Quick portraits on location and to show how easy it is we have a cute labradoodle

March 8, 2024/in blog, Visions and technique/by Frank Doorhof

Quick Portraits on location

Quick portraits on location are always a challenge. You have to think fast, find a location, set up your lighting and often only have a few minutes with your client. Today we are going to take a look at how we set up a location session and what I use.

Make it easier on yourself

There is always a way to make it harder, but let us focus on the things that can make everything go as smoothly as possible. The first thing is, of course, preparation.

I love to mess around with lighting in the studio but often also have more than enough time. On location, I often have to set up and hit the ground running. This is why we talk with our clients about what they want for most on-location sessions. This means that when I arrive on location I already know where to place my lights, do a quick light meter check, and can start immediately.

Now you might wonder… “Didn’t you forget something?”
Yeah, I know what you think.

The background for a quick portraits on location

Of course, when we talk to our client before the shoot we also show different kinds of backdrops so the client can choose which one fits their look and brand. Because I’m using strobes I know that ambient light in most cases won’t cause any problems. However, don’t ever forget to take a ColorChecker image during the shoot. On location, you can have the most weird situations that can mess up your color that at first, you won’t notice because you’re using flash.

Now in the past, I’ve used solutions that worked pretty well but were always just a bit too short, narrow, or too large so they didn’t fit in my car forcing me to take the van (I prefer to drive electric of course :D)

Recently ClickBackdrops released the Clicki backdrop system and it’s become my favourite backdrop for quick on-location shoots. It’s wide enough to fit one person for wide (landscape-style) portraits. And with a little bit of AI in Photoshop I can easily shoot 3/4 shots in landscape mode because the subject doesn’t overlap anywhere. Somehow I prefer to shoot in landscape orientation which makes the width vital for me.

The Clicki fits with ease in my car (Hyundai Ioniq EV) and only needs a stand to be assembled on location in under a minute.
Of course, I also need to bring strobes.

Strobes

When we talk about speed I also have to be able to move fast and setup fast. So bringing heavy strobes or battery packs is out of the question.
For location work, I’m using the Geekoto GT200 and GT250

The main advantage is that I can easily adjust the angle of the strobes via the pistol grip. So I can use almost any studio stand, which not only saves space but also makes setting up much easier and faster. The Geekoto also supports both ETTL and HSS. Combined with a 200/250W power output and 450-500 shots per battery makes it a very versatile setup that can easily suppress sunlight outside. And you can use the thicker more saturated colorgels for some really gorgeous color effects.

And the final piece of the puzzle…

What Light shapers to use for a quick portrait on location

Of course, I’m not using the strobes bare.
Although that can be a nice effect, it’s often not what the client wants to see.
So we need something to modify the light.

If it needs to be compact I love the Rogue products. Especially the new magnetic system is awesome for creative use on location (and in the studio) and of course the “famous” Frank Doorhof Flashbender :D. But for this setup, I’m using the Geekoto 26″ softbox. The main advantage of this system is that it just folds up very small but it also has a detachable speedring which makes it super easy to carry with you.

Enough talk, let’s take a look at the setup.

As you can see we just placed the Clicki behind the table. So the dog didn’t have to move and the whole setup was done in seconds (everything was set up, I just had to slide it there). Because we mark the floor when doing the meter readings, it’s a setup that makes it possible to almost immediately start shooting and thanks to the size of the Clicki you can also shoot from a few different angles.

So let’s see the results. It’s never perfect with these kind of one-minute sessions but the owner loved them. And for the trimmer, it’s just an extra service or something they can charge for.

So now you know what I use for quick portraits on location. If you have questions, find me on social media and let me know.

see the introduction of the Clicki Backdrop on Photodays in Brussel (2023)

A great new addition to the iPad ecosystem

March 6, 2024/in blog, News etc/by Frank Doorhof

The iPad ecosystem gained another great app

When I bought my first iPad Pro I was deeply disappointed. It was nothing more than a blown-up iPhone at that moment. But a few years later I bought the new iPad Pro. And man, did the ecosystem change over the last few years. So this blog is about the new addition to the iPad ecosystem: Luminar.

The M1 generation

I strongly feel that with the release of the M1 chipset Apple changed the playing field forever.
At the moment I was editing some drone footage on a Dell XPS i9. And although H264 went smoothly, for the H265 I needed to use proxy media (a sort of smart preview because the system can’t handle the original). To my surprise, my iPad Pro had no problems at all with the material… I was surprised but also motivated to find the perfect workflow on the iPad.

The main advantages

Let me start by saying that it’s no laptop replacement for me.
But it’s so much more.
I’m using Cascable to shoot tethered to my iPad Pro. Which means I can now bring my iPad on location (or in the studio). The advantages are numerous.

The iPad Pro runs forever on the battery and still has more light output than my MPB 14″ (MacBook Pro). The MacBook Pro is great for outside, but also the protection against the elements is much better on the iPad. With my laptop, I’m always worried about my keyboard or card reader catching dust or worse. Now I can leave my laptop at home and do the whole shoot with the iPad Pro.

The iPad Pro is also much easier to mount on a stand. I’m using the Ulanzi myself which makes carrying around the iPad (still on the stand) much safer than dragging around an expensive laptop. Check out this video about tethering to the iPad

But there is a limitation.
When I’m teaching I also like to show some retouching tips, and this is where the iPad always was rather limited with many apps for example not being able to output full resolution images or for example a Tiff 16bits ARGB. But things change.

Lightroom and Photoshop

Adobe released Lightroom and Photoshop on the iPad a while ago and in all honesty, they both work great. Recently Adobe even added generative fill to Photoshop on the iPad.

And even if you’re not in the Adobe ecosystem there are some really good alternatives such as Darktable, Procreate, and for example Affinity. I’ve tried most of them but I still keep going back to the Adobe suite. This has also everything to do that the link between the desktop versions and iPad versions is absolutely seamless with Adobe, and that makes my workflow a lot easier. Check out this tip where I turned the lights on in Photoshop for the iPad

So why this “news update”

Over the years I’ve tried several ways to tint my images, in short, give it my own look.
And although I love Lightroom a lot there are still some things I can’t do with Lightroom and I need to dive into Photoshop.

On the desktop, I’ve been using products from Skylum since they were called MacPhun and I always loved their approach to making something standalone but also fully incorporating it into the Adobe ecosystem. Nowadays you probably know them best for Luminar.

And man, am I excited because Luminar has now been released on the iPad.
I still have to test everything and see how it will integrate into my workflow with Lightroom. But for “looks” in my images, I can’t wait to start building new presets.

So if you’re like me also working a lot in the iPad ecosystem make sure to check out Luminar for the iPad, I think you will love it, and this is just the first version 😀 Keep following me for my experiences with this new addition to the iPad ecosystem

Using unusual props to train creativity

March 4, 2024/in blog, Visions and technique/by annewiek doorhof

Train your Creativity

We are having some fun with a #guitarpedal from #rjamps with Nadine.

One of the best tips I can give.
Using jewelry, perfume, etc is “easy” as a prop. To give your creativity a boost also try some more unusual props.

One is a chorus pedal so I wanted something more light and open. I wanted something a bit more edgy fitting the distortion for the other one.

In essence, with enough creativity, almost everything can be used for a great shot. Just switch your mind into storytelling mode 😉

I hope you enjoy the images 😉

Did you ever use some unusual props to train your creativity? Let me know on social media

train your creativity with an unusual prop

Train your creativity by using unusual props like a guitar pedal with dots :)

These shots were taken during our Open House. We also made a backstage video.

Click here fo the video of our Open House

A different background for a totally different look

March 1, 2024/in blog, Visions and technique/by Frank Doorhof

A Different background for a totally different look

Of course, we all know that changing the backdrop can create a different feel or look. Different backdrop and same styling
But somehow it also always triggers my creativity. We used the same styling.
Model and styling: Nadine
Backdrops: ClickBackDrops
Strobes: Geekoto

Just a backdrop or more?

For me, a backdrop is not just a pattern or something to fill up the space behind the model. I always try to make the backdrop a vital part of the shot. When I want something edgy I’ll often go for a more distressed wall look, when I want something more classical…. mmm maybe something with old curtains?

Well luckily for you guys we did just that with our model Nadine.
We decided to keep the styling and lighting idea roughly the same but change the backdrop. As you can see even Nadine poses differently. My position is different and the end result is totally different.

Now this might seem logical. But often it’s forgotten that when you really blend background and model together ON SET you get a much more “organic” and “real” result. Not just because the shadow and light play on the backdrop. But also because both model and photographer are “inspired” by the results coming in.

People often ask me if I’m afraid that AI will replace all backdrops?

No, I’m not.
Yes it will replace it for some people, and the possibilities are limitless. But it cannot replace the shadow play, and inspiration the photographer/model experience during the shoot. The shadows could maybe be replicated but you would need a proper knowledge of lighting in the first place and an above-average knowledge of Photoshop to make it 100% convincible.

Let’s first take a look at the first set we did with Nadine.

Buy the ProFabric Black Wash Backdrop in our store (8,92’x8,92′ or 272x272cm)

I just love the way the backdrop seems to add a sensation of movement to the images.
This was shot the day we got the backdrops in so I didn’t use them before 😀

As you can see I played with different looks in tinting, posing, and color/BW.
But there is a certain feel to the images.

Now let’s change to an other backdrop. Same styling, but different look

Now this backdrop is officially unavailable in ProFabric, but I loved it so much they made a custom order on Pro-Fabric (which you can now also order). And as you can see the change is not just the backdrop 😀