Tag Archive for: how to

The awesome low light setup for glamour

/0 Comments/in , /by

Today part II in my favorite glamour lighting setups

In the previous article we talked about a more flat light setup, today we are going the opposite direction. As mentioned my favorite photographers were often working with high contrast and low key setups. So today I want to share one of the most awesome setups for glamour in my opinion. And you don’t need a lot.

For the main light it works best when you use a striplight, it can be done with a small softbox and grid, but if you want that nice “beam” of light effect a striplight works best.
In this setup I’m using the Geekoto 48″ striplight. I started with the smaller 36″ version but to get the light the way I wanted from feet to head I ended up using one step longer. The nice thing about these two Geekoto strips is that they are both the same width, so you can really mix and match them in setups without losing focus on the model.

The same effect can also be done with the Rogue “Frank Doorhof” Flashbender in stripligh configuration. Meaning you can always use this setup on location or in the studio with just one strobe and a very portable light source.

The trick is to place the light behind the model aimed slightly forward, now change the height for the area the light will hit, higher means the area lit will be wider, placing the light closer means the beam of light will get narrower. The angle and the depth of the grid determines the light hitting the background. If you have the perfect setup but need more or less light on the background and you can’t solve it with angles or grids… keep everything the same but just move the model and the light backward (more light on the background) or forward (less).

The effect is great and really nice for body scapes and moody shots.

Shot during a recent workshop with Claudia.

And of course always include some extra images where you walk around your model.
Sometimes it works, sometimes not and sometimes it will surprise you… but that’s a story for the next blog post.

 

 

 

The lighting setup for awesome glamour

/0 Comments/in , , /by

Vintage and pin-up photography and lighting

I love vintage glamour and pin-ups.Starting with George Hurrell, Avedon, Newton, to David LaChapelle.
And when you also want some insights into one of the best models in this genre, pinup/burlesque, make sure to check out Dita Von Teese, who wrote a great book about both being the model, stylist, and makeup artist.

In the next two articles, I’m going to show you two of my absolute favorite setups with vintage and pin-up photography and lighting, but on both sides of the spectrum.  Today, I’m showing the always awesome high contrast/flat lighting setup.

 

Flat lighting for pin-up photography

It might sound like a contradiction, but even with flat lighting, you can create some great contrast.
With low-key lighting setups, we play with shadows. With this technique, I’m actually working with accent lighting and highlights, which makes the depth of the face/body of the model jump out a lot more. Plus it looks great on shiny materials, and if you want, you can also get some lens flare.

The lighting setup

The setup is pretty simple, but you do need some strobes.
Mostly, I’m using a large softbox or umbrella in the front from a larger distance from my model than normal. This is done because I also want light to hit my background. So, due to the inverse square law, you can determine how much light is hitting your background.

Move the light further away from the model if you want more light on the background. Move it closer if you want less light on the background (of course, you have to re-meter the light on the model when you change the distance).

Accent lighting

For the accents, I love to use two strip lights with grids.
I’m using the grids because I don’t want double shadows on the floor. And because the accents are aimed towards the camera, this can happen very quickly when you are not careful. So, we aim the strobes mostly slightly up when shooting full body, the grid does the rest.

And finally, I’m using one strobe with the Rogue magnetic system with grids, or the snoot for the spot in the background.
In this setup, I like to overexpose my model slightly when shooting to get an extra “glow” in the skin.

Beware:

If the accents are too close to the model, you can get lens flare.
You can move the lights further away or use flags to prevent the lens flare.

The examples during this blog post were shot during a workshop with Claudia. And in most, I kept the colors pretty low in the blues to make the red jump out more. But as you can see, sometimes also boosting the blue can be great and striking. It’s in the end a personal choice, or just deliver both 😀

Vintage and Pin-up photography and lighting

Want to see the lighting and how we photograph these vintage and pin-up set?

In this video, you can see a similar setup during a workshop.

And the images

Vintage and Pin-up photography and lighting

See www.fotografie-workshops.nl for the workshops

 

The power of the expression

/0 Comments/in /by

Lighting and styling is essential

We probably all know that proper lighting and styling is essential for a successful photo, but for me personally it’s the start.
During the photoshoot I try to think about the proper posing of the body, the hands, the shadows, the background etc. In other words a lot of stuff going on. This also means that we often forget to think about expression.

Now in all fairness it’s not always the most important thing, although looking neutral is also an expression of course, but in most photography I think the expression can make or break a shot.

Let’s take a look at these 2 shots from our awesome model Claudia.
First image she is looking almost straight through the camera, powerful and almost arrogant, LOVE it.

Just tilt the head a little but, add a touch of a smile and as you can see we have a totally different vibe in the shot.
And trust me, it’s not just the smile, its the eyes that react to the (real) smile and the tilt of the head also gives a lot of extra expression to the final result.

So how do you do it?

In the past I tried different approaches ranging from showing images, telling the story behind the shot to get the proper expression, coaching etc. it all yielded results but in all honesty it was not easy and certainly not always “bingo”.

What I mostly do nowadays is just make sure my model is 100% at ease and has a “click” with me and the team.
This means the model is at ease and you can make her/him laugh without doing a lot of work.

Some things to take into account

A smile is with your whole face and body. If you just move the mouth it looks fake.
Make sure when you talk to your model, she/he can’t talk back. This sounds a bit mean, but imagine shooting a model that is talking 😀 You got it right?

So just make the flow in shoot nice and relax and if you want a laugh, don’t tell your model “Laugh” but just make a funny comment and just say “ok let’s have a real airy/funny or whatever look you like” and in most cases the models will just laugh and when you click, you got it.

 

During the workshops we don’t just talk about lighting and styling, getting the CORRECT shot is a vital part of the workshops.
Do you want to visit a workshop in the Netherlands… visit fotografie-workshops.nl for more info.
If you don’t understand Dutch please let us know a few weeks in advance and I can switch the workshop to English.
And if you can’t travel, check out our online 1:1 workshops (they are awesome :D)

Black and white or color or let’s do both

/in /by

Some things I never do, Black and White and color!

We all have said something like this when it comes to our work. Model photography in black and white and color. One of the things I hardly use myself is selective coloring, and yeah, sometimes it looks great. But somehow in my work, it’s always a matter of keeping all colors and even enhancing them or converting them into black and white. But sometimes…

Amazing costumes ask for amazing light

During an online 1:1 workshop we got some amazing costumes and for the final set, our model Linda was wearing an awesome red hat and vintage outfit. I immediately felt an old-fashioned movie star vibe.
So, for this I wanted a spot effect on our model to make it look like a theater spot. You can use a fresnel for this like the great Nanlite Fresnel but if you want total control?  The Lindsay Adler Westcott optical spot is much better because now you can control the sharpness of the effect with the focus of the lens. And for this shot, I wanted it razor sharp.

Black and White and color.

Now that I had the shots, I just loved the black and white version. But the color one was also great due to the reds. (I just love red)

I like the image in color

I like the image in color

Black and white and color

But i also like it in Black and White

As you know, I love comics and movies, and when I was doubting between the color and BW version, I had this idea of “sin city”
And that would mean selective coloring…… but in this case, I think it is more than just an effect; it really made the image jump out. So I bumped the contrast a bit and mixed the two together.

Black and white and color

The result: black and white and color

Remember that nobody tells you you can only have one version of an image 😀

During the workshops, we always try to do 3-4 totally different sets, and this is just one 😀
Also, want to visit a workshop?
Visit fotografie-workshops.nl for more information. The workshops are in Dutch, but if you let us know a few weeks in advance,e we can switch to English.
Don’t want to travel?
It’s also possible to book a full day 1:1 online workshop, see here for more info.