My blog, although I don’t see myself as a blogger but as a Photographer I will try to blog some interesting material during the weeks.
Expect at least 2 updates a week.

Working creatively with seamless paper in a totally different way

Being creative with left-over seamless paper

What are seamless paper backdrops again?

Yes, most of the time we use our Click Backdrops. In practically all situations a Click Backdrop is better than seamless. Even white! this article is about working creatively with seamless Paper left-overs

But we started with Seamless paper backdrops so we have much of it. Seamless paper backdrops are large non-reflective rolls of paper that fit on a stand behind your subject. They can be plain or colored, and give a smooth, professional look to your photographs. Seamless paper is often used in portraits, headshots, or baby photography, as the colors can be changed to suit your subject. As you understand very boring and plain.

No, don’t throw it out… yet!

Annewiek must have heard this a million times… yes I have a problem throwing stuff out. Especially seamless (paper)
I somehow always feel you can still use it for something, and when that moment is there it’s better to have it… right?

I am not a huge fan of seamless paper. Over time it becomes unusable due to tears and dirt. And you have to throw it out and get a new roll. But for a nice and long backdrop, it’s still one of the most used backdrops. But what do you do when you can’t use the paper anymore but still have a lot left?

Well…. we can always use it in a shoot 😀

Working Creatively with Seamless Paper

Make a skirt out of seamless paper (or pretend it is a skirt)

working creatively with seamless

In this case, it was the idea of one of the attendees of the workshop. He had some yellow paper left and asked me if it would make a nice prop.
Claudia our model had bright red hair that week (yeah it varies) so that fitted perfectly in this setup.

The combination of yellow and red makes a great contrast which is balanced by the white clothing/hat and the blue background.

Of course, you can use the paper for many different things. We could have built a dress out of it. Used it as a backdrop with loads of wrinkles and tears. Or maybe on the floor with the model lying on or under it, in essence, the sky is the limit. So the next time….

Always reuse… and recycle your seamless paper

We all know recycling is important, but when you think you can use something for a photoshoot… maybe hang on to it just a little bit longer 😀

So what is your next idea about working creatively with seamless paper?

 

Behind the scenes during a Zebra photoshoot  and how to extend your Zebra backdrop with AI 

 

Using isolation blankets as a backdrop

 

A videotip about using the FlashBender XL Pro (Frank Doorhof edition)

The FlashBender XL Pro is my favorite light shaper

I’ve been using the Rogue FlashBender for many years. And without any doubt, it’s one of the most flexible light shapers.
You can use it as a snoot, bounce card, softbox, and even a striplight with grid.

The FlasBender was designed for speedlights and round strobes. So,  it fits most of the hybrid strobes on the market like Godox, Geekoto, Profoto, Westcott, etc.
Besides all the different ways to use it, the main advantage for me is that there is always room for a FlashBender or two. It folds up very flat so it will mostly just sit on top of my gear in my backpack.

If you also want a FlashBender, or one of the other Rogue products check
Rogueflash.com / Rogueflash.nl

And for the Dutch customers get the Rogue products and the FlashBender XL Pro here.

Because we are the Dutch distributor for Rogue we also have a Dutch version from this video.

Quick portraits on location and to show how easy it is we have a cute labradoodle

Quick Portraits on location

Quick portraits on location are always a challenge. You have to think fast, find a location, set up your lighting and often only have a few minutes with your client. Today we are going to take a look at how we set up a location session and what I use.

Make it easier on yourself

There is always a way to make it harder, but let us focus on the things that can make everything go as smoothly as possible. The first thing is, of course, preparation.

I love to mess around with lighting in the studio but often also have more than enough time. On location, I often have to set up and hit the ground running. This is why we talk with our clients about what they want for most on-location sessions. This means that when I arrive on location I already know where to place my lights, do a quick light meter check, and can start immediately.

Now you might wonder… “Didn’t you forget something?”
Yeah, I know what you think.

The background for a quick portraits on location

Of course, when we talk to our client before the shoot we also show different kinds of backdrops so the client can choose which one fits their look and brand. Because I’m using strobes I know that ambient light in most cases won’t cause any problems. However, don’t ever forget to take a ColorChecker image during the shoot. On location, you can have the most weird situations that can mess up your color that at first, you won’t notice because you’re using flash.

Now in the past, I’ve used solutions that worked pretty well but were always just a bit too short, narrow, or too large so they didn’t fit in my car forcing me to take the van (I prefer to drive electric of course :D)

Recently ClickBackdrops released the Clicki backdrop system and it’s become my favourite backdrop for quick on-location shoots. It’s wide enough to fit one person for wide (landscape-style) portraits. And with a little bit of AI in Photoshop I can easily shoot 3/4 shots in landscape mode because the subject doesn’t overlap anywhere. Somehow I prefer to shoot in landscape orientation which makes the width vital for me.

The Clicki fits with ease in my car (Hyundai Ioniq EV) and only needs a stand to be assembled on location in under a minute.
Of course, I also need to bring strobes.

Strobes

When we talk about speed I also have to be able to move fast and setup fast. So bringing heavy strobes or battery packs is out of the question.
For location work, I’m using the Geekoto GT200 and GT250 

The main advantage is that I can easily adjust the angle of the strobes via the pistol grip. So I can use almost any studio stand, which not only saves space but also makes setting up much easier and faster. The Geekoto also supports both ETTL and HSS. Combined with a 200/250W power output and 450-500 shots per battery makes it a very versatile setup that can easily suppress sunlight outside. And you can use the thicker more saturated colorgels for some really gorgeous color effects.

And the final piece of the puzzle…

What Light shapers to use for a quick portrait on location

Of course, I’m not using the strobes bare.
Although that can be a nice effect, it’s often not what the client wants to see.
So we need something to modify the light.

If it needs to be compact I love the Rogue products. Especially the new magnetic system is awesome for creative use on location (and in the studio) and of course the “famous” Frank Doorhof Flashbender :D. But for this setup, I’m using the Geekoto 26″ softbox. The main advantage of this system is that it just folds up very small but it also has a detachable speedring which makes it super easy to carry with you.

Enough talk, let’s take a look at the setup.

a quick portrait on location. this is how I did it

As you can see we just placed the Clicki behind the table. So the dog didn’t have to move and the whole setup was done in seconds (everything was set up, I just had to slide it there). Because we mark the floor when doing the meter readings, it’s a setup that makes it possible to almost immediately start shooting and thanks to the size of the Clicki you can also shoot from a few different angles.

So let’s see the results. It’s never perfect with these kind of one-minute sessions but the owner loved them. And for the trimmer, it’s just an extra service or something they can charge for.

So now you know what I use for quick portraits on location. If you have questions, find me on social media and let me know.

Quick portrait of a lovely labradoodle on location quick portrait on location of a dog a quick portrait on location

 

see the introduction of the Clicki Backdrop on Photodays in Brussel (2023)

 

A great new addition to the iPad ecosystem

The iPad ecosystem gained another great app

When I bought my first iPad Pro I was deeply disappointed. It was nothing more than a blown-up iPhone at that moment. But a few years later I bought the new iPad Pro.  And man,  did the ecosystem change over the last few years. So this blog is about the new addition to the iPad ecosystem: Luminar.

The M1 generation

I strongly feel that with the release of the M1 chipset Apple changed the playing field forever.
At the moment I was editing some drone footage on a Dell XPS i9. And although H264 went smoothly, for the H265 I needed to use proxy media (a sort of smart preview because the system can’t handle the original). To my surprise, my iPad Pro had no problems at all with the material… I was surprised but also motivated to find the perfect workflow on the iPad.

The main advantages

Let me start by saying that it’s no laptop replacement for me.
But it’s so much more.
I’m using Cascable to shoot tethered to my iPad Pro. Which means I can now bring my iPad on location (or in the studio). The advantages are numerous.

The iPad Pro runs forever on the battery and still has more light output than my MPB 14″ (MacBook Pro). The MacBook Pro is great for outside, but also the protection against the elements is much better on the iPad. With my laptop, I’m always worried about my keyboard or card reader catching dust or worse. Now I can leave my laptop at home and do the whole shoot with the iPad Pro.

The iPad Pro is also much easier to mount on a stand.  I’m using the Ulanzi myself which makes carrying around the iPad (still on the stand) much safer than dragging around an expensive laptop. Check out this video about tethering to the iPad 

But there is a limitation.
When I’m teaching I also like to show some retouching tips, and this is where the iPad always was rather limited with many apps for example not being able to output full resolution images or for example a Tiff 16bits ARGB. But things change.

Lightroom and Photoshop

Adobe released Lightroom and Photoshop on the iPad a while ago and in all honesty, they both work great. Recently Adobe even added generative fill to Photoshop on the iPad.

And even if you’re not in the Adobe ecosystem there are some really good alternatives such as Darktable, Procreate, and for example Affinity. I’ve tried most of them but I still keep going back to the Adobe suite. This has also everything to do that the link between the desktop versions and iPad versions is absolutely seamless with Adobe, and that makes my workflow a lot easier. Check out this tip where I turned the lights on in Photoshop for the iPad

New addition to the iPad ecosystem

So why this “news update”

Over the years I’ve tried several ways to tint my images, in short, give it my own look.
And although I love Lightroom a lot there are still some things I can’t do with Lightroom and I need to dive into Photoshop.

On the desktop, I’ve been using products from Skylum since they were called MacPhun and I always loved their approach to making something standalone but also fully incorporating it into the Adobe ecosystem. Nowadays you probably know them best for Luminar.

And man, am I excited because Luminar has now been released on the iPad.
I still have to test everything and see how it will integrate into my workflow with Lightroom. But for “looks” in my images, I can’t wait to start building new presets.

So if you’re like me also working a lot in the iPad ecosystem make sure to check out Luminar for the iPad, I think you will love it, and this is just the first version 😀 Keep following me for my experiences with this new addition to the iPad ecosystem