About technique and more.

And now for something completely different digital vs VHS for music

/in , /by

Yes you read it correctly

As you might or might not know I love playing guitar and recording music.
Every minute I can get I’m playing around in our Home Studio we build during Corona.

I don’t have any illusions of making it as a songwriter or musician but I love experimenting with sounds, modes and recording techniques. It’s probably no surprise for people knowing me that my gear is mostly vintage tube amps, older guitars and of course vintage studio gear. Still love the Alesis, Digitech and Lexicon gear. Somehow due to the imperfections it just sounds beter.

To make the connection to photography, when I shoot with older M42 lenses there are a lot of downsides but somehow it just inspires more and the images have “Character” it’s hard to explain but you just see and feel it under certain lighting conditions. The flares of an old lens are just so much different, same as the bokeh. But ok, todays topic is something else.

Digital all the way

Today it’s not strange to go all digital.
Well ok the guitar is still analogue (I hope) but most guitarists will probably play over a modeller.
For me it’s a mixed bag. I love modellers but I still feel that a real tube amp is still king.
I’m in the lucky position to own a few older models and they are… well just awesome.

When I grew up my first one company was a recording studio which I ran together with a friend.
There we wish we would have the options you now have in a laptop.
I had to work with 2 consoles, one for drums and one for the rest.
Recording was done on a 8 track (which was very nice for that time and the size of our studio) reel 2 reel deck which had to be aligned every single recording. We were saving for an ADAT system but before that happened my fried decided to use the building for something else.

Many years later I picked up playing myself again and was literally shocked by the options you have now.
When I was starting I owned a 4 track Tascam which immediately made me one of the most sought after bandmembers, a bit like the PA from David Lee Roth 😀
I still own the recorder (but it’s doesn’t work anymore) and the main problem was that you had to bounce almost everything because 4tracks was very limiting especially when you wanted to work in stereo.

Now a days we have almost no limit to the amount of stereo/surround tracks and how many effects you want to use. We had to work with one Reverb unit 😀

At the moment I’m recording in Logic and using an X32 console.
Somehow mixing or recording in the box feels very unnatural and having loads of sliders feels like home.
The X32 has this really handy feature of recording your song on a USB stick via an internal recorder. Just pop the drive in your PC/Mac and you’re ready to master.
The results are great.

But…. there is always a but

Don’t get me wrong the sound quality is amazing from the X32 (well more than enough for me).
But I always have to grab some tape emulation plugins to tame the sterile highs I often hear from the drum samples and keys.
In the past I tried a few older reel2reel tapes and dump the stereo mix there before mastering and always came back disappointed, yes the sound was there that I loved but it was messy, lost definition and it wasn’t in sync. And spending 400,00 on a reel2reel that is 100% correct (for how long) is not something I’m willing to spend.

So…
The idea came to test out a device you probably would not expect in a recording setup.
An Hi-Fi stereo VHS recorder.
Now it may seem weird, but it’s not.
When I grew up, most music was spread on tapes and even with Dolby noise reduction and great players the sound quality was nothing near the very expensive CDs.
Until we started to experiment with BetaMax and VHS recorders. Especially the Hi-Fi VHS recordings sounded great. Beta was still beter but compared to even the best cassettes this was a huge step forward, and you could get loads of music on one tape.

So that got me thinking.
The recording technique on VHS is different from tape, so you know you’re not going to get that real tape magic, but let’s be honest anything that doesn’t run at very high speeds and has the proper width will not, and those decks are horrendously expensive. So I dug up our VHS recorder, blew of the dust and ordered a new tape.

The test

Now this is of course just for fun.
I recorded the same mix simultaneously on both the VHS and USB stick.
After that the VHS was routed back into logic via the interface.
In logic I selected both tracks and did the exact same mastering workflow, this time I did not fine tune anything to make sure I didn’t change anything by accident and uploaded the two files here for you to compare.

The outcome might surprise you.
I advise headphones or a really good set to listen to the details.

Click here to download the files
VHS mastering
USB mastering

The song

The song is called under the balcony.
It’s recorded during the holiday on an Ibanez Tod10N.
This is a nylon string acoustic electric guitar.
I hope you enjoy the song and the test.

If you also record music or a podcast and you want to be available on all streaming services and want to keep your revenue, but also get nice art for releases and landing pages.. check out distrokid. I’ve been with them for 2 years now and it’s a great service. Songs are released for free on all streaming platforms (even more than I knew existed) and you get a nice overview of your revenues. And if you use our link we also get a nice bonus.

Want to hear more of my music?
Check out your favourite streaming service or
https://soundcloud.com/frank-doorhof

https://www.bandlab.com/frankdoorhof

 

 

The highlight of the year, the Wibi Soerjadi concert 2024

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Live photography has its challenges, but I love it

Every year has its ups and downs. But for us both as a family and as photographers there is one highlight that stands out.
The Christmas concert in Het Koninklijk Concertgebouw Amsterdam with Wibi Soerjadi. The Wibi Soerjadi concert in 2024 was his 30th anniversary.

Wibi and I met many years ago without any connection to photography. Still, we talked about it, and before I knew it, I was shooting my first real international celebrity. I can already tell you I was incredibly nervous, but Wibi was absolutely nothing like I imagined. He was very creative and knew what he wanted, but he was 100% open to the photographer’s opinion.

 

Wibi Soerjadi Concert, 30th anniversary

At the end of the year just after Christmas Wibi ends the year with an always sold-out concert in one of the best-sounding concert halls in the Netherlands, Het Koninklijk Concertgebouw Amsterdam. When he asked me to shoot some images I started from the balcony with a long lens. I was sitting in the family part so we had a great view. But the images… well were basic. So we started talking about how we could get something more interesting. The problem is that with most concerts and especially classical concerts, it’s not allowed to shoot for a longer period. And of course, I also had to abide by that rule. So the next year I did get some better images but at that point, I think also Wibi started to have fun with the whole shooting of the Christmas concert so we started to joke around how to make it even better.

Wibi Soerjadi Concert 2024

Wibi after the awesome Queen transcription at the 2011 concert

Better locations and more spectacular every year

I said “Well maybe when I lie under the piano” to which he replied (If I remember correctly) “Yeah, we’re going to do that”.
Well, in all honesty, I’m a pretty shy guy, and that idea I did not want to execute, but at that point, we did decide to take it one step further—shoot from the stage.

I was incredibly nervous, first of all with this chance but also with all the challenges you get when shooting under those conditions. But it went great… but we wanted more.

Over the years, the Christmas concert grew into something that overshadowed everything I ever saw from a solo artist.
I think it’s a shame he never played with the Concertgebouw Orchestra, I think they would sell out for a long period.

Last year’s concert

Last year I shot some of my best live work ever. But this year Wibi decided to up the ante and really push the limits (wait till next year).
The problem with a lot of different lighting setups is that I have to choose my spots very carefully.
Although I’m an all-access area photographer and am allowed to shoot from every location during the show I still have my responsibility to the visitors who paid for the tickets and don’t want to be disturbed.

Wibi Soerjadi Christmas Concert 2024

For me, this meant this year I started on the podium at approximately 1-2 meters away from Wibi.
Right after the break I ran to the balcony and shot the second part of the concert from there for more oversight shots. The lighting on the stage is totally different from the other side. After the last notes, I had to run through the building to end up right in front of the stage for the final encores. This is one of my favorite locations to shoot due to the extreme angle which gives it almost a rock concert look. It’s not a series you can use for everything but it does complete the concert for me.

The gear

Today I show you a very small selection of the images I shot.
Thanks to the dynamic range of the modern cameras (A7RV) and low noise (or Topaz/Lightroom Denoise) the quality of the full resolutions are absolutely breath taking.

For the wide angles, I used the A7rIII with a Sigma 12-24
For the other shots the Sony A7RV with the Sony 24-70 F2.8

I hope for the end of the year you have some time to enjoy the images.
And for 2025 we wish you all the best and hope that 2025 will be a much better year than 2024.

CLICK ON THE IMAGES TO START THE GALLERY
And see them in the correct aspect ratio

last year I also made a short BTS video

Working with a scenic backdrop tutorial video

/in , , /by

A warm scenic backdrop

It is a great start, but you can do much more with that backdrop than just use it as is.
In the previous blog post, we discussed creating depth in a scenic backdrop and I showed you some examples.
Today the video we shot during the workshop with Felisa where I explained the lighting setup and of course, how we build the set.

If you have any questions feel free to reach out, or leave comments.

 

Check the Scenic Backdrop Tutorial below

How to create depth in a scenic backdrop set

/in , /by

Today it’s about depth

Don’t get me wrong, I have nothing against creatively using AI. But for me using it to replace backdrops in all your shots, or even worse creating something from text to image and calling it art. Well, it’s not my thing. Today I’ll show you how to create depth in a scenic backdrop set.

When I shoot or teach the workshops I always try to use materials and backdrops in the studio. This means my images are 99% shot on set.
I always leave some marking, because I also use generative fill to extend a backdrop. Take out some things I didn’t see on set. Or just extend a set. But the whole idea, setup, etc. was done as much as possible in camera.

So why is that so important to me?

When I look at a picture I want to see depth.
And this is the one thing often lacking in AI-replaced backdrops, yes it looks great for an SF set, or Cosplay (use it a lot in those setups) but when you try to create something real, at least for me, it mostly fails because the backdrop and the model don’t “connect” in a natural way.

But what is different from using a scenic backdrop you might ask?

With a scenic backdrop, we use a backdrop that literally has a scene printed on it.
Using this as a backdrop can give you a great sense of depth even if it’s just a flat print. The reason is that if you place your lighting on your subject correctly and match the angles on the backdrops (very important to read the shadows), your light, model, shadows, etc. will all interact with the backdrop. Thus creating a much more believable setup.

But that’s not all.
It’s still just a model in front of a backdrop. This is why the least you can do is for example use a chair that is similar to the backdrop in style/color. Or maybe just the opposite (be creative). By angling the chair and your subject, and matching the light mood/color and angles you already have something really nice looking.

How to create depth in a scenic backdrop set How to create depth in a scenic backdrop set

But of course, we want more

One part of the workshop is set building.
And the scenic backdrop is great for this. this backdrop can help enormously by creating depth.
By adding props to the set you can not only create more depth in your image but it also looks a lot more realistic. Our mind seems to have less trouble with the “flat” background if it sees a lot of things in front of it.

During the workshops, I, of course, love a challenge. So in this case I added several continuous lights in the setup.
I’m using a nice focussed beam of light on my model via a small softbox on the lowest setting. And use the shutter speed to let in the amount of light from the continuous light I like.

How to create depth in a scenic backdrop set

So far so good, I really like this shot.
But when you want the sense of depth to be a bit more exaggerated it can be nice to also take some shots closer by with a wider angle.
This really draws the viewer more into the shot.

I also always tell the attendees of the workshops to shoot from different angles.
By changing the angle you can change the mood of a shot almost completely.

In the first image, I’m shooting from an elevated position down. It’s not my favourite shot to be honest but it does give you a different view.

When I shoot from a lower angle the whole look changes. Of course, I also asked our model Felisa to take a different pose, for the simple reason it gave the shot much more depth by the leading lines. But also much more power which was more fitting for the whole angle. But of course, opinions differ and that’s why it’s always smart to shoot from all angles 😀

The workshops

How to create depth in a (scenic backdrop) set is one of the questions I get a lot in the workshop

When I teach a workshop I always start with a Q&A
During the Q&A the attendees can ask whatever they want and during that period I actually “build” the workshop. This means all the questions are incorporated into the sets we shoot that day. This way I can always challenge myself, but also have different kinds of images for the attendees and myself. Every single workshop is unique.

If you also want to visit a workshop, check out photography-workshops.eu
All workshops are in Dutch, but if you let us know in advance we can change them to English.

If you can’t travel to our studio, we now also offer full-day 1:1 online workshops.
In our studio, with a model, 4-5 cameras, and a direct line for questions, plus you get all the RAW files to play with.
For more info: see here