Tips on fleamarkets and buying old cameras and lenses

In todays blog post some images I shot with the Huawei P20Pro during a visit yesterday to a flea-market, but also a few tips and visions, because a lot of people have been asking me questions about where to get those cool old lenses I shoot with, and how much they costs.

“This one really damaged nicely….. you can see the bottle and the text….”
Yep… but 165.00 was a bit out of my price range.

Fleamarkets
Now a lot of you guys ask me about my “obsession” with flea-markets, and in all honesty it’s not that hard to explain. As a photographer it’s just a mix of colors, old fashioned stuff, structures, characters (oh the characters you sometimes find are amazing), and …. well not unimportant we actually buy a lot of the props we use during the workshops and shoots at flea-markets, but there is more.

When you go to second hand stores often the people know exactly what they are selling. They get the stuff for free (in most cases) and make it look nice again (if necessary) and sell it. Don’t get me wrong I absolutely love the concept but over the years I did find out that it’s not always the cheapest way to buy, flea markets are.

Most people selling on flea-markets are consumers just like you and me the stuff they sell are in 99% of the cases not the stuff they want to carry back home again, this really helps when you want a bargain (trust me), so the larger the object the more you can probably get the price down. We have bought some larger objects for the studio for half of the asking price.

But also when you shop for vintage lenses, flea-markets are absolutely awesome….. I hope I don’t push you all towards my hunting grounds now…. but hey here we go.

Now this might sound mean, but it is absolutely not meant that way.
On almost every flea-market you will find some cameras with lenses, for me the cameras don’t really excite me (although I’m still dreaming about finding a Leica somewhere for 10.00) but the lenses I just love to collect and shoot with on the Sony. They all give a unique look so you can buy 10 50mm lenses and they will all give you different results, it’s a fun hobby. Now we can actually start to see the difference between a place like e-bay, marktplaats, second hand store and a flea-market.

When you’re shopping for old cameras and lenses the most expensive often is e-bay, people can start to bid and before you know it prices have gone up, and sometimes so much that you might wonder why someone would pay that amount of money for old “stuff”. In second hand stores you’re sometimes lucky with lenses, unless someone knows what it’s worth. In Emmeloord they often have cameras etc. behind glass so you know that you pay for it, I also saw some second hand stores where they actually have like bins with old lenses, those are often treasure hunting, but in all honesty I don’t see them a lot.

So that leaves us to flea-markets.
Often the products sold there were found on the attics, or somewhere in a closet and you can really get some cool bargains. Over the years I’ve learned to recognize certain lenses and series and cameras that might be interesting but even then, there are so many variations and versions that it’s almost impossible to know for sure if you hit the jackpot or if you just bought a lens with (let’s keep it positive) a lot of “character”.

LIGHTMETERS !!!!!!!

So what to look for?
Well in essence you can get convertors for almost any lens out there for the Sony system.
When you’re shooting canon or nikon you have to be a bit more careful, due to the flange distance (distance between the lens and the sensor) not all lenses are working good on your camera, often losing the ability for example to focus to infinity, which might not be that bad for a portrait lens, but can be a disaster for another. When you’re shooting Sony… well almost anything goes.

My main focus is however on :
M42, M39 and Leica-R

M42 is the most found lens, it’s a screwmount that has been used for many years, mostly we find Praktica cameras over here that have used that mount. But you can also find it on Pentax, Yashica, some Olympus FTL, Voightlander Bessaflex and some more, it was a very popular mount.

Now Leica-R I can be very short…. never found one on a fleamarket

M39 you might see more than you think, this is actually the Leica M (rangefinder) mount, but was also used by several older cameras, this means that if you use a Techart AF module (like I do) you can actually mount these lenses straight on the Techart. And because sometimes companies tried to “copy” Leica you might end up with really glass on a “crap” camera or you can get a real “Lomo” experience (meaning, really bad glass in a “Leica” mount and look).
Look for cameras from Leica, Voightlander, Zorkis, etc. there’s a book with more than 300 copycat cameras that copied Leica. Again don’t expect a lot from these lenses, but if you’re in the Lomo movement these rock and are probably exactly what you look for.

You can find almost anything

Now let’s talk about pricing
Online you can often see what lenses are going for….
Sorry
Online you can often see what people think the lenses are worth
Sorry
Online you can often see what people hope to get for their lenses

Ok sorry that was not nice, but it does represent some prices.
I’ve seen Leica R lenses go for double the price I can pick them up at B&H for. But if you look at the right sites (there are many) you will get a good overview of what other people paid for it, and also how the lenses perform and which versions to look for, personally I often surf to https://www.pentaxforums.com/userreviews/ And although I don’t own a Pentax this site has almost all the lenses I own listed with good reviews and a proper pricing range (what others paid).

So what do you do when you see a camera with a lens
Relax and take a deep breath.
Just ask what they ask for the lens, I’m always straight to the point with this, this really helps because they often only want to sell the complete kit, and by showing you only want the lens this helps to get the right price (well I think it does). Often the seller will ask you what you would like to offer. Now please try to be honest, if I know something is worth a lot of money I will not start at 10.00 Euro but I will actually just offer about 1/5th of what it’s worth, remember that they probably think it’s worthless and the prices online are “for the ones looking for it”, so it’s never a real market or fixed value. In other words when you have to sell it… well try it, it’s much harder than you might think.

If they sell that’s great, if they don’t I can always go up just a little bit, but in most cases they take your money and look all happy, well great… they are happy and I’m happy.
Now overall this means that you buy lenses on flea-markets for anything between 5-10.00 euros. And sometimes you’re really really lucky. I recently bought a zebra lens for 2.50 Euro which online goes for anything between 100-450.00 and mine is in mint condition. But this is actually the biggest “BINGO” moment I ever got, and the reason I got it so cheap was because of the “behavior” of the seller, I just didn’t feel that he earned the money so to say… in short he was very rude and not interested in selling it seems, it was all junk… well ok than I offer junk prices, and to my surprised walked away with it… well ok that’s cool.

So what lenses can be cool?
Personally I really love the Zeiss glass, you sometimes also find these with the designation Jena.
Also lenses from Voightlander (don’t own one yet), Takamur and for example Leica M and R (good luck with these last two) are very nice.
There are however also a lot of brands that have a huge Lomo feel, think for example about the weird bokeh of a Helios lens, or the incredible lensflare you can get from some russian made glass, it’s really a matter of buying and testing and having fun. If you go into it by expecting unique looks that sometimes can be very “bad” you will love every single lens. If you think you can buy very cheap lenses rivaling modern lenses…. well it’s possible, I own several vintage lenses that are razor sharp, have amazing bokeh and are very nice in color, but those are often indeed the Takamurs, Zeiss and Leica lenses, and those were not cheap (or let me rephrase, they are not supposed to be cheap), you hardly see them and when you do just jump on it and get it you will love them.

When buying online you take the fun out of the “hunt” but you also probably pay way too much money. Although sometimes adjusting your search will help a lot. Searching for “Takamur” will often give you a lot of results with higher prices, while searching for “old cameras” will give you way more results and you have to look for the lens designation yourself but it can save you a lot of money. For me however…. finding it on a flea-market is way more fun.

Now when you’re like me a Sony shooter there is one extra brand to REALLY look for.
Minolta lenses are “always” good, but did you know that Sony in essence is using Minolta techniques in their modern cameras? The Sony A-mount is actually “100%” compatible with the older Minolta AF lenses. I did make the “” for the reason that I have two lenses with autozoom (internal motor) that don’t work on the E-mount (you have to use a A to E mount convertor) but they did work on the A-mount, which later on I really felt bad for because one is a so called superzoom 35-200mm and it was amazing. But if the lens doesn’t have any internal “fancy” stuff like motor zoom you should be fine. And this is a really cheap way of getting your Sony system up and running because the Minolta AF glass can be bought pretty cheap and is top notch quality.

 

So that’s the blogpost for today, I hope you liked my insights and I would love to hear your best flea-market find.

I just love these boxes with old stuff

 

There is a lot of structure and colors there.

 

And childhood memories (well ok I’m not that old)

 

You can always find a lot of toys.

 

And my catch for the day.

How to make the best of it…..Part II

Yesterday we looked at the first/second set from the workshop I did in Groningen with Sharon. (thanks to Bianca for the amazing styling and makeup)

After the parking garage we hoped it stopped raining, but…. well it’s the Netherlands and it kept raining.
I still wanted to shoot some images outside so we decided to just go outside Lichtzone (the homebase for that day) and shoot the images with natural light. Now in all honesty… there was no real interesting natural light, it was pretty bleak and sober…. so what do you do?

Well remember that as a photographer you can change the scene to fit the mood you want, you can use strobes of course to change the look but you can also manipulate the scene by using exposure compensation. Because it was so sober I decided to go completely overboard and create an “almost” blown out look which would in fact make the reds in Sharon’s clothing really pop (I just love reds).

I shot these images with the Techart module on the Sony A7RIII (thanks to cameraland.nl for lending it to me) Lenses used were a 55mm Takamur (zebra) and a 135mm Zeiss Jena. As you can see in the images these older classic/vintage lenses are VERY prone to lensflare which creates an almost surreal end result. This is I believe one of the main things that I love so much about these older lenses, they really have character. Modern lenses are great, don’t get me wrong… but these older ones…. well they are different, not as perfect. And in some situations (like here) the perfection of the modern lenses actually work against it, although they might be sharper, have better (more perfect) color, flare less etc. these old lenses just go all over the place creating stunning looks (if you know how to control them that is, but that’s very easy to learn, just do it).

Ok so here are some of the images.
Sorry for the overload, but I just really loved this set… which sounds weird because it was actually the most simple one to do, no light, crappy situation… but… well judge for yourself.
Would love to see some of your images in situations where the weather was REALLY bad.

How to make the best of it…. Part I

Yesterday it was time for the workshop in Groningen.
We actually planned to walk on the street with our model Sharon (styling and makeup by Bianca) and shoot some cool fashion images on the street with strobes… but sometimes things don’t run as you want, and yesterday was one of those days…. it rained.

So we decided to start the workshop actually in a parking garage.
The cool thing about photography is that in essence you can make great images anywhere, even if you might thing it will never work.
We started out with some shots on the lower level and using the lighting they use to light up the parking garage.

After this we moved the whole set app 3 mtrs and used the curves of the parking garage to create a shot with some more depth.
By playing with the shutterspeed you can literally change the complete look of a set.
Remember that aperture is controlled/set by the strobe and the ambient light can be controlled by the shutter speed, meaning you can get a lot of different looks from the same location.

 

As you can see, two totally different looking shots just by changing the shutterspeed.

All shots were shot on the Sony A7RII with the Techart convertor and the Takamur 35mm lens (bought it for 5.00)
The second shot was done with a Takamur 55mm which I bought for 2.50 (but is worth a lot more).
Using these old lenses on the Sony really gives you some unique looks, add to this some processing with Alien Skin, or Lightroom/Capture One and I just love the looks.
Many thanks to cameraland.nl for lending me the Techart, make sure to order it from them when you’re in the Netherlands.

Feel free to show me your images that you shot in parking garages 🙂

 

Working with alternative lighting, much more fun than you expect

One of the things that you hear a lot is “I can’t do that because…..”
and now just fill in anything you like.
There is always and excuse why something doesn’t work.
My motto is slightly different….there is always something to make great images with.

Now of course I love using strobes, and we have quite a setup in our studio, if I may say 🙂
But in all honesty when I shoot without strobes I’m always feeling that little bit of extra motivation, now don’t get me wrong… I’m more than motivated when I shoot with strobes, but when you are limiting yourself…. well…. it’s just a bigger challenge let me put it that way.

Now I strongly believe that you can always make great images whatever you use, being it a smartphone, filmcamera, old DSLR of the newest Sony cameras (or Canon, Nikon, Fuji etc.) So that’s why I actually started the workshop “alternative lighting” a few months ago, and it was a huge success. People loved to see what they can do with the most simple lightsources like torches, tungsten bulbs, smartphone flashlights, lume cubes etc.

In fact I even made a complete video on the subject called “Mastering the model shoot : Any light will do” you can get that one here.

So today it was time for the workshop.
Now let’s see what we did with what.

First setup we kept really simple.
Just a simple torch.

Now of course you can also ask the model to hold the light.

 

Don’t ask me what this is….. I have no clue but it did also work.
Although there was very little light coming from it….. hold it very close to the model and it will work.

For the next setup it was time for the chandelier.
You can get these really cheap on second hand sites, and sometimes they are even gifted for free.
But you can have a lot of fun with them.

And of course….NEVER forget the lower angles.

Next up another chandelier and we decided to choose a lower pose.
Also more relaxed for the model.

Now this is nice…
But what about adding a small lumecube (on a selfie stick) for some extra light.
And add some smoke.
The cool thing about mixing lightsources is to NOT color match them, just play with those colors for some really cool effects.

 

And finally
Why not use two lume cubes as the whole lighting setup.
Both on selfie sticks, and one with a grid.
The lensflare makes the image for me 😀

Love these shots?
Want to work with this yourself?
Don’t forget to order the “Mastering the model shoot : Any light will do” video at www.frankdoorhof.com/videos

Thanks to Nadine for being the model and her awesome styling.

All images where shot with the Sony A7RIII with the Arttech convertor and vintage lenses. Including the Takamur 55mm and Takamur 35mm and Pentagon 50mm