Tag Archive for: studio

iPad pro, Surface Pro4, Wacom Cintiq… which one…..

A while ago I posted a video online where I showed an app called Astropad.
This app is pretty awesome, it makes it possible to do some retouching in Photoshop/Lightroom etc. on your iPad pro with the Apple Pencil, and it works pretty well, although it has limitations (later more). This video got an amazing amount of views, actually it’s nearing the 180.000 views on YouTube. It also got some remarks which literally puzzled me but also motivated me to write this very short (well ok I’ll try) review on 3 amazing devices, but all in their own right. So…. ladies and gentleman hold your horses, buckle in and if you want to comment please read the article very well and read your reply before pressing post.

 

The weird, dumb, crazy remarks 
Now as you know me I’m a pretty laid back kind of guy, you can’t get me angry very quickly and I’ll always try to answer any question you guys have, but sometimes……

On the video on Astropad I clearly demonstrated an APP on the iPad pro that MIMICS what you can normally do on a Wacom Cintiq. I loved (and still love) this app, but it has limitations. First of all it has to be run on an iPad that is connected to your Mac, this means you ALWAYS need a mac close by, but as long as you are in the same network this means it can be anywhere in your home, this makes it possible to retouch in Photoshop while sitting on the coach.. pretty cool. Now that’s the app, and I think I was pretty clear in that video what it did….. Still MANY people asked me if it ran Photoshop and NO it doesn’t (clearly).

The thing that did get me a frustrated a lot were the many many people starting “wars” on that the iPad pro sucked, I was a fool and I needed to get a surface pro 4. Yeah well…. that wasn’t the idea of the video right? you don’t tell someone that owns a Volvo that he has to get a tractor or plane. But…. it did motived me to call up our friends at Microsoft and arrange an Surface pro 4.

And this…. is where I start this review/opinion on 3 great devices.

 

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iPad pro
Let me start with this one.
It retails for app 1200 euros and you have the familiar cool stuff that you are used to from Apple (or if you’re not an Apple fanboy, the bad stuff), it’s a great device to surf the web, you can watch a LOT of movies while traveling, you can use Lightroom mobile and now with the Apple pencil you can get incredibly creative with software like Pro-create and the Adobe suite or MediaBang etc. etc. there is a lot.

I got the iPad pro for one very simple reason, I LOVE to draw. I haven’t drawn in a long time because I never felt the digital way was my way and to draw on paper… well I don’t know why I didn’t do it but I just didn’t (end of story), with the iPad pro and the Apple Pencil I loved the way it felt and I was immediately sold, plus I like the larger display to watch movies on in the RV or while traveling, although in the plane it can sometimes be a bit too big, but then when you read a comic….. ahhhhh heaven, it’s amazing.

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Astropad I already mentioned and is a great app if you ALREADY have an iPad, you buy it for a very reasonable price and you can retouch on your iPad pro. However it’s far from perfect and for one simple reason… the hover over option. When you do street/travel photography it ROCKS and I dare to say you hardly need anything else, but if you need some serious cloning or selecting… well how much I love Astropad it…. well isn’t usable for that. With a Wacom you’re used to see where you place your pointer BEFORE you hit the surface and this makes cloning a breeze, with Astropad, it’s a matter of… well guessing it and trust me, that’s a BIG frustration. But again if you don’t clone a lot (or just need to remove some dust) it works like a charm.

Now for serious photography the iPad pro is not what you need, there is no way of working on TIFF 16bits, there is no good software for retouching although Pixelmator and Enlight come very very close the end result is still not pro quality. There is some action from Adobe expected and one of their competitors Affinity is claiming to have a great solution next year but let’s see what happens, if Affinity really delivers what they promise… wow.

Video editing on the iPad pro is awesome, you can start in iMovie or Adobe clip and finish it off when you’re home on the Mac/Pc, this workflow actually surprised me in how efficient and easy it was, I expected photography to be better.

The iPad pro and the already mentioned Pro-create and other drawing solutions make that part alone already worth the money to spend on the iPad pro, it’s really VERY VERY good, if not the best device for creatives.

Watching movies, reading comics, playing games, surfing the web, all as we are used to from the iPad/iPhone very solid and great to kill hours on a plane or evenings at campgrounds/home.

The disadvantages are many if you compare it to a laptop or surface pro 4.
No USB ports, although the USB/Lighting sticks solve this pretty well, but still also there you miss a real file system where it becomes possible to open up comics for example from a stick or copy them to a certain app, now it’s all very basic, great for movies and video/photography but that’s about it. BUT if you know this it’s a “perfect” working solution. Also no full blown photoshop or lightroom, Lightroom mobile ROCKS but only if you have a great internet connection which when traveling well let me say this… sometimes sending a letter is faster than sending an email.

The advantages are more in my opinion.
The apps are made for the screen, they are rock solid, they start very fast, they do what they have to do and the touch interface is better on Apple than on any other device I every tried add to this the Apple pencil and you will know why I (and so many) love our Apple iPad.

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Surface pro 4
Microsoft was so kind to send me their Surface pro 4
The version I got retailed for app 2400 euros, twice the price of the iPad pro, and I loved it.
Running full versions of Photoshop and Lightroom and Capture One is great of course.
But that’s on paper…..
And I know I can’t run them on the iPad pro but somehow I know that, on the Surface pro 4 I can so I expect to be able to use them, right?
Well that’s where it goes wrong.

Let me first tell you that I’m NOT an Apple Fanboy, I own a lot of Apple gear, but if something better show up I’m switching without any problem, they are just tools, but somehow when Apple makes something it always seems to work. That being said I also know the limitations and that also means I would LOVE a macbook with a touch screen or an iPad Pro that runs MacOsX (APPLE!!!!) but that’s not here (yet). The Surface pro 4 promises to be just that… so I expect that, this is very important to say before I continue because although I love the product I also find some problems with it.

First off all let’s look at the software.
I love to shoot tethered in Capture One, and that works like a charm, awesome freedom, just walk around with the tablet on a stand and shoot.
Now the retouching part, the display is too small to use Capture One comfortably, and this trend continues with Photoshop, you can scale Photoshop but when you scale it up the work area is WAY too small, when you scale it down it’s more than enough but for the best of me I can’t control the settings or click the right buttons, it’s just too small (Adobe make a zoom function thats flexible or just in between, that would solve this).
Lightroom works ok, although also here zoomable interface…. thank you very much that would be handy.

The touch in Photoshop is awesome, you can easily zoom, rotate and drag around while retouching with the stylus, now this is what I want, this rocks, this is awesome this is…….. hmmmmm battery empty…. yep that’s the main thing I have against the Surface Pro 4, I could retouch 4 images and my battery was dead, now I retouch FAST, but I use 3 plugins that are pretty CPU hungry on my shots and this meant that after app 1 hour my battery was dead as a rock, totally empty.

By the way one quick side step.
The thing I did miss in Photoshop were the keystrokes, and attaching a keyboard… well that didn’t work for me, I choose a tablet to draw on for a reason and than attaching a keyboard doesn’t make sense, I was about to give up when I found a cool little app called tablet pro, this gives you an extra floating or locked keypad where you can program your keystrokes, like the Wacom has it’s expresskeys, this REALLY made the difference for me between sending it back and using it with loads of fun.

Now when an iPad/iPhone is nearing it’s empty state there is not really a problem, you just connect it to a 12V outlet, or a spare battery like the HyperJuice, Mophie etc. there are plenty of them out there, for the Surface Pro 4….. NONE, meaning if you take this baby with you on a 10 hour flight the fun stops at app 9 hours to go, probably already before take off if you are so lucky they have to de-ice the plane and the rest of the time you… well just sit.

Of course it’s not that bad… watching movies the battery actually copes pretty well, it’s not as good as the iPad pro (which I never emptied not even on the longest flights (10+ hours)) but it manages pretty well and if you also take something else with you for entertainment you will probably love the Surface Pro 4, but don’t start retouching because you will run into problems with the battery and there are no external solutions (unless I miss something).

The other thing I experienced as negative was the ONE USB port.
Yes I know the iPad has none but that’s not a laptop….. (see why I told you to think about it before replying), and from the Surface pro 4 I actually expect to leave my laptop at home. Now why is one USB port bad… well you can’t make any backups. The unit I got had a 128GB internal memory and when I travel that’s not enough so we have to use an external drive for storage which…. is connected to USB, so if I want to make a backup of that drive……. yep no luck, unless you also bring your dock which gives you a minidisplay port, USB and some other goodies, so in all honesty it’s something that you CAN solve. But…. when I don’t bring a laptop I also expect my device to run all day during a photoshoot in the field, my MacBook Pro with Capture One running and tethering with full screen brightness can stay “alive” for app 4-4.5 hours, after which we connect it to the hyper juice (actually when it’s half empty), the surface pro 4 ran empty after app 2 hours, which means I can NEVER do a full workshop or even photoshoot with it in the field, unless….. we have power and in most cases we will have power but in some cases we don’t and certainly not close to the laptop.

Now it seems like I’m negative about the Surface Pro 4, but I’m actually FAR from negative. I absolutely loved working on it, Windows 10 is nice although I prefer the MacOs but it’s good enough. The stylus is pretty good and when used in Photoshop or Manga Studio (thanks to Smith Micro for supplying me with a test version for PC and Mac so I could compare) it’s a dream to work on. For drawing itself I still VERY MUCH prefer the iPad pro, the apps are designed for the iPad pro and this means you have the maximum space to draw and no clutter around the edges with menus like on Windows, let’s be realistic this is a full version you’re running and they are not designed to be ran on a small screen.

In essence I loved the surface pro 4 but the problem I have with it is the working space in Photoshop, the very limited battery life and the one USB port on the device. If they would add an option to charge via USB that would make the Surface Pro a MUCH better device for guys like me who really use the device in the field.

 

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The Wacom
Now this is a weird one in this list I think, but bare with me.
Due to the drawing experience on the iPad pro I wanted to do the same thing on the Mac, but in all honestly eye hand coordination with the normal tablet didn’t work out for me, for normal retouching I couldn’t life without my Wacom but for drawing it just doesn’t work, now there were two options for me.

  1. The Wacom Companion
  2. The Wacom Cintiq 13HD

In all honestly the Companion as it is now is pretty awesome but a bit too large for me to travel with and too limited because I also bring my laptop, so I can much better just bring a travel tablet and draw on the iPad pro which I also carry with me. The Companion idea is great and very similar in my opinion to the Surface pro 4 except it has all the express keys and when you connect it to your mac or PC you have a full blown cintiq, but it’s bigger than the surface pro 4, so for traveling…. well I’ll let you decide.

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When you get used to drawing on the screen with both retouching and drawing it’s very hard to leave that experience and go back to the normal tablet, so I knew I wanted a cintiq. My first choice was the 13HD but when I tested that one out at CameraNu.nl I had to be realistic with myself…. it’s just a bit too small, so in the end we decided to go for the 22HD touch. As you probably know we really ended up with a 27″HD demo model from Wacom which I can try out and show so I’m very happy.

Now when I look at my retouching at home I absolutely love the Wacom Cintiq, compared to Astropad it’s not limited by the hover function, it’s much bigger and it shows my selections crystal clear (Astropad does show some flickering with the marching ants), Thanks to Smith Micro I can also use Manga Studio on my Mac and has become my favorite drawing program for sketching and line work, after which I finish everything in Photoshop. The experience on the Cintiq is absolutely breathtaking, on the iPad pro the lag is VERY low and the overal experience is great, but… the surface can be a little slippery where the Cintiq really feels like a more tactile surface which I actually prefer, I do feel that shading with a pencil is MUCH cooler on the iPad, everyone I show this is just stunned, but…… psssst I never shade like that…….so I don’t miss it.

Traveling with the 27″ cintiq is out of the question, Annewiek told me so herself, so you better believe it.

 

so…… why all these devices in one post.
As mentioned before it started with a review of Astropad (a cintiq like app) on the iPad pro, which I bought to replace my iPad and to draw. Due to all the remarks about the Surface pro 4 I got one from Microsoft to compare and I think that there will be a Surface Pro in my future if they make it slightly bigger and add an option to use external batteries. Because I got so used to retouching on the image itself and drawing is something I’m more and more in love with plus I want to do some new stuff with my photography I actually ended up with a Cintiq, so I think this is the only place where you will find a review with these 3 together but I hope my insights gave you some ideas and maybe tips if you’re also looking for a solution.

 

Conclusion
There is no spoon….
Oops wrong blog….
There is no perfect solution.
I hope for the day we have macbook pro keyboard with an iPad pro screen, take the screen off and the iPad pro becomes an iOS device with all the apps etc. put it back into place and it’s a dumb screen for a laptop, this should be no problem at all for Apple so I wonder what they are waiting for…..If they would also make it possible to RETOUCH on the screen while connected it would mean I would have one device with me during travels.

For now I’m using the following.
iPad pro for media consumption, drawing, reading comics, surfing the web, the perfect traveling companion.
MacBookPro for shooting in the field, in all honesty a tethertools table on a stand is not that much more work to carry around than a tablet on a stand.
Wacom Cintiq for studio use.

That last one I don’t see me replacing by ANY device, working on the 27″ cintiq is VERY addictive and going back to a smaller one…. well no way (well maybe but than it has to be a lot better), the iPad pro and MacBook Pro I’m afraid that for the coming time that will stay my combination up until ONE device can REALLY replace them both, let’s hope on the Microsoft Surface Pro 5/6/7 or if Apple wakes up and does something amazing 😀

Feel free to leave comments but keep it respectful please, this is MY opinion and only MY opinion.

 

TIP on backgrounds

When I started out with model photography I used a lot of seamless backgrounds, and I think most of you do.
However the more I shot the more I grew bored with these backgrounds and I started using the studio walls and more and more and I was drawn to location work. Of course it’s not possible to work on great locations all the time, and let’s be realistic…. the background does have to have something interesting, being it structure, rawness (is that a word?), edginess (love that word, I always use it when I don’t know something else) and…. well you get the general idea, walls can be cool if they are cool.

At one point it dawned to me that if I couldn’t go to locations all the time why not get the locations in our studio, if you go through my portfolio you can actually see that a lot of my work is using models pretty much straight up or in front of walls. In our studio we actually painted all the walls in different themes and looks going from nice and dark to totally distressed with wallpaper hanging down and broken plaster. Sometimes people will actually comment on these walls and ask me when I’m gonna do some fixing up… until I tell them that those are sets and their response is “oh cool, I need that”… actually at that time I already earned my money for the workshop because in my opinion the biggest problem a lot of photographers struggle with is “seeing possibilities”. So if you see an old broken down wall don’t see it as something that has to go but see it as an photo oppertunity.

Our studio is pretty big and there is no wall in the studio that we can’t use as a backdrop, I always am stunned when I visit studios that are HUGE but have all the same color walls, it just doesn’t make sense for me, of course a shooting area for cars has to be one color, but there are also so many other walls, areas etc. that you can use and that are often left untouched, for me the studio is a working space and not an office (heck even my office has different themes, I hate plain walls I guess).

So what if you can’t do your walls like we can?
In essence all walls can be covered with wallpaper right?
So find some interesting wall paper like for example this :
Roosmarijn Maart 29 2016 0331

Roosmarijn Maart 29 2016 0340If you are not allowed to do this on the walls, make “small” (2.50×2.50 mtrs) panels and cover them.
But you can also paint those panels, in this case one of our interns did a tremendous job I think, and as you can see it REALLY spices things up, the image in front of it is already cool but the walls…. well they complete it, and it really also helps to enhance the styling.

Nadine Professional Imaging - 16  March 12, 2016

Indeed all the structure and blues you see is in the wall, we used a little bit of smoke to spice the set up, but the wall in combination with nadine her awesome styling makes the image complete.

But a lot more can be done.
Here are some examples of our walls in action 😀

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Roosmarijn Maart 29 2016 0347 1

Nadine Februari 6 2016 31200

Nadine Februari 27 2016 0020

Now if you don’t have the options for panels, or wallpaper or…. there is always another option.
Lastolite is a brand you probably know right?
They have some amazing foldable backgrounds with great prints, and the fun thing is… they don’t take up any space and they look great in a photoshoot. I always have some with me when I teach on location (just in case).

Here are some samples from the Lastolites.


Nadine April 3 2016 1430

Poeka bij FotoKlein December 19 2015 0010

Poeka bij FotoKlein December 19 2015 0042

Now if you think these are too expensive (man you are hard to convince :D)
You can always use a backdrop system and mount some plastic to it and play with that.

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Nadine open dag November 28 2015 30526

Or use some curtains

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So the next time you grab your seamless…. try to do something more creative and start using the walls, areas of your studio etc.
OR….. well you also use seamless of course.

Karina Feb 13 2016 Phase One workshop NY 0064

 

Karina Feb 13 2016 Phase One workshop NY 0067If you want more in depth tips and tricks check out my book “Mastering the model shoot” it’s not just on models but also has extensive parts on styling, your studio etc.
Also check out my instructional videos via this website (see the left menu), and check out my videos on KelbyOne where you can also find one on building your own studio.

Ultimate weekend Emmeloord Feb 26/27th

It’s almost time for the new Ultimate weekend workshop again….
This is without a doubt the most intense workshop I teach, 2 jam packed day filled with information on model photography.. I literally teach you everything I know about working with models, lighting, retouching, workflow, social media, business etc. plus we have an amazing diner at night with the whole group in a local restaurant.

 

At the moment we have 3 seats left so if you want to learn everything you always wanted to know about model photography…. read this.

 

Ultimate weekend day 2 2401

“Put the magic in your lighting” 

This is without any doubt one of my most popular and most intense workshops…
The ultimate workshop weekend in our studio in Emmeloord
(the Netherlands)
Language for this workshop will be ENGLISH

 

Join us in our studio in Emmeloord for a very intense workshop weekend in which you will get all the answers you always wanted about model photography, business, retouching, workflow etc. In 2 full days (and evening) we go through every part of a successful photoshoot.
Styling will be in cooperation with Nadine Stephan and Sinister.

 

This whole weekend is 100% flexible in topics, styling, storytelling etc.
Each day we start with a Q&A which will be the base on which I build the rest of the day. This means that every attendee will learn exactly what he/she wants and there will be no questions left unanswered. This is a unique style of teaching that has proven to be incredibly successful for the attendees and a challenge for me as an instructor 😀

 

Day 1:
Full studio day from 10:00-21:00

Topics will cover at least :
Metering, workflow, color management, coaching the model, building a complete set and styling it, vintage portraiture, glamour photography, high-end fashion, styling ideas, working with clients, adding movement, using smoke, adding gels, going from ok to WOW and much much more.

 

Evening 1:
A nice diner and chats about everything (and photography)
Hang with our team during a nice diner and after this we continue in the studio with a retouching workshop.

 

Day 2:
The location day from 10:00-17:00
Working on location has a whole different range of challenges and we will discuss them during this day.
We start again with a Q&A after which we use different locations near our studio ranging from edgy to nature. We will be using flash, natural light, reflectors etc. In the studio we will mimic locations with constant lighting and alternative light sources will be used and discussed. 

 

Day 2 afternoon:
Retouching part
Learn how to control your workflow, retouch techniques for Photoshop, Lightroom, Capture One, DxO and the use of plugins.
Business tips

 

 

 

Register now for just 699.00 (euro)

This includes the diner, lunches etc.
No hotel and flights are covered, but we will offer a good location close to our studio and transport to and from the hotel to our studio.
Group size is very limited and the language of the workshop will be English.

This is the most complete workshop you will find anywhere.

 




Some samples from previous workshops, this is the kind of material you will be shooting too…..

Manon 46 - November 22 2014_DxO editSharon Jan 24 2015 27584Anna Matthea February 14 2015 0452Chantal November 21 2014 0168Manon 101 - November 22 2014_DxO-retouchManon 119 - November 22 2014-EditManon 134 - November 22 2014_DxO retouchSharon Mei 31 2014 (83 of 101)-EditLenaa Januari 25 2014 B (4 of 4)

How to shoot a model that’s lying down

This must be one of the most asked questions during workshops and especially the glamour workshops.
“How to shoot a model that’s lying down on the floor?”

 

Now at first this might seem simple.
Just lay her on the floor (watch out where you walk) and shoot her.
But in reality it’s often not that easy, for example what to do with the light, what to do with the background, what to do with her legs, pose, eyes etc. there are actually many things that can go wrong (including tripping over her).

 

In this shot we used a speed light to light the model from above.
As a modifier I used the Rogue grid which is awesome to really pin point the light to our model Ingrid.
One of the things I love to do with these kind of shots is make the light fall off, this also immediately takes care of the background which in most cases in studio work is not that interesting. Make sure the background is dark (no shiny objects like stands in the back) and just change the grid (or the distance of the strobe) so that the light fall off is nice and covers her face and just a bit of her lower legs in the pose you like.

 

Remember that you narrow the beam of your light with :
The distance of the strobe relative to the model (further away will make the beam wider)
The thickness of the grid (the thicker the grid the narrower the beam)

 

Now the light fall off you can determine two ways.
1. the hard way and long way.
Just shoot, and look, change, shoot, and look, change etc.

 

2. the easy way and looks pretty darn professional (meaning it looks like you actually know what you’re doing).
Use a a light meter and make sure the difference in light between the face and the part you still want SOME details in is app 4 stops apart, meaning if the face meters f11 the fall off should meter app f2.8. However in most cases we shoot this kind of stuff on f2.8 to get a really nice shallow depth of field (later more on this) so to make metering a bit more easy you can cheat a bit by setting your light meter to meter on ISO1600 while you shoot on ISO100 this way the meter will not show you the dreaded EU reading (Extreme Underexposed… yeah I know it means something different).

 

So as soon as we have the light fall off correct it’s important to talk about lenses.
We want a shallow depth of field so this often means we are shooting this kind of shots with a LONG lens, anything about 100mm works fine, but a 200mm will give you a really narrow depth of field but makes focussing very tricky.
As soon as we have the lens sorted, it’s now about angle.
So where do we sit, stand or ……
In my opinion the best angle depends on the model, the pose and personal taste, but I love to shoot from an angle where I actually sit on the floor or on the lowest possible position of my studio stool (which is pretty low). But this REALLY depends on your taste and the pose you choose.

 

So now it’s about pose.
In my case I always like to see the legs a bit more up, model is lying on her back looking towards the light slightly (to get a nice nose shadow) or totally away from it (more mysterious) and I most of the time will start with one leg at a 45 degree angle and one just playing around it, not on the floor, not at 45 degree but just “puzzle” a bit, this is very personal and often the most difficult part. One final tip on this is to count down and make the model put tension on her body on the moment you click.

 

What about the eyes?
Good question…
In some cases it can be downright CREEPY if she keeps her eyes open, so in that case close them… yep it’s as easy as that, it’s not rocket science. If you want a bit more “sexy” close the eyes and let her hands just slightly move around her neck area but beware that you don’t go to far with this because a nice and relative sexy shot can VERY quickly become a very erotic shot which might not be what you’re after. Also make sure you focus on the CLOSEST eye.

 

So the next time you shoot a model lying on the floor I hope these tips help out.
Make sure to show your results at our facebook group with the name “Mastering the model shoot” and check out my book with the same name for much more information on photographing model, or get one of our instructional videos from the site.

 

Ingrid January 7 2016 0021 BW

Ingrid January 7 2016 0059