Last week I got a composer pro in the mail from the nice people at lensbaby.
The delivered it with the fisheye and soft focus options which I will review/test later in the coming weeks. In this blog post I will give some attention to the composer pro itself.
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Ok I promised to to blog till Monday, but hey…..
I decided to do an in between blog post about some of the questions that were asked in the last few days, so let’s go.
Today it was time for a 1:1 workshop with one of the most beautiful models I know (well ok they are all beautiful bit it sounds nice, doesn’t it ?) Cherelle. The 1:1 workshops are always special because the student can make his/her own program, and for me it’s always challenging because I can often do stuff I normally don’t teach during the workshops, or do in my own work.
Some light sources can be used in many different ways, I’m an Elinchrom shooter and the two light sources I love most are the Deep Octa and the 1.90 Octa. With the Deep Octa it’s very clear you can use it in many different ways due to the way it has been build/designed by Elinchrom. You can remove the front material, the center diffuser, use deflectors etc. etc. however with the 1.90 octa there is often some more confusion and a lot of people think it can only be used to mimic window light, they are wrong….
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