A kind of different product photography, shots from guitar pedals

February 23, 2024/in blog, Visions and technique/by Frank Doorhof

A kind of different product photography, shots from guitar pedals

Most of the posts we do online are from model photography. But product photography is also one of the services we offer our clients. Most of the time, the model shots are however a lot more interesting to post. But sometimes we also show you some of the products we shoot, when it’s special.

Hobby vs business

I always say I’m a lucky guy, every day I can do what I love most, create images. But sometimes I’m double so lucky when I can combine two of my passions.

I’ve known RJ-amps for a few years now and he can do wonders with tube amps but also builds great guitar pedals. When I brought my amp in I got two brand new pedals to play with which will be released later this year. And of course…. and he knows that…. I couldn’t resist to take some images.

Now we also took some of the more boring white backgrounds but when we do product shoots I also always like to add some “special set” shots. With handbags for example. We build a small set fitting the brand and took some shots in there, with fancy lighting. In most cases, we do this for free (and fun) but clients often end up using those images also.

How I shot this product, the guitar pedals

For this series I decided to shoot it at home with a combination of a Lumecube with a snoot and two Nanlite led tubes on the side.
The challenge was to get the Lumecube in exactly the right place, but luckily we could use the K&F concept tripod I’m using for my iPhone video setup. This is an awesome tripod because it can act as a boom arm, making it ideal for shoots like this or using phones in video setups.

Here is the behind-the-scenes setup for both pedals.

A little bit of set styling

The reason I shot this at home was mainly because it was the best location 😀
This is the area where I create my music and also host live streams when I do seminars for clubs or Digital Classroom episodes without live shoots.

I love the carpet here (somehow most guitarists seem to love them) so I wanted to use that as my “base”
Because it’s a pedal I chose this vintage-looking amp because it’s pretty neutral-looking and stands close to the floor. So there is no problem fitting it in the frame.

Of course, you also need a guitar. Here I chose a custom-built guitar for the nice wood look which I think works great with the color of the amp and the carpet. Also, the finish has a very high gloss which makes it harder to light. But the effect when done right makes it possible to use just a little bit of light to see some details.

For some “fill,” I used my favorite-looking microphone, a nice Marantz Ribbon mic.

Lighting

As mentioned I’m using the Lumecube with a snoot and two Nanlites tubes on the left and right.
I love using accents with red and blue because both are on the same axis in the colorspace they blend together really nicely and both are also the so-called “emotion” colors so for me personally it’s a combination I use a lot.

Placing the lights is vital if you want details in the guitar without getting too much glare. However, around the edges, I did want just a little bit of reflection making the guitar stand out. After finding the right spot you can fine-tune the spread by just turning the tube very slowly and keep looking through your camera.

Ok… let’s show the results.
I did use just a little bit of BorisFX for special effects.
Get a 15% discount on BorisFX by using our link.

PS: if you like this blog about product photography (from guitar pedals), let me know! Find me on social media.

Behind the scenes during the Zebra photoshoot with Nadine and some great styling

January 31, 2024/in blog, Visions and technique, Webinars and instructional videos/by Frank Doorhof

In todays blog post we take you behind the scenes during the Zebra themed photoshoot we did with our Model, Stylist and good friend Nadine.

See how we build the set, which lighting we used and of course you get to see the end results.

If you have any questions feel free to ask.

read the blog about Creating Patterns with Adobe AI

Creating awesome zebra patterns with Photoshop AI

January 29, 2024/in blog/by Frank Doorhof

Creating patterns with Photoshop AI

WOW.
I knew that the generative fill from Adobe was great. But sometimes it all works great in demos, but not in real life. And to be honest that was a bit my experience so far. It was a bit hit-and-miss. But Adobe constantly improves and that’s visible. In today’s blogIn today’s blog, we take a look at what Photoshop AI did in this amazing zebra set with stylist and model Nadine

Generate fill in Photoshop

I don’t use generative fill a lot to add things to a scene. Mostly to extend backdrops, add some hair or skin, etc. You could say I use it to speed up my workflow but not really change my images. Well ok, during the cosplay workshop, we go all out but that’s also clearly visible 😀

Creating zebra patterns with Photoshop AI

Today some images we took with our model/stylist Nadine.
For months, I had this idea with zebra prints. And we started buying material until we thought we could pull it off.
Nadine owns a great vintage store so the clothing was not a real problem in this. The main issue was that we did not really have enough material to cover the whole wall and for the floor, we only had a relatively middle-sized rug.

As you can see in the images…. Photoshop did very well. I was mostly impressed by the perspective on the floor.
In some images I actually hid some zebras in some of the final results… can you spot them? 😀

this is the best example of what Photoshop AI can do. It added more patterns.

Make a close up and you don’t need extra patterns 😉

Only the backdrop in the middle and the rug is real, Adobe Ai did the rest

Another blog with styling from Nadine

and another Christmassy styling with Nadine

A set built with isolation blankets for… zero

January 12, 2024/in blog, Visions and technique/by Frank Doorhof

A set built with isolation blankets?
Why not?

Today in the blog some images we shot with our model Trista during a recent workshop.
We recently had the studio roof replaced and of course, that also meant that we have some stuff left, including some isolation blankets.
The moment we saw them we knew we had to do something with them.
We have already built sets with rescue blankets (gold/silver) but these were a lot larger. And in the end, in all honesty, it just didn’t work in this set. But I think they would be awesome as a background for portraits, so I think you will see them again in the future.

Let first, start with the initial setup. We used our movable walls and taped the isolation blankets to it.

As you can see the set is far from perfect, but somehow it also works.
Here I’m using the mirror to mirror the legs and the accent lights, I talk a lot about walking around the model to get a different kind of contrast, here you can clearly see what the angle does on the legs, this is not photoshoped 😀

Of course after that I oped for more close ups, mainly because I didn’t like the set for full bodies.

This I liked a bit better, but I also tried one from the back.
And to be honest I’m still in doubt between the two which one I like most.

Angles, angles and again angles….

And as usual, always try different angles.
I can’t tell you guys enough how much impact the shooting angle can have, not only in lighting but also with the total way the image looks.
Lower angles will often give a “hero” feel, where higher angles sometimes give a really cool effect.

Adding some color….
Or a lot

After the “standard” setup I opted for a lot more red in the scene.

Now be warned, these images are far from the run of the mill images, but sometimes I just love to go to the extreme sides.
In this case I opened the aperture a lot (to the point of overexposing) just maintaining the highlights in the skin, I didn’t want the skin to overexpose, this often looks awful in color shots, the only thing you could do is convert it to black and white where we are often a bit more forgiving for overexposure. But best is to keep it just below overexpose on the skin, you can always go to black and white later if you want.

Im adding a Rogue omnidirectional dome here with a magenta gel, and although I’m still using the mainlight the red really overpowers everything giving it a totally different vibe.

As you can see by just adding some color you can change the look of our set built with isolation blankets completely. Just make sure the model covers up for certain angles.

Feel free to reach out with questions.
A like and share on social media is highly appreciated.

Check out the short about the rescue blankets

Subscribe to our newsletter

Tag Archive for: set building