Tag Archive for: clickpropsbackdrops

Results from the glamour workshop with Claudia

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Today it’s time for some results from the Glamour workshop with our model Claudia.
During the workshops I of course give a lot of attention to lighting techniques, but I also feel that styling, pose/expression and styling are all part of a successful photo.

So for the first results I’m using the Lindsay Adler Westcott projector with the blades to create the triangle effect. This is an awesome light modifier with almost limitless options. For fill I’m using a blue gel because otherwise the sides would be totally black which I don’t think helps the image 😀

While shooting it’s important to not be fixated on one location or angle, as you can see in the results, the lower angle shots are clearly giving a totally different look to the the image. In my opinion a much stronger result. But the straight on results are also not bad, so always shoot both, sometimes the client will totally fall in love with one set and the next the other, so make sure you shoot both 😀

 

Also for the next setup I’m switching locations.
Make sure you setup your lighting so that it’s easy to walk around the model and you are able to shoot from different angles without having to move the light.

For me the red really adds to the image, so I wanted to make sure the color really jumped out. By using a smaller light source and a reflective material the colors really jumped.

The first images where shot from slighty above the floor.
For the images from above we used a simple kitchen ladder. (one of the best studio props)

For the next setup we played around with lens flares and how one color can totally change the image.
I’m using our Clickpropsbackdrops here with a blue undertone, by adding red it creates a beautiful combinatie.

For the final setup we used our Red Metal backdrop which for me fitted the outfit perfectly.
Lighting was one Hensel striplight from the side.

 

For me personally lighting is very important, but you can have the best lighting in the world, if the model doesn’t look the part, or the background is not fitting for the shot it all fails and you end up with an beautifully lit image that isn’t pleasing to look at.

For me a successful image is a combination of the lighting, the color scheme and of course the styling/pose/expression of the model… If we look the last image for example, the background really makes the image look the way it does now, but imagine just a white background behind the model, or a forrest….. so always make sure you don’t just pay attention to the model and lighting but also for the backgrounds and the colors the model is wearing.

Behind the scenes during the workshop “smoke” plus how I shoot tethered to the iPad pro

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In today’s episode of behind the closed DOORs we talk about tethering to the iPad pro
And I take you BTS during the workshop smoke with our model Linda.

During the video you see all the results but in the blog post one of the sets 😉

Enjoy the video and dont forget to subscribe. We have a lot of different videos ranging from behind the scenes to reviews and tips and tricks. Plus of course our regular live streams in the digital classroom series

Adding loads of mood with light in light

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Claudia against the “graffiti door” from #clickpropsbackdrops

I shot this with the new magnetic #rogue system on Nissin speedlights.
The system is designed for the popular round strobes, but it can also be used on most speedlights via a special adapter, which is available in both standard and small to fit 99% of the speedlights out there.

See www.rogueflash.nl for more information.

I quite like the harder shadows that a spot gives on the model, but this also means that the shadows can be quite dark/intense. By using a fill-in with, for example, a blue gel, you can give the scene just that little bit of extra spice and mood. The Rogue Dome is ideal for this because it spreads the light very nicely, vary the output of the fill in strobes to get the desired effect is the only thing you have to do.

And it doesn’t stop there, you can even place the dome behind the model and then point it at the camera for a cool lens flare effect.

If you work with round strobes or speedlights, the magnetic system from Rogue is definitely highly recommended.
In combination with the flashbender, I wouldn’t know what else you would be needing on location or in the studio, and it all fits easily in your camera bag, even if it is almost full.

If you have any questions, don’t hesitate to ask
Or check out our YouTube channel with loads of lighting examples.

What we did during the workshop with Lois

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Today a few results of the workshop with Lois.
During the workshops there is always a theme, but within the workshops the rest is free on the base of what the group wants to learn, this way you always experience a workshop that is exactly tailored to your needs.

The theme of this workshop was “essential lighting techniques” based on the Tutorial with the same name (I highly recommend getting that one), I sometimes call this the “starters” workshop but actually that is not entirely true, this is the workshop where we work with more standard setups such as the butterfly and Rembrandt but this is often quickly supplemented with adjustments to make the image a bit more spectacular.

During the first set we use a Brown Punch background from Clickpropsbackdrops.
This is a very nice background which can be used in almost any situation.

In this set I only use a softbox from Hensel with grid focused on the model but in such a way that there is also some light in the background.

In the next set we use the Earth stacked master background.
This is a background with a fantastic 3D effect, this is of course fantastic to process in a light control workshop, or always pay attention to how the shadows fall and you can get fantastic results.
As an extra flash I end up using a blue gel here for some extra atmosphere and accent on our model.

With this set it was not only important to make it look like we were really shooting on location, but I also used a technique here where I color the set via a fill in flash with gel. And as you can see from the focus effect, I have used the Lensbaby here. The graffity door 1 background is awesome for this kind of sets. You can really use if for story telling, and I absolutely love that in backgrounds.

This remains one of my favorite setups for beauty portraits.
Of course, there is a bright background, and in this case I have chosen the Sweethearts.
I use a triflection system here to open the shadows, and the sides of the clothes. On both sides are strips with grids that provide a considerable output. By feathering this I get a lot of lens flare, this lens flare is turned on even more by the K&F Concept Black Mist filter. You can see an ascending effect here from no filter to 1/4 and 1/2.

Lets start with no filter.

Now we move up to the 1/4 strength

Ok now lets start to add a bit more lens flare by switching to 1/2 and playing a bit more with angles so we can also get the left strobe in better, due to the added strength both will now be easier to capture.

And the final result with an added vignette.

And finally it was time for the set.
This is a really fantastic part of the studio to get creative. I use the Antique wall navy as “main background” and on the top to create a corner a ProFabric Chintz reclaimed, I chose this because it is quite dark and I can easily use it as a very dark background in the photo but still show some detail due to the print so that the photo / set looks a bit more “organic”. But the material also responds very well to color gels and can even be illuminated from behind, so it gives me a huge amount of possibilities. On the ground I use a floor part from ClickPropsbackdrops. A big advantage of loose floorboards is that you can change freely and thus build up a much larger variety than just the floor that is present in the studio.

Besides the main light I’m using a red gel here, because the light is pretty far from the model the 1/2 strength KF concept filter really helps with the lens flare. When the lights are close to the model the 1/4 is a great allrounder but when you want a bit more room in the set the 1/2 is absolutely awesome.

The first image is without the red gel, I already love the way the effect of a real location is created. The vinyl prints are really awesome on photos and add to the illusion of being somewhere else.

But let’s start by adding the red gel and see how the background material responds to the light. This is something that is often overlooked, but every material will respond differently on lighting. And I just love the way the Vinyl mixes the colors.

In the coming week we will release a video per set with an explanation of the lighting on our YouTube channel

You can get everything I use in our webshop via www.frankdoorhof.com/shop