Tag Archive for: lighting

working with smoke

One of the most interesting workshops is without a doubt “working with smoke”
It all might seem very simple, just pump some smoke and you’re done… but in reality it’s almost a science, I could literally write pages about it (I might do that one day).
In essence you have to remember that smoke acts like a diffuser and reflector at the same time, so backlighting smoke can be awesome and front lighting a disaster, however if you set up your lights perfectly before you add smoke it could very well be that all falls down when you add the smoke due to the fact that smoke also acts as a diffuser, so it could be way to bright OR way too dark….

 

Now if you’re smart (and I know you guys are) you can use smoke also to light up your model in areas where normally it would a bit too dark, for example put two strips behind the model and you will end up with a very dark front, however add a bit of smoke in the front and the light will bounce of the smoke and actually light the dress…… easy right? well not that easy but in essence it is, now you have to start to learn how to add the smoke.

 

With smoke we always work with 2 smoke machines if we can, just layering in the smoke using patterns that will fit the scene, and this has to be very fast because smoke will always move around, so often I’ll ask my assistants to first blow smoke in the front of the model (in these kind of shots) and then behind them and move up very fast. This way you can create some pretty interesting effects.
To show total control over your smoke you can even create two walls of smoke 😀
To light up the face of the model a bit more I used a small snoot with grid.

 

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If you like these kind of tips make sure to check out my book “Mastering the model shoot” or get one of the instructional videos from this website.

Small spaces are limiting? … nah

One of the most heard excuses is “my space is too small for a good shot”.
Well you might not be able to shoot a model in front of a white seamless, or fit in a whole family, or make a model jump (although that could be funny… for the photographer, not the model,….. nah don’t do it), but in essence EVERY location has potential as long as you use it to the max.

 

In this case we used a small staircase that is located at the back end of our studio and leads up to the “stage”. Our building is actually and old “church” and this was where the preacher was standing, it’s a tight space but for me it’s always fun to shoot there.

 

As you can see in the following shots I used some smoke to give the scene a bit more of an edge, but I also used my lighting to the max by moving around my model. Now always remember that smoke acts as both a diffuser and reflector so the more smoke you get… well let me put it this way, it’s always different. Also remember that as soon as the smoke gets in between the model and the front light source “all bets are off” smoke will start to act as a reflector and it will be one big white out.

 

We used one Elinchrom beauty dish with grid from the front and one gridded (and later open) reflector from the back with a blue gel.
Styling and model : Nadine

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For the next one I left in a bit more red.

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But you don’t always have to use the same pose of course…..
Why not shoot one from the back for example.

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And while you’re at it. Why not move around your model and get a completely different look?

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As you can see with the same light setup and the same very tight space you can create something really cool… just think outside the box… or in these kind of cases probably inside the box 😀

 

Good luck.

New Ultimate weekend in Emmeloord February 26/27 2016

This is without a doubt one of the most intense workshops I teach, and probably the only one like this on the market.
In 2 jam-packed days you will learn anything you want to know about model photography with a small group of attendees in our own studio in Emmeloord.

 

Topics range from :
Shooting on location and in the studio, working with sets you can build yourself, styling the model/sets, finding the right angles, adding motion, working with smoke, tips and tricks for lenses and gear to spice up the shoot, duo and single model shoots, building complex lighting sets or keeping it simple, mixing light sources, advanced and easy metering, calibrated workflow and much much more.

 

And that’s just the shoot part… 😀
I also discuss the complete workflow after the shoot including many tips for Photoshop, Lightroom, Capture One and plugins (or without), and new this time is a complete run-through of integrating mobile devices in your workflow for traveling photographers (or coach retouchers)

 

But it doesn’t stop there….
You will also get loads of business tips to build your brand PLUS every day starts with an intense Q&A in which the attendees can ask whatever they want and get the answers during the Q&A or everything is incorporated into the workshop.

 

As you can see this is a very complete workshop so we were not able to jam this all into 2 normal days… that’s why the ultimate weekend actually runs a lot longer.

 

Day 1 :
10:00-21:00 including a nice diner with our team in a local restaurant (according to some this alone is worth the admittance :D)

 

Day 2 :
10:00-16:00 (17:00)

 

For more information and bookings check : https://frankdoorhof.com/web/tours/ultimateweekend/
If you already did an ultimate weekend we have a very special “Illumine” discount, contact us for this.

 

some of the previous results

 

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Anna Matthea outside October 3 2015 0041

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How did you do that?

In a new series on the blog I’ll try to show some images including the light setup.
Normally you will find all the technical stuff in the instructional videos, my books or digital classroom but I’ll also show some on the blog.

 

This time a high impact portrait with Nadine.
Shot during a workshop with a very simple beauty dish and a wall with wallpaper.
You can see the students shooting the same shot.
The key is the nice harsh lighting from a silver beauty dish that is not too far away from the model and trying to shoot under an almost identical angle with the beauty dish creating nice flat lighting for this setup.

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