Working with a model during her first shoot and how to make it a success

May 25, 2024/in blog/by Frank Doorhof

Trial by fire

In the previous blogpost you already saw the results from the test session with Jannaika.
The images were shot during the Digital Classroom live stream.

Today in the blog the full episode of Digital Classroom with a much requested topic.
“how to work with models during their first shoot and how to make it a success”

See the full session and get all the tips about lighting, posing and how to coach your model.

If you have any questions, feel free to ask.

A new model in our studio for a very special session and she rocked it

May 21, 2024/in blog/by Frank Doorhof

Trial by fire

For the workshops we are always looking for new models.
Before I use a model in a group I always invite them for a test session. A test session is a great way to get to know each other, explain how the workshops work and take some photos for her portfolio and for me the see how she/he is in front of the camera.

For Jannaika it was a bit different 😀
If you have been following my work for a few years you probably remember Sanne. A few years ago we worked a lot with Sanne and also did some sessions for the Miss competitions Sanne organises.

Jannaika is Miss Photogenic 2024 and Sanne was convinced she would be a perfect model for me.
And you never guessed it… we needed a model for the Digital Classroom.
So the images you see here were shot during a live stream, and we literally met 5 minutes before we went live. It doesn’t happen a lot but I was impressed.

I think we will see more of Jannaika in the future.

What happens when you change it to Black and White?

May 9, 2024/in blog, Visions and technique/by Frank Doorhof

What happens if you change your photo to Black and White?

The choice between black and white, or color can be tricky.
For me personally I sometimes shoot something with the intent to make it black and white. But then when I see the results I often keep it in color, because I just love the way it looks. And what happens if you change your photo to Black and White?

Sometimes you might shoot something that is very colorful and you don’t even think about black and white. That’s why I post this today. Luckily with digital, we can of course do both 😀

The horror clown is back!

Well she was here just 2 days ago, so she was not really gone 😀
But as you could have seen in the previous blog post about the horror clown, the color was pretty colorful. So this is the kind of set where you might not immediately think about a black-and-white conversion, but…. think about this.

Black and white doesn’t just mean we take out the color.

In fact, you can still manipulate the colors via the H(S)L adjustments in Lightroom. A bit like in the old days photographers did with filters. We can now manipulate images to our hearts’ content in our RAW convertor.

The idea of black and white in this setting is not to take out color but to inject a lot of mood and make the images more creepy. And that’s the cool thing about black and white. I sometimes make the joke

“if you mess up a shot, add a lot of contrast and noise, make it black and white, and voila instant art”

It sounds weird, but it’s really true.
If we look at a color image that is just slightly out of focus or has a shadow that’s not 100% correct in color we immediately see this as “bad”. But make it black and white and we see it as mood, or we don’t even notice it. Now that doesn’t mean that all my images that are black and white are “bad” images of course. But some street photography images have been “saved” that way in the past 😀

But let’s first take a look at the original blog post about the horror clown.
Now that you have seen the color versions, let’s go to black and white.

As you can see the images get a totally different vibe and look.
For me even more creepy than the color versions.

Learning all about lighting in our workshops

For me teaching the workshops is not all about lighting.
Personally, I think there is a lot more than just lighting or a cool/fitting backdrop.
A good photo is a cooperation between the model and the photographer. So coaching and making a model feel at ease is vital. But after that, the real creativity comes into play, and during the workshops, I try to focus at least 80% on creativity.

This can be with lighting, but also with the storytelling part.

As mentioned in the previous blog post, working in “super creativity” model can enhance your skills way above the level you would achieve if you only shoot what you are hired for. Plus if you can shoot images that your client is not used from you it could very well be that he/she asks for something a bit more creative.

Visit www.frankdoorhof.com and www.photography-workshops.eu for the workshops in Dutch and English.

Outside fashion shoot for sunglasses with extreme styling and flash Part I

April 12, 2024/in blog, Visions and technique/by Frank Doorhof

Outside Fashion Shoot for Sunglasses

Transform something ordinary to awesome!

One of the more challenging workshops is without a doubt “on location in Emmeloord”
During this workshop, I take the attendees with me to locations that at first sight might look incredibly boring. However by using the styling of the model and of course the choice of lighting and shooting angle it becomes clear pretty quickly that even locations that are not that interesting can transform into a great location for shoots. Read more about this outside fashion shoot for sunglasses with extreme styling, part 1.

The reason this workshop is very important is because during most workshops you are shooting in already great locations or nice studio setups.
The thing is, that in reality it hardly ever happens you shoot a client or wedding/event in a castle/urbex/etc location. And also the light is not always perfect. Most of the time we are shooting in office buildings, outside in a forest/dune/city environment, etc. They are not really super inspiring locations.

And that’s the whole deal

In this workshop, I show how easy it is to create interesting photos in not-so-interesting locations. Or let me rephrase those locations that look uninteresting at first sight.

During the workshop I also try to keep the gear as minimalistic as possible, I’m using one of our Geekoto GT200s and a large reflector plus the Rogue Flashbender (Frank Doorhof edition). In the past, we had to carry around rather large battery packs and “large” heads. And I had to shoot on 1/125 because HSS was not supported. Now we are using so-called hybrid strobes which are the perfect marriage between a studio strobe and a speedlight. This combination means I can shoot ETTL and HSS on location (or manual of course) with a nice shallow depth of field if I want it. Or a deeper depth of field if that fits the photo, and shoot a full day with just one battery. Thanks to the large reflector we had still 10% left in the battery after the whole workshop (5 locations 4 shooters).

By lowering the ambient light you can really make your model pop out, now lower your shooting angle and you can already get much more interesting shots.

In the next blog post, I’ll explain a bit more about the large reflector.
For today let’s take a look at the first setup we did with Nadine. This is just a treeline next to our studio functioning as a border between our studio and the neighbours.