out with questions when I’m talking to someone else for example. So it’s an almost non-stop experience.

 

 

Now I can type a lot here, but why not visit : https://frankdoorhof.com/web/tours/ultimateweekend/ for an overview of what we do during the weekend and of course you can book also, at the moment we only have 3 seats left, so don’t wait too long. BTW if you already did an ultimate weekend we now have a special discount of 150.00 if you book again, please contact us directly for this offer.

 

 

Some of the shots we took during past ultimate weekends.

Nadine May 22 2015 0262

Nadine en Jonathan May 22 2015 0142

Esther May 16 2015 29780

Nadine-February-20-2015-06361

Nadine-February-20-2015-09761

 

Radio triggers and if they don’t work

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Radio triggers are awesome, they will trigger your strobes without needing a “line of sight” and they should work for 99% of the shots without a problem, so in theory one could say “you never loose a shot with radio triggers”, but……… sometimes there are problems.
Problem with your radio triggers?
We hear this a lot, people having trouble with their radio triggers in the studio or on location, here are some tips we found out can make a HUGE difference.

 

1. WiFi
This is the biggest problem.
If you have a lot of WiFi traffic in your area this can interfere with your system, in fact we installed a WiFi security camera and this rendered our complete setup almost useless, we changed the camera from WiFi to wired and everything worked again.


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2. Antenna
They are not there for show, make sure to aim them up and you will get that little bit of extra range.

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The ultimate workshop November 21-22nd Emmeloord

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I’ve been teaching workshops for a few years now, most workshops run for a full day and although very intense there is always so much more to learn, so most students visit the workshops several times. The reason for this is very simple, I never try to duplicate workshops, there are so many things you can do with lighting, location, styling, the models etc. that it would be a shame to teach the same workshop material over and over…..

 

For the one day workshops I have several themes, for example “working on location”, “working with artificial and available light”, “Duo shoots”, “Masks”, “Smoke”, “Retouching” etc. etc. all these topics are so broad that they are already difficult to jam into one day…. so last year the idea actually grew to do a multiple day workshop, however when I do something I always want to make sure that what I deliver is solid, there is no sense in doing a workshop in 2 days or 3 days that can be taught in one day by just talking faster…..

Manon October 3 2014 2019BW

So slowly the idea for the “multiple day workshop” grew and got more shape.
After the first trials the students actually came up with the name and called it “The Ultimate workshop” and I have to say I agree and use that name for these workshops.

 

In 2-3 days you will get so much information it will make your head spin, we are working as a small team (group size is always limited to max 10-12 people depending on the location) to create literally a multitude of different scenarios. The ultimate workshops are the best workshops I can teach, and I dare to say, probably the best on the market if you’re into model photography.

 

What can you expect?
Of course we work with our very best models during these workshops, so next to learning a lot you will also get a real portfolio boost. All workshops start with an Q&A session. In this session you can actually tell me what you want to learn and I will incorporate all these questions into the workshop ahead.

 

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