Last week Bianca was in our studio for a photoshoot.
I’ve been shooting with Bianca for over 6 years and although she does not visit regularly we always try to do at least one session a year 😀 Today some of my favorite images from the session.
Color editing is done by DxO by the way, DxO optics and Filmpack 3.
I’m more and more beginning to love that combination, LOADS of options and possibilities.
Today a small blogpost about my new class on KelbyTraining.
“The art of dance”
This class is I think one of the best classes I did with big flash (there will also be a small flash class soon), in almost 2 1/2 hours you will be taking through the preparations of the shoot, two totally different shoots PLUS the Photoshop of the images. This is REALLY a complete “tour” so to speak.
The images are spectacular, the technique explained in detail and the models are great dancers, so make sure to check out the class at “Art of dance”
And here is the trailer.
In a country far far away…. (well actually it was Germany) I first saw a proto type of the Elinchrom 1.50mtr indirect Octa. From that first contact I fell in love with it. Some modifiers you see and you immediately become enthusiastic, the light had to be awesome. I love the 1.90mtr indirect Octa and my most used soft box must be the Deep octa which I advise to every photographer. However with the 1.90mtr you are getting a beautiful soft light but it misses some “bite”, the Deep Octa gives you that “bite” but it’s just a bit too small for some applications. When shooting full bodies I always remove the translucent material from the 1.90mtr to give it a bit more “edge” but it’s still a huge soft box with beautiful light but sometimes you just want something more…..
The moment I saw the 1.50mtr indirect octa I knew it….. this thing will rock.
In Part III we look at some more images where we put elements together.
And do remember that you can “force” luck.
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