About technique and more.

That setting that drives you nuts during the calibration process on Mac (and windows)

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Calibration is important

I think most of us will agree on this. If you want proper colors and happy customers (depending on the assignment of course) it’s very smart to calibrate your monitor at least once a month, but preferably before every important retouching job. But what are the important settings during calibration?

Calibrating your monitor is super easy.

I’ve been using Calibrite (X-rite) products for years. They are easy to use and compatible with the hardware calibration options inside my BenQ monitor. This is a big plus because although the software from Calibrite is great, hardware solutions are always better, of course. Most professional and semi-professional monitors support hardware calibration.

By the way, if you are in the market for a new monitor and you live in the EU drop me an email, I have a few 10% discount codes from BenQ
They have been supporting my work with Digital Classroom for years and love to give you guys a nice discount.

Anyway back to the story.
Even with easy software, it’s sometimes easy to get an error that… well you can’t fix.
You checked everything, and although you know your brand new monitor should really be perfect, it’s far from.
Or maybe you don’t know how to read the rapports and just wonder why there is so much fuzz about professional monitors.

Step 1

This one is for all systems.
When you are using the HDMI connection make sure your monitor is set for 0-255 or FULL RGB.
If it’s set up for 16-235 (video) you will get all kinds of weird behaviors, very noticeable in the dark and bright areas, but in essence, your whole image looks way off.

When you are using USBc, TB, or Display port you don’t have to check this.
Those connections automatically select the right output.

So is HDMI bad… absolutely not, it’s just as perfect for what we do as USBc and Displayport, you just have to check that one setting.

Step 2

And that’s the nasty one.
In the Mac, there is one setting that will almost certainly have you scratching your head and probably a little bit in panic mode.

If whatever you do, you can’t pass the final certification from your calibration and the errors are constantly changing per calibration, there is probably one setting you forgot the turn off. You can find it under “Displays” in Mac OS.

important setting during calibration

This one will give you A LOT of issues when you want a stable and trusted display.
So turn it OFF.
This goes for all settings with labels like “auto”, “Enhancement”, “Super”, “Real”, “natural” etc.

Just turn everything off and run the calibration software.
You will see that you will pass the certification without any problems now 😀

Don’t forget this important setting during calibration!

If you have any questions, feel free to leave them below, or reach out via our social media.

Read more about colors in this blog about Working with Colors 

 

The difference between modifiers

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Want to know how to predict your light?

And of course how to use the different modifiers to create some images with impact?
Than this is the digital classroom for you.

In almost 2 hours I show you the difference between a lantern, normal softbox, striplights and our new Geekoto Quicky softbox.

You see the setups from 3 different angles, plus all the images I shoot.
And of course there is a boatload with information in there as usual.

So enjoy the brand new Digital Classroom.
With our stunning model Jannaika.

Never the black screen again when using strobes

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Black Screen on your camera when using strobes?

Oh, the black screen!

“This camera is unusable for studio use, that’s insane for such an expensive camera…. etc”
Countless of these kinds of bashing cameras can be found online, especially when the EVF in a camera was not as widely used as now. But why is the screen black when you are using strobes?

So what’s going on here?

In the older cameras, we used the sensor only as a replacement for film.
The image was still split into a part where you see the image, focus is done, etc., and a part where it’s hitting the sensor.
With the mirrorless cameras, everything changed.
First of all, we could get super accurate focus (well not at first, it was terrible at times) because you literally focus on the sensor, but we could now also use the viewfinder in a completely new way.

It started with the Sony A99

One day I got a call from Sony if I wanted to test a brand new camera that was “soon” to be released and do the press release in Dubai.
At the moment I wasn’t really into Sony. I was working with Canon cameras and absolutely loved the camera and the people at Canon (I still do :D)

But testing out new gear and getting carte blanche for my review, ……send it in.
Now there is a really funny story about batteries and Sony the Netherlands hanging up several times because they thought I was not serious seeing they didn’t know the camera yet. When it got solved I was literally stunned when looking through the viewfinder… this looks like fricking Topgun 😀
Yeah well, it was a huge improvement over the standard OVF (now I feel old).

The only problem with the A99 was the speed of the EVF. You probably remember the videos of people running through parking garages with their cameras and falling down because the EVF was too slow. In all honesty, when you do stuff like that it’s probably not just the EVF that has a … well ok it was funny 😀

Nowadays EVFs have greatly improved and yes you can now run around with them, although I would not recommend it.

Black Screen when using strobes.

But one problem remains; the black screen when using strobes

When you use the camera in the studio, the image you see through the viewfinder is totally black, and maybe when you press the shutter you can see a little bit of light. So what’s going on here?

The EVF actually does exactly what it’s supposed to do, it emulates the exposure….. ok let’s rewind.
Remember that A99?

Another thing that I found out with the EVF was that taking pictures outside was awesome, even the most difficult situations like backlighting were no problem anymore. Just change the exposure compensation till you see what you like and press the shutter. I called it the WYSIWYG display (What You See Is What You Get).

And this is the problem in the studio.
In a dark studio with the settings 1/125, F11, and ISO100 it should be 100% black in the viewfinder.
And of course, this also happened to me. And remember this was my first EVF. There was no manual and I had no contact person I could reach on the weekend. So, there was one solution, because this couldn’t be how it worked. I went through every single setting in the menu looking for something like LCD or EVF off. I couldn’t find it. Maybe it really was like this… no… ok now let’s try out all the settings. Finally I found a setting with the “not so clear for me” name “setting effect”. Because there was an option ON and OFF, I decided to go from ON to OFF… and like magic, there was my whole studio 😀

Black Screen when using strobes . A funny picture of a model with a camera

So the solution is actually pretty simple

In most cameras with an EVF, you can switch the EVF to roughly two modes.
One is an emulation of what you will get when you press the shutter with those settings.
and the other one is an emulation of what an OVF would show (optical view finder).

This means that in the studio we use the EVF on OFF and outside it’s in most cases best to leave it on ON.

On all cameras, the wording is a bit different but look for settings like “Emulation mode”, “Lighting emulation”, “Setting effect” etc.

To show it on my Sony A7RV I made a small video about the black screen when using strobes and how to solve it.
For this one, we made 2.
The first one is in English the second one is in Dutch.

If you have any questions feel free to ask.
Use the links in this blog post to order and support our work.
For the gear I use visit frankdoorhof.com/shop

 

Adding more storage to your MacBook Pro (or other laptops) and what to look out for

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Apple is great but some things are insanely expensive

I’ve never been a huge Apple fan, but I do love their products.
Let me explain.
They just work, and they work great together. For me this is vital because I work mostly on my phone but want a fast and seamless integration with my laptop when needed, I also love to edit my images in Photoshop with the iPad Pro in extended screen mode. In other words especially the last few years, Apple found their way back to the creatives after releasing some horrible horrible laptops.

The M series changed it all for me.
My first M product was my iPad Pro, and in all honesty I still use the M1 12.9 iPad Pro.
It’s great for editing, reading comics and magazines, watching movies, browsing and of course connecting a controller and have some fun with Call of dutch mobile 😀

The M series in the iPad Pro actually made it possible for me to edit video better and faster than on my Dell XPS i9 windows laptop, which in essence blew me away, I never expected a tablet to hands down beat my super expensive laptop that was fully specked out.

At the moment I’m running a M1 Pro 14″ MacBookPro which will be replaced as soon as the M4 pro is released, not because I really need it, but I do find that when screen recording heavily AI driven software I do start to experience the limits of my laptop 😀
For normal use I would not know why to upgrade to be honest.

Although I feel that the MacBookPro’s at the moment give the best bang for the buck, there is one thing that is incredibly expensive when upgrading, and that’s internal storage. My photos and videos are all stored on 2 synology NAS systems but when working on several video projects, music recording etc. the internal drive is even with 1TB a “bit” on the small side. But upgrading is in my opinion way to expensive, so I was looking for a great solution.

Most solutions are based on the SD card slot which doesn’t make sense for me due to the speed hit and also the lack of really large storage. I need at least 4TB extra and also an option to work from that drive, or use it as a scratch drive.

On Amazon or your favourite supplier you can get pouches you can put on the back of your laptop.
I found that they are large enough to hold a small harddrive.
So I bought a 4TB small SSD and that’s where the troubles started.

Watch out and beware

Of course we all know (I hope) that there are different kinds of cables.
There are cables that are just for charging and cables that support USB3/C or ThunderBolt connections.
The USBC connector has many faces so to say.
And the problem is that often we don’t really notice it unless you start testing.

First of all
Don’t ever buy cheap cables.
Most of the cheaper cables will downgrade the speed of your external SSD to a very slow USB2 speed. Which means you think it works but copying files is incredibly slow. These cables are often only meant for charging your phone or tablet. But they do recognise the drive, which will often confuse the user.

Another thing is the shielding.
My first cable I tried was of a good shielded quality, but still my wifi was very unstable, losing connecting all the time and the speed was horrendous, all was great when I disconnected the cable.

At that point I almost gave up, but decided to order an even better shielded cable and finally, no more unstable wifi, no more slow transfer speeds, it just works like a charm 😀

When you order a cable make sure you order a very high quality USBc or TB cable.
Especially make sure the shielding is top notch.
I also highly recommend angled connectors. It’s always better to transport the laptop with the cable disconnected but it happens regularly that we don’t and with the angled connectors it never gave any problems, but to be sure, just take it out of the port.

Now because images say more than words, I made a small video for you.