Tag Archive for: photographer

A videotip about using the FlashBender XL Pro (Frank Doorhof edition)

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The FlashBender XL Pro is my favorite light shaper

I’ve been using the Rogue FlashBender for many years. And without any doubt, it’s one of the most flexible light shapers.
You can use it as a snoot, bounce card, softbox, and even a striplight with grid.

The FlasBender was designed for speedlights and round strobes. So,  it fits most of the hybrid strobes on the market like Godox, Geekoto, Profoto, Westcott, etc.
Besides all the different ways to use it, the main advantage for me is that there is always room for a FlashBender or two. It folds up very flat so it will mostly just sit on top of my gear in my backpack.

If you also want a FlashBender, or one of the other Rogue products check
Rogueflash.com / Rogueflash.nl

And for the Dutch customers get the Rogue products and the FlashBender XL Pro here.

Because we are the Dutch distributor for Rogue we also have a Dutch version from this video.

A different background for a totally different look

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A Different background for a totally different look

Of course, we all know that changing the backdrop can create a different feel or look. Different backdrop and same styling
But somehow it also always triggers my creativity. We used the same styling.
Model and styling: Nadine
Backdrops: ClickBackDrops
Strobes: Geekoto

Just a backdrop or more?

For me, a backdrop is not just a pattern or something to fill up the space behind the model. I always try to make the backdrop a vital part of the shot. When I want something edgy I’ll often go for a more distressed wall look, when I want something more classical…. mmm maybe something with old curtains?

Well luckily for you guys we did just that with our model Nadine.
We decided to keep the styling and lighting idea roughly the same but change the backdrop.  As you can see even Nadine poses differently. My position is different and the end result is totally different.

Now this might seem logical. But often it’s forgotten that when you really blend background and model together ON SET you get a much more “organic” and “real” result. Not just because the shadow and light play on the backdrop. But also because both model and photographer are “inspired” by the results coming in.

People often ask me if I’m afraid that AI will replace all backdrops?

No, I’m not.
Yes it will replace it for some people, and the possibilities are limitless. But it cannot replace the shadow play, and inspiration the photographer/model experience during the shoot. The shadows could maybe be replicated but you would need a proper knowledge of lighting in the first place and an above-average knowledge of Photoshop to make it 100% convincible.

Let’s first take a look at the first set we did with Nadine.
Different backdrop and same styling. In this picture we use the Black Wash

Buy the ProFabric Black Wash Backdrop in our store (8,92’x8,92′ or 272x272cm)

I just love the way the backdrop seems to add a sensation of movement to the images.
This was shot the day we got the backdrops in so I didn’t use them before 😀

As you can see I played with different looks in tinting, posing, and color/BW.
But there is a certain feel to the images.

Now let’s change to an other backdrop. Same styling, but different look

Now this backdrop is officially unavailable in ProFabric, but I loved it so much they made a custom order on Pro-Fabric (which you can now also order). And as you can see the change is not just the backdrop 😀

Different backdrop and same styling Different backdrop and same styling Different backdrop and same styling, in this case the Theater Curtain on ProFabric

See the backdrops we have in stock. 

 

Check out the video of a styled photoshoot with Nadine, where I used AI on the backdrop

Read the blog about the backdrops with isolation blankets 

First images with the Sony A7RV and it’s a huge upgrade

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During the Photodays 2023 I got the chance to shoot with the new Sony A7RV.
I’m still using the Sony A7RIV which is a great camera, but to be honest I was shocked with the upgrade.
Because I was shooting demos 3 days almost back to back and I used the A7RV only during the last day it really caught my eye how much more “depth” there seems to be in the images.

I’m not saying the A7RIV images are flat, but the A7RV does seem to be a little but more 3D, probably due to a different way of sensor processing, it’s subtle but clear when you know your camera. Now that wouldn’t be worth an upgrade, but the much faster and MUCH better (accuracy) autofocus is without any doubt. Much better with eye detection and now also with a load of AI options for trains, planes, animals and even chosing the correct eye. YES SONY, now I can use the eye focus (probably, still testing this). Also the display is a huge upgrade, tethering speed is faster and the display is now finally fully adjustable (I really missed that).

I’ll be using the A7RV a lot more so if you have any questions let me know.
I can confirm that tethering to the iPad Pro with Cascable works.

Today in the blog some of the results from the last day at PhotoDays 2023 Brussels.
Models : Nadine and Felisa.
Do remember that these kind of images are shot during a trade show on our booth during demos, so short time periods where I have to pay more attention to explaining what I do and the crowd than taking the photo, so there are often far from perfect, but I just love the styling Nadine did, so I had to share them.

Strobes : Geekoto GT400/GT250/GT200
Modifiers : Geekoto small softbox, Rogue magnetic system and Flashbender
Backgrounds : ClickBackdrops
Tethering : IQ Wire 10mtr to iPad Pro running Cascable

 

That magic angle

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Often when shooting models, landscapes etc. we are shooting from the so called “eyes perspective”, meaning you hold the camera in front of your face and you shoot. This will indeed render the world/your subject the way that YOU see it… but is this the most interesting way… often not.

During workshops, seminars, demos etc. I always stress the attendees/viewers/visitors to really try out different ways of shooting a scene, not only do you trigger your own creativity but you also give your client, being your model or customer, more choices. And in all honesty, we are photographers not just “snappers” right? (hope that is a right expression by the way).

But experimenting with angles you are actually learning about the behavior of lenses, light but also about the poses of the model. This is incredibly important when you start out with photography and when you start with experimenting with poses etc. you will build a much stronger base for your future, at least that’s my opinion.

The shots in this blogpost were shot during a workshop with Anouk with the exact same light setup, as you can see by changing the angle I did not only change the look of the pose but also radically changed the behavior of the light. It may or might not be your taste, but at least try it 🙂

For much more tips visit www.frankdoorhof.com/videos and download our instructional videos
Or subscribe to www.youtube.com/frankdoorhof for free instructional material
And of course get my book “Mastering the modelshoot” via your favorite bookstore or amazon