In todays blog post we take you behind the scenes during the Zebra themed photoshoot we did with our Model, Stylist and good friend Nadine.
See how we build the set, which lighting we used and of course you get to see the end results.
If you have any questions feel free to ask.
read the blog about Creating Patterns with Adobe AI
WOW.
I knew that the generative fill from Adobe was great. But sometimes it all works great in demos, but not in real life. And to be honest that was a bit my experience so far. It was a bit hit-and-miss. But Adobe constantly improves and that’s visible. In today’s blogIn today’s blog, we take a look at what Photoshop AI did in this amazing zebra set with stylist and model Nadine
I don’t use generative fill a lot to add things to a scene. Mostly to extend backdrops, add some hair or skin, etc. You could say I use it to speed up my workflow but not really change my images. Well ok, during the cosplay workshop, we go all out but that’s also clearly visible 😀
Today some images we took with our model/stylist Nadine.
For months, I had this idea with zebra prints. And we started buying material until we thought we could pull it off.
Nadine owns a great vintage store so the clothing was not a real problem in this. The main issue was that we did not really have enough material to cover the whole wall and for the floor, we only had a relatively middle-sized rug.
As you can see in the images…. Photoshop did very well. I was mostly impressed by the perspective on the floor.
In some images I actually hid some zebras in some of the final results… can you spot them? 😀
this is the best example of what Photoshop AI can do. It added more patterns.
Make a close up and you don’t need extra patterns 😉
Only the backdrop in the middle and the rug is real, Adobe Ai did the rest
Another blog with styling from Nadine
and another Christmassy styling with Nadine
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