How can the wacom tablets/Cintiqs help you in your photography workflow? Frank explains the advantages of retouching on a tablet after a live shoot with model Nadine Stephan. Of course shooting tethered with Sony. Enjoy
In the second part of this series we look at the Lume Cubes.
A while ago I was send one Lume Cube to test and in all honesty I didn’t really think much of it when they asked me, as soon as the cube came in my first experience was also one of “yeah nice but…..” however as you can read in the previous blogpost I strongly believe that everything can be a great light source as long as you use it for what you need it for or what it can do….
And in that last part lies the power of the Lume Cube.
Of course you can use them as your main light source like I do in these shots, but I often use them actually in situations where I’m not able to bring strobes and just want some quick light somewhere, or where strobes simply don’t fit (small spaces). I actually put my Lume Cubes on selfie sticks so I can move them around the model, or let a VAL use them for me (Voice Activated Lightstand) by using the selfie stick you don’t see the assistants in the frame and you’re more flexible with the positioning of the light.
Ofcourse the Lume cubes are also great for video light and you can combine them with strobes (optical slave), but this is not a review, this is part II of the “everything can be a light source” blog post, so let’s look at the images we shot with two Lume Cubes. And as you can see by moving them around the model you can create a lot of contrast, but also some cool light flare effects.
In todays episode you get a real jampacked experience 😀
We take you behind the scenes during 2 test photoshoots with new models for our workshops, where you get to see the results and a small interview with the models.
In between we also shot a session for one of our ex interns for her website/facebook.
And if that is not enough… we also did our Fashion Talent 2.0 event where we show the photoshoots, and give a few cool tips for starting models.
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One of the most asked questions must be “what’s your favorite light”
One of the most heard excuses is always “I don’t have the gear to do this”
In reality the answer on both questions can’t be given 123.
Let me start with number 1.
My favorite light source is something I always have problems with explaining, somehow my mind never thinks about light sources, but in the total image, and I choose the light source that give me the look that I need…OR I use what I have with me. So saying I love light source XXX or YYY doesn’t really make sense because it could very well be that that light source doesn’t give me the end result I have in my mind. I strongly believe that is also one of the problems a lot of “starting” photographers struggle with, and also a part of my workshops where I always tell people to NOT think about lighting as a source but as a means to get the look you want for a certain shot.
Now let’s look at number 2.
Nobody will have all the gear in the world, so there’s always something you don’t own or can’t use, so if you REALLY want, there’s always an excuse to NOT be able to do something. However when (see number 1) if you don’t look at gear but only at a final result and work towards that you will very quickly find out that often the most simple light sources (and other gear) are more than enough to shoot your end result. You just have to flip that switch that tells you you need expensive gear.
So don’t I care about what I use?
Well yes of course, I love my Sony cameras or iPhone, but not because I can’t get my results with other gear, I can shoot the same images with Canon, Nikon, Medium Format, iPhone etc. It’s just that the quality of the end result will be different, and because I also love quality (and love gear) I’m actually always looking for that little bit of extra quality, which is why I ended up with Sony and still shoot Medium Format.
Lighting wise it’s the same story, during workshops I often have to shoot with different brands due to sponsors or organizers of an event, and I think I’m probably one of the easiest instructors out there because I don’t really care if I have to shoot another brand as long as they can do the things I need, and if they don’t I’ll just adjust my program to work with the limits (or extra possibilities) I have. Personally I absolutely love my Elinchrom gear, the modifiers are in my opinion the best out there for the look that I like, and the quality of the strobes is awesome, I’m always very careful with gear but they are in some harsh situations sometimes, especially during workshops where groups of 10-12 people have to shoot in warm or cold weather, and the Elinchroms actually never let me down, so indeed there is a preference.
A while ago I started a workshop called “Alternative light sources” in which I actually teach the points I made above.
By making the attendees understand that a photograph is in essence a story or a frozen moment in time and not a mix of gear you will quickly see that their mindsets also change and they start to take risks they normally never do. One of the things for example is shooting higher ISOs, many photographers are often afraid to shoot on that higher ISO mode because there is noise. And indeed there is noise in the shot, but you have to realize that this is something you often see on the screen but not in prints (not even larger prints). Looking at a picture on a monitor 1:1 is in essence something like looking at a HUGE print from a few inches, and let’s be honest… that’s not something you do, you move back. This is actually why I always tell people to just print an image you think has too much noise and I think you will be surprised how good the print looks.
As soon as you realize this you will often find out that there are a lot more light sources you can use instead of strobes. You can for example shoot amazing shots with just some Christmas lights and for example a smart phone. And this is exactly what we did as the first setup during the workshop.
Nadine is lit by two smartphones and the lights she used in her dress.
Of course it’s a higher ISO shot, but as mentioned before…. when you print it absolutely looks great 😀 (depending on your camera of course, some cameras are indeed very bad above ISO3200, but most will do just fine “enough” up to ISO6400.
