Without a doubt something I love to do is to create a mood in a shot.
Much to my surprise I get a lot of questions were people show me totally “flat flashed” images and ask me “how do I go from this to your work, which filter do you use ?” well…… the magic Frank Doorhof filter is still in beta and ….. well ok I will tell you in this blog post.
We are just back from the Professional Imaging 2011.
3 Days of trade show, seminars, workshops and networking.
For me the Professional imaging is always something I look forward to but also three days of very intense work, I almost constantly demo on the booth from Fotoflits (Elinchrom) and have meetings with people that follow my work.
Here you can see the video from day 3 (the last day)
A lot of people ask me about those little things that really are necessary to own.
If you look at the gear guide on this page you can already see some of the items I will mention in this thread. But I think it’s interesting to also do a small blog post about some of the items that will save your session, or add some amazing creative options…..
So here we go.
For me teaching workshops on locations is one of the most challenging and rewarding things I do, it forces me to do things differently and see things in a fresh and new way. That’s also one of the things I always try to teach my students, know your gear and theory so you can shoot in any possible situation and deliver a good image. I’m therefore a big supporter of the idea that shooting on locations at least once every week or so will force the photographer to grow much faster than if he/she only shoots in the well known area of their studios. Because of the workshops I teach I’m often asked by companies and clubs to do the workshops in their (or an arranged) location and as you might have guessed it’s always something I really enjoy.
March 6th it was time for the Kamera Express workshops with as theme, “Strobist”.
You might have noticed that there is a lot of strobist stuff going on lately with me and that’s true. I’ve always been a huge fan of “big flash” but after a nice chat with Joe McNally (who pushed me into “small flash”) I decided it was also time to add the “small flash” or so called strobist way of using flash into my workshops. However I try to do it slightly different, in this blog post I take you backstage with the workshops I did for Kamera Express, you can see the backstage video at the end of the blog post (or now) and you can see my favorite shots of the day. I will also explain the techniques and vision behind the shots.
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