Tag Archive for: tip

Aimed light

TIP: Look at the old lighting styles



Now a days we have all this gear that makes our life easier, but does it…. sometimes I get the idea that it also confuses people and I mean REALLY confuses people.



Often I get mails asking me what the settings were for my camera if someone likes a shot, well….. sorry to burst that bubble but actually the settings are pretty irrelevant…. you choose the aperture for the depth of field you want to see and this is also highly depended on the lens you’re using and the camera you’re holding of course, and the shutter speed for the studio… well that really doesn’t matter as long as you cut the ambient light and stay below the Xsync, so most of the times it’s 1/125. 


What I mostly tell people during my workshops is that they should look for the light, don’t be overwhelmed with questions about gear, often I think people hide the fact that they are not able to recreate something to the fact that they don’t have the gear to do it. Trust me compared to what we have today, in the old days they had a lot less.


Take for example a technique I call “Aimed light”.
With this technique I create something pretty dark with backlighting and use a single light source aimed at the models face, someone has to keep following that face, because it’s a really tight light source, or the model has to stay in one place.


This way you can create something that always reminds me of a modern twist to the film noir lighting, and yeah I know it’s completely different but it is where I took my inspiration from.


If you look at this example shot you actually see a 2 light setup, one Elinchrom beauty dish with grid from the back and one Elinchrom Snoot from the front, that’s it. Nothing complicated, now add a cool model, a strong color and there you go….. no need to worry about gear, this would look the same with a Canon 10D, a Nikon D4s or a Sony A7r (this was shot with a Medium format camera btw :D)


So next time, don’t think that you can’t do something because you don’t have the gear, dissect the image and recreate it, lighting isn’t hard (as soon as you understand it) but creating a fitting mood and working with the model and styling that’s pretty important 😀


Have fun.

Marie Mei 30 2014 (66 of 119)-Edit

Working with a necklace

In a previous blogpost I talked about using hair as a prop, but we can go one step further.
Make sure you have some different necklaces in your studio and let your model play with it, you can start a little bit simple.

Marie Mei 30 2014 (76 of 119)-Edit

But you can also make it a bit more….. wild 😀

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Working with hair

Today a small tip that can really boost your photoshoot to the next level.
When you work with a model that has longer hair (and a strong color really helps), don’t forget to play with the hair in your shots. A portrait can be great but at one point you’ve probably had enough of standard portraits, now as soon as you start seeing hair as a “prop” you can get some really interesting shots.

 

In this blogpost a few shots I took from our model Marie during a workshop, it’s a very simple light setup and as you can see, when the subject is interesting enough…. 😀

 

Marie Mei 30 2014 (80 of 119)-Edit

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Close to the background

Often when using seamless we are almost automatically placing the model far away from the background to create a shadowless shot.
However it can be very dynamic when you place the model very close to the seamless and let her/him start playing with the shadow that is cast, in other words make that shadow part of the shot, but when you also add some aimed light (in this case an Elinchrom 1.00 mtr Deep Octa with grid) and some motion and expression you can have a striking shot.

 

I converted the shot to BW to give a bit more of a rough edge.

Roosmarijn Mei 22 2014  (7 of 155)-Edit