Yesterday I was the guest speaker for the photoclub in Klazienaveen. I’ve been there before and its always a very motivated and fun club.
The theme was shooting with speedlights in the most boring locations. Literally the room of the seminar. And to make things even more challenging, the original model got sick. But luckily they found a new one and we could continue the seminar. (thx Reny)
All images where shot with the Nissin speedlights using the rogue flashbender and the magnetic system. It’s a super flexible system which makes it possible to take all these different kind of shots in a standard room while teaching 😉
In todays blogpost some images we shot with our model/stylist and allround cool girl Nadine.
The backdrop is our Graffiti door from ClickPropsBackdrops.
I’m using our Rogue snoot here on a Nissin speedlight.
To get an extra “nasty” edge to the light I did not use a diffusion panel inside the gel holder.
You normally use this to get a more rounder “nicer” quality of light (and most of all softer), all things I didn’t want for this shoot.
So lets take a look at the images and what I changed during the set.
The first image was shot with just the snoot on a pretty wide setting.
I love the harsh quality of light in the center and the softer edges, it really gives the light a dual personality if you know what I mean. And for this setup I really liked that almost Rock and Roll lighting.
However for the next two images I decided to open up the shadows.
I’m using the omnidirectional dome from our Rogue magnetic system here with a blue gel. You just place it in the same line as your main light source and meter it a few stops below the main light.
I really love the effect.
And with Rock and Roll lighting…. we need some black and white.
https://frankdoorhof.com/web/wp-content/uploads/2022/11/Nadine-Nov-12-2022-47-Edit-copy.jpg13332000Frank Doorhofhttps://frankdoorhof.com/web/wp-content/uploads/2015/03/studioFD_Logo-1FV.pngFrank Doorhof2022-12-18 18:11:462022-11-30 18:20:57Nadine and the Rogue snoot
In todays post some images I shot with our model Claudia testing out the new Rogue snoot on Nissin speedlights.
On these images I used the Rogue snoot bare, so without the diffusion panel in the gel holder.
When you use the snoot on a speedlight you actually have 8 different ways to use the snoot.
The first 4 are of course the different settings for the size of the area covered with the snoot, but the other 4 are actually when you don’t use the diffusion material in the gel holder. With speedlights you “need” the diffusion material to create a round bundle of light, but when you take it off you actually see the rectangular size of the strobe, which gives some interesting effects 😀
In this image I’m using just the snoot. As you can see the model really jumps out, but the shadows are really dark and hardly any detail is visible. So for the next image I’m using a second strobe with the omnidirectional dome from the magnetic system and a blue gel to open up the shadows. This is super easy to do. Just make sure the dome is placed somewhere in the line of the main light source and meter it a few stops below the main light source. Or use the flash exposure compensation when you really dare to shoot ETTL in these setups 😀
It’s actually placed just outside the frame and thanks to the dome you can light both the front of the model, the background and get a nice lens flare. The dome is without a doubt one of my favourite modifiers for the speedlight when using creative lighting setups (or for beauty portraits).
Now of course we would like a bit more lens flare.
Here I moved the position and aimed it slightly more forward.
After this it was just a matter of walking around the model to get some stunning effects.
I’m always amazed by how easy it is to use speedlights in these kind of more creative setups.
With our Hensel studio strobes it’s all expected to work easily, but thanks to the right light shapers it’s now possible to really create what you want without any limitations.
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