Tag Archive for: doorhof

Yashica scans in color

I love shooting film as you probably know by now.
On a recent trip I bought a Yashica TLR camera (124 mat) and have been using this a lot lately during travel, the advantage is that it’s a really “small” camera but shoots 6×6 film so you get an amazing quality, also the lens is incredibly sharp so the results are awesome so to say 🙂

 

Today I show you some of the color film I shot during the UK tour.
I did all the developing at home, after a night of drying the photos are scanned with a Reflecta MF5000 with Silverfast software. Especially the software with which you scan is incredibly important because in essence that’s your “raw developer” but it does much more, and I found Silverfast to be superior to other solutions.

Tour UK 2014 kleur (6 of 37)

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4K video shot during the New York workshops

Today I share a video we shot during the workshops in New York.
This was the first trip we used a 4K camera, the Sony AX100.
I have to say, it rocks….

 

I will post a small review later in the month.
But today here is the link to the video shot in New York.
You can select the 4K option from the YouTube preferences.

 

If you like what you see and also want to join one of these workshops, I have some great news.
August 29-30-31 I will be back in New York and do a 3 day Ultimate Workshop Weekend in this location, we still have some tickets left, visit this link for more information and registration.

Just between two walls

“My studio is not big enough”
“I can’t shoot full bodies because….”

 

Well we all heard the excuses, or maybe even used them ourselves.
In reality however it’s often much less dramatic than one might think, often it’s just a matter of being creative with the area you have available, don’t just think about shooting full bodies (or whatever) against seamless where you have to have the model 2-3 mtrs from the background (although close to the seamless can be very interesting as I will show in another blog post), but think about what you can do with small spaces, and trust me, often the smaller the space the more interesting it can get.

 

In these shots I shot the model in between two walls in our studio, it’s just a small area where we normally walk on the stage, it’s tight and not really an area where you would think you would shoot, but when we prepared the studio with walls I did let the painters paint the walls because I thought I saw the potential… 😀 in the end it indeed is one of my favorite spots.

 

Roosmarijn Mei 22 2014  (57 of 155)-Edit-Edit

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Aimed light

One of the most difficult things to do is really aiming your light.
In a lot of workshops you will see big soft boxes aimed at the model from a moderate distance, this is of course very understandable for the simple reason that in fact you really can’t go wrong…. however the resulting image is often “a bit flat” and not that interesting lighting wise.

 

A next step is using smaller light sources like striplights or for example a beauty dish with grid.
For example in this shot I used a small striplight.

Roosmarijn Mei 22 2014  (73 of 155)-Edit

It can get way more interesting however when we start lighting our model from the back and creating a very dark front. Now normally one would let the model look upward to catch some light, but often that doesn’t really result in the image you want, a model looking towards the camera always has a little bit more….. connection, especially with glamour.

 

In the next shot I used a beauty dish from the back and lit the models face with a very small light source, in this case a snoot with grid.

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