Tag Archive for: instructional

Working creatively with seamless paper in a totally different way

/in , /by

Being creative with left-over seamless paper

What are seamless paper backdrops again?

Yes, most of the time we use our Click Backdrops. In practically all situations a Click Backdrop is better than seamless. Even white! this article is about working creatively with seamless Paper left-overs

But we started with Seamless paper backdrops so we have much of it. Seamless paper backdrops are large non-reflective rolls of paper that fit on a stand behind your subject. They can be plain or colored, and give a smooth, professional look to your photographs. Seamless paper is often used in portraits, headshots, or baby photography, as the colors can be changed to suit your subject. As you understand very boring and plain.

No, don’t throw it out… yet!

Annewiek must have heard this a million times… yes I have a problem throwing stuff out. Especially seamless (paper)
I somehow always feel you can still use it for something, and when that moment is there it’s better to have it… right?

I am not a huge fan of seamless paper. Over time it becomes unusable due to tears and dirt. And you have to throw it out and get a new roll. But for a nice and long backdrop, it’s still one of the most used backdrops. But what do you do when you can’t use the paper anymore but still have a lot left?

Well…. we can always use it in a shoot 😀

Working Creatively with Seamless Paper

Make a skirt out of seamless paper (or pretend it is a skirt)

working creatively with seamless

In this case, it was the idea of one of the attendees of the workshop. He had some yellow paper left and asked me if it would make a nice prop.
Claudia our model had bright red hair that week (yeah it varies) so that fitted perfectly in this setup.

The combination of yellow and red makes a great contrast which is balanced by the white clothing/hat and the blue background.

Of course, you can use the paper for many different things. We could have built a dress out of it. Used it as a backdrop with loads of wrinkles and tears. Or maybe on the floor with the model lying on or under it, in essence, the sky is the limit. So the next time….

Always reuse… and recycle your seamless paper

We all know recycling is important, but when you think you can use something for a photoshoot… maybe hang on to it just a little bit longer 😀

So what is your next idea about working creatively with seamless paper?

 

Behind the scenes during a Zebra photoshoot  and how to extend your Zebra backdrop with AI 

 

Using isolation blankets as a backdrop

 

A different background for a totally different look

/in , /by

A Different background for a totally different look

Of course, we all know that changing the backdrop can create a different feel or look. Different backdrop and same styling
But somehow it also always triggers my creativity. We used the same styling.
Model and styling: Nadine
Backdrops: ClickBackDrops
Strobes: Geekoto

Just a backdrop or more?

For me, a backdrop is not just a pattern or something to fill up the space behind the model. I always try to make the backdrop a vital part of the shot. When I want something edgy I’ll often go for a more distressed wall look, when I want something more classical…. mmm maybe something with old curtains?

Well luckily for you guys we did just that with our model Nadine.
We decided to keep the styling and lighting idea roughly the same but change the backdrop.  As you can see even Nadine poses differently. My position is different and the end result is totally different.

Now this might seem logical. But often it’s forgotten that when you really blend background and model together ON SET you get a much more “organic” and “real” result. Not just because the shadow and light play on the backdrop. But also because both model and photographer are “inspired” by the results coming in.

People often ask me if I’m afraid that AI will replace all backdrops?

No, I’m not.
Yes it will replace it for some people, and the possibilities are limitless. But it cannot replace the shadow play, and inspiration the photographer/model experience during the shoot. The shadows could maybe be replicated but you would need a proper knowledge of lighting in the first place and an above-average knowledge of Photoshop to make it 100% convincible.

Let’s first take a look at the first set we did with Nadine.
Different backdrop and same styling. In this picture we use the Black Wash

Buy the ProFabric Black Wash Backdrop in our store (8,92’x8,92′ or 272x272cm)

I just love the way the backdrop seems to add a sensation of movement to the images.
This was shot the day we got the backdrops in so I didn’t use them before 😀

As you can see I played with different looks in tinting, posing, and color/BW.
But there is a certain feel to the images.

Now let’s change to an other backdrop. Same styling, but different look

Now this backdrop is officially unavailable in ProFabric, but I loved it so much they made a custom order on Pro-Fabric (which you can now also order). And as you can see the change is not just the backdrop 😀

Different backdrop and same styling Different backdrop and same styling Different backdrop and same styling, in this case the Theater Curtain on ProFabric

See the backdrops we have in stock. 

 

Check out the video of a styled photoshoot with Nadine, where I used AI on the backdrop

Read the blog about the backdrops with isolation blankets 

A kind of different product photography, shots from guitar pedals

/in , /by

A kind of different product photography, shots from guitar pedals

Most of the posts we do online are from model photography. But product photography is also one of the services we offer our clients. Most of the time, the model shots are however a lot more interesting to post. But sometimes we also show you some of the products we shoot, when it’s special.

Hobby vs business

I always say I’m a lucky guy, every day I can do what I love most, create images. But sometimes I’m double so lucky when I can combine two of my passions.

I’ve known RJ-amps for a few years now and he can do wonders with tube amps but also builds great guitar pedals. When I brought my amp in I got two brand new pedals to play with which will be released later this year. And of course…. and he knows that…. I couldn’t resist to take some images.

Now we also took some of the more boring white backgrounds but when we do product shoots I also always like to add some “special set” shots. With handbags for example. We build a small set fitting the brand and took some shots in there, with fancy lighting. In most cases, we do this for free (and fun) but clients often end up using those images also.

How I shot this product, the guitar pedals

For this series I decided to shoot it at home with a combination of a Lumecube with a snoot and two Nanlite led tubes on the side.
The challenge was to get the Lumecube in exactly the right place, but luckily we could use the K&F concept tripod I’m using for my iPhone video setup. This is an awesome tripod because it can act as a boom arm, making it ideal for shoots like this or using phones in video setups.

Here is the behind-the-scenes setup for both pedals.

A kind of different product photography, shots from guitar pedals

A little bit of set styling

The reason I shot this at home was mainly because it was the best location 😀
This is the area where I create my music and also host live streams when I do seminars for clubs or Digital Classroom episodes without live shoots.

I love the carpet here (somehow most guitarists seem to love them) so I wanted to use that as my “base”
Because it’s a pedal I chose this vintage-looking amp because it’s pretty neutral-looking and stands close to the floor. So there is no problem fitting it in the frame.

Of course, you also need a guitar. Here I chose a custom-built guitar for the nice wood look which I think works great with the color of the amp and the carpet. Also, the finish has a very high gloss which makes it harder to light. But the effect when done right makes it possible to use just a little bit of light to see some details.

For some “fill,” I used my favorite-looking microphone, a nice Marantz Ribbon mic.

Lighting

As mentioned I’m using the Lumecube with a snoot and two Nanlites tubes on the left and right.
I love using accents with red and blue because both are on the same axis in the colorspace they blend together really nicely and both are also the so-called “emotion” colors so for me personally it’s a combination I use a lot.

Placing the lights is vital if you want details in the guitar without getting too much glare. However, around the edges, I did want just a little bit of reflection making the guitar stand out. After finding the right spot you can fine-tune the spread by just turning the tube very slowly and keep looking through your camera.

Ok… let’s show the results.
I did use just a little bit of BorisFX for special effects.
Get a 15% discount on BorisFX by using our link.

A kind of different product photography, guitar pedals A kind of different product photography, shots from guitar pedals

 

PS: if you like this blog about product photography (from guitar pedals), let me know! Find me on social media.

everything you always wanted to know about light shapers

/in , , /by

I know it’s a bold claim 😀
But I think in this episode of digital classroom we are combing close, I’m discussing all my favourite light shapers and I even show you the different lighting they create.

Digital classroom is a monthly live stream on our YouTube channel (we really appreciate a subscribe and like). During the broadcast the audience can interact with us and ask questions which will be answered during the broadcast. It’s a lot of fun 😀

Lightshapers

To control your light you need light shapers.
Do you need harsh shadows, or do you want a very soft quality of light?
Do you need to light a small area, or a very broad area?

All of these topics will be discussed, but we also talk about lightshapers that can be used in the studio vs light shapers for location work, and how you can mix them all together.

During the broadcast you get to see the shoot with our model Nadine via 3 studio cameras plus you can see the images coming in via the iPad Pro running Cascable.

If you have any questions feel free to leave them under the video, we check our channel every day for comments.