Tag Archive for: tricks

Using a gobo projector with different colors

Its fun

To experiment with different solutions to get cool looks.
As you probably know I’m a big fan of focussed light sources, and the gobo projector is of course an awesome light shaper that does this and so much more.
The Gobo projector I’m using is the Westcott Lindsay Adler version.


Standard it’s delivered with a 135mm lens but I’m mostly using a 50mm 1.8 lens on it to get the light spread out more over a larger area.

With this Gobo projector you can choose to just use the blades to create shapes and really focus the light with one small beam on your model, or you can use the gobos themselves, small metal plates with patterns that you place between the lens and your lightsource. The cool thing about a gobo projector is that with the lens you can focus the patterns on y0ur subject or background.

Adding some colors

Normally you use the gobos as they are, but during the workshops I love to experiment so for this setup I’m using two gels I put on the gobo.
As you can see it still needs some work, but the effect is very cool
You do have to take into account that this will REALLY eat your light, a gobo projector is not very bright, but when adding gels into the game means that in this case I’m shooting at slightly higher ISO’s than I would normally use with strobes. Luckily the Geekoto strobes I’m using can also be turned down to a really low output, meaning they mix perfectly with the projector.

Model : Felisa

Adding some smoke made the image complete for me.
But also always walk around your model and try different positions, it has happend countless times during workshops, events and commercial jobs, me and the client think one angle or position is best, and I always try to include some different positions at the end of the session, and in some cases I actually prefer the alternatives. So always make sure you shoot from as many different positions and angles as time and space allows.

 

 

 

Using a gobo projector in a pregnancy shoot

When your model is pregnant it’s time for some extra shots

Every pregnancy is unique, and when we shoot a pregnancy I always try to find something that is fitting for the model.
We all know Nadine I think and with Nadine it’s not possible to just shoot some images of her belly. So during a recent workshop we decided to shoot different setups all aimed at a part of Nadines character and of course my input 😀

it was a load of fun, Nadine got several totally different pregnancy shots and well… we got some cool behind the scenes videos.

Today the video about this shot.

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In the video I explain the lighting setup and the idea behind the shots.
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model photography tips: Angles, lighting and guitars

It’s about the leading lines

Today it’s about one of those things that really can make or break a shot and other model photography tips. Let’s start with the angle.
When we talk about the angle of a shot we often immediately think about shooting from eye level, ants perspective, or the giant perspective.

The angle

We change the angle of a shot to get a different “vibe” in our shots. But also to create a more or less powerful character because it looks funky and great. Angles will really change the complete narrative of a shot. And don’t think it’s just with model photography, try putting your camera really low with landscape photography, maybe hover it over the water and you get some amazing shots. But there is more.

 

One of the things that always fascinated me was the creativity you could get from just choosing different lenses, apertures, and most of all the length of the lens when I started  with photography.

My start of model photography

When I started taking photography more seriously I wanted to invest in good lenses.
Because almost everyone was using 70-200 f2.8 or longer primes (85-135) for model photography…. well that was my choice.
I also used a 24-70 f2.8, mostly for street and casual photography.
Till my 70-200 broke and I was “forced” to use my 24-70 much more. And to be fair, I’m glad that happened because my 70-200 f2.8 hasn’t been used a lot after it was returned.

“why?” you might ask.
Well it’s actually very simple.

When you shoot with a 70-200 you’re always using a rather heavy form of compression. This is great for getting out-of-focus backdrops and fitting a model on a not-so-wide background (the field of view is narrower with a longer lens). But you will quickly find out that when you start using angles to shoot your models there is a difference but it isn’t “WOW”. Another model photography tip is.

To get the WOW effect we need distortion

 

And no, I’m not talking about a blaring Marshall with a tube screamer….
When we use wider angles you will find out one very important thing.

The camera doesn’t see “depth”. It just renders objects closer to the lens as larger and further away as smaller.
When we use a wider angle this means that this effect is exaggerated, you can get some really cool effects with this.

For example, make a model point towards the camera and shoot it at a wide angle setting.
But for today’s blogpost, we take a look at another example.

A model and a guitar

During the workshops, I often try to bring cool props and create together with the attendees “fake” ads, or artist shots.
In this case, we use a beautiful Epiphone guitar, and our model Felisa is seated on the stage in our studio.

Lighting wise I’m using the Geekoto Quicky softbox on a Geekoto GT400 as my main light source.
I’m using the Quicky because it focuses the light on my subject without having the softbox really close to the model.
For the red I’m using one Geekoto GT200 with a red gel from our Rogue magnetic system.

 

Flow in my image

To get a nice “flow” in the image I’m shooting from a lower angle and using the 24-70 on a setting between 24-40mm.
It’s always wise to take several shots with different lengths. Sometimes a client will love the wider angles during the session, but later decide they might be a bit “too much”. This is why it’s always a good decision to shoot from different angles and different lengths. This way the client can always choose.

Same with smoke by the way.
So the first image as you can see here is without the smoke.

But there are more model photography tips

By choosing the lower angle the model looks taller and more powerful.
I sometimes call this “the hero angle”.
But by adding the wider angle the distortion gives the images a very cool and powerful look.
Now that the base is done, let’s add some smoke.

Model photography tips

I did change the light slightly for this one to create a bit more “mood”.
And compliments to Felisa for nailing the same pose almost exactly.

When we did the first setup, I narrowed the light a bit more and moved the right strobe slightly to get a much more contrasty look.

Model photography tips

As you can see I’m now also including the red gel in the shot.
The problem with this shot is that it’s “very red”.

 

Same lights, different effect

By moving the red strobe you have total control over this effect.
For the next shots, we moved the red strobe a bit more back and this is the final look I went for.
However, that doesn’t mean someone will probably like the previous ones more. So always select maybe also some images when you are still experimenting. sometimes those shots are a lot more funky/creative or unique.

Model photography tips

By changing the angle of the head you can easily change the “flow” in your shot.
This is not a matter of good or wrong. Although in most cases I like the so-called S-curve in a photo.
However, in these images, we already have really strong guides by the legs and guitar neck,. So here the position of the head is more of a way to change the mood.

So if you’re still shooting with longer lenses…. maybe also try a wide angle sometimes 😀

 

Workshops are always fun

Most of the blog posts and videos you see online are created with material shot during the workshops.
I’ve been teaching them for over 15 years and in every workshop I try to create something unique for my own portfolio. But also for the attendees of course.
If you also want to visit a workshop visit www.fotografie-workshops.nl for the agenda and more information.
We can also teach the workshops online if you are not based in the Netherlands.

I hope you like these model photography tips. And if you have any questions, feel free to reach out on social media or e-mail.

 

 

 

The highlight of the year, the Wibi Soerjadi concert 2024

Live photography has its challenges, but I love it

Every year has its ups and downs. But for us both as a family and as photographers there is one highlight that stands out.
The Christmas concert in Het Koninklijk Concertgebouw Amsterdam with Wibi Soerjadi. The Wibi Soerjadi concert in 2024 was his 30th anniversary.

Wibi and I met many years ago without any connection to photography. Still, we talked about it, and before I knew it, I was shooting my first real international celebrity. I can already tell you I was incredibly nervous, but Wibi was absolutely nothing like I imagined. He was very creative and knew what he wanted, but he was 100% open to the photographer’s opinion.

 

Wibi Soerjadi Concert, 30th anniversary

At the end of the year just after Christmas Wibi ends the year with an always sold-out concert in one of the best-sounding concert halls in the Netherlands, Het Koninklijk Concertgebouw Amsterdam. When he asked me to shoot some images I started from the balcony with a long lens. I was sitting in the family part so we had a great view. But the images… well were basic. So we started talking about how we could get something more interesting. The problem is that with most concerts and especially classical concerts, it’s not allowed to shoot for a longer period. And of course, I also had to abide by that rule. So the next year I did get some better images but at that point, I think also Wibi started to have fun with the whole shooting of the Christmas concert so we started to joke around how to make it even better.

Wibi Soerjadi Concert 2024

Wibi after the awesome Queen transcription at the 2011 concert

Better locations and more spectacular every year

I said “Well maybe when I lie under the piano” to which he replied (If I remember correctly) “Yeah, we’re going to do that”.
Well, in all honesty, I’m a pretty shy guy, and that idea I did not want to execute, but at that point, we did decide to take it one step further—shoot from the stage.

I was incredibly nervous, first of all with this chance but also with all the challenges you get when shooting under those conditions. But it went great… but we wanted more.

Over the years, the Christmas concert grew into something that overshadowed everything I ever saw from a solo artist.
I think it’s a shame he never played with the Concertgebouw Orchestra, I think they would sell out for a long period.

Last year’s concert

Last year I shot some of my best live work ever. But this year Wibi decided to up the ante and really push the limits (wait till next year).
The problem with a lot of different lighting setups is that I have to choose my spots very carefully.
Although I’m an all-access area photographer and am allowed to shoot from every location during the show I still have my responsibility to the visitors who paid for the tickets and don’t want to be disturbed.

Wibi Soerjadi Christmas Concert 2024

For me, this meant this year I started on the podium at approximately 1-2 meters away from Wibi.
Right after the break I ran to the balcony and shot the second part of the concert from there for more oversight shots. The lighting on the stage is totally different from the other side. After the last notes, I had to run through the building to end up right in front of the stage for the final encores. This is one of my favorite locations to shoot due to the extreme angle which gives it almost a rock concert look. It’s not a series you can use for everything but it does complete the concert for me.

The gear

Today I show you a very small selection of the images I shot.
Thanks to the dynamic range of the modern cameras (A7RV) and low noise (or Topaz/Lightroom Denoise) the quality of the full resolutions are absolutely breath taking.

For the wide angles, I used the A7rIII with a Sigma 12-24
For the other shots the Sony A7RV with the Sony 24-70 F2.8

I hope for the end of the year you have some time to enjoy the images.
And for 2025 we wish you all the best and hope that 2025 will be a much better year than 2024.

CLICK ON THE IMAGES TO START THE GALLERY
And see them in the correct aspect ratio

last year I also made a short BTS video