Today just some images I shot during a workshop with Gabe and Nadine.
With sets like this it’s always fun to experiment with different angles and expressions.
So walk around your model and sit down, or stand on a ladder, make it fun and creative.
And don’t be afraid to use your wide angle for some nice leading lines.
Oh… and even during lunch keep shooting 😀
As a photographer we want to be flexible and not limited by the gear we use (to a certain degree).
When I started working the flashbender from Rogue is was over the moon with the creative possibilities and over the years they kept refining the products and making them even more flexible.
This year (2022) Rogue released their magnetic system for round strobes and speedlights and in combination with the flashbender this is a real creative powerhouse.
In this video I take you through several of my favourite setups, I show you the setups, the shoot, the raw files and the final results plus all the techniques.
For more info about Rogue check Rogueflash.com for international customers Rogueflash.nl for the Benelux
Sometimes we get products that are just nice and a cool addition to the rest.
But sometimes…. well they really change the way you (can) work.
And today the video in which I introduce a system like this.
The Rogue magnetic system for round flashes and speedlights.
An after the flashbender Rogue released another product that is clearly designed with the photographer in mind. Which for me means, portable/light, easy to work with and most of all not limiting the creativity of the user.
So let’s go.
Today a few results of the workshop with Lois.
During the workshops there is always a theme, but within the workshops the rest is free on the base of what the group wants to learn, this way you always experience a workshop that is exactly tailored to your needs.
The theme of this workshop was “essential lighting techniques” based on the Tutorial with the same name (I highly recommend getting that one), I sometimes call this the “starters” workshop but actually that is not entirely true, this is the workshop where we work with more standard setups such as the butterfly and Rembrandt but this is often quickly supplemented with adjustments to make the image a bit more spectacular.
During the first set we use a Brown Punch background from Clickpropsbackdrops.
This is a very nice background which can be used in almost any situation.
In this set I only use a softbox from Hensel with grid focused on the model but in such a way that there is also some light in the background.
In the next set we use the Earth stacked master background.
This is a background with a fantastic 3D effect, this is of course fantastic to process in a light control workshop, or always pay attention to how the shadows fall and you can get fantastic results.
As an extra flash I end up using a blue gel here for some extra atmosphere and accent on our model.
With this set it was not only important to make it look like we were really shooting on location, but I also used a technique here where I color the set via a fill in flash with gel. And as you can see from the focus effect, I have used the Lensbaby here. The graffity door 1 background is awesome for this kind of sets. You can really use if for story telling, and I absolutely love that in backgrounds.
This remains one of my favorite setups for beauty portraits.
Of course, there is a bright background, and in this case I have chosen the Sweethearts.
I use a triflection system here to open the shadows, and the sides of the clothes. On both sides are strips with grids that provide a considerable output. By feathering this I get a lot of lens flare, this lens flare is turned on even more by the K&F Concept Black Mist filter. You can see an ascending effect here from no filter to 1/4 and 1/2.
Lets start with no filter.
Now we move up to the 1/4 strength
Ok now lets start to add a bit more lens flare by switching to 1/2 and playing a bit more with angles so we can also get the left strobe in better, due to the added strength both will now be easier to capture.
And the final result with an added vignette.
And finally it was time for the set.
This is a really fantastic part of the studio to get creative. I use the Antique wall navy as “main background” and on the top to create a corner a ProFabric Chintz reclaimed, I chose this because it is quite dark and I can easily use it as a very dark background in the photo but still show some detail due to the print so that the photo / set looks a bit more “organic”. But the material also responds very well to color gels and can even be illuminated from behind, so it gives me a huge amount of possibilities. On the ground I use a floor part from ClickPropsbackdrops. A big advantage of loose floorboards is that you can change freely and thus build up a much larger variety than just the floor that is present in the studio.
Besides the main light I’m using a red gel here, because the light is pretty far from the model the 1/2 strength KF concept filter really helps with the lens flare. When the lights are close to the model the 1/4 is a great allrounder but when you want a bit more room in the set the 1/2 is absolutely awesome.
The first image is without the red gel, I already love the way the effect of a real location is created. The vinyl prints are really awesome on photos and add to the illusion of being somewhere else.
But let’s start by adding the red gel and see how the background material responds to the light. This is something that is often overlooked, but every material will respond differently on lighting. And I just love the way the Vinyl mixes the colors.
In the coming week we will release a video per set with an explanation of the lighting on our YouTube channel
You can get everything I use in our webshop via www.frankdoorhof.com/shop
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