Tag Archive for: workflow

the future of computing a few more thoughts

Recently I already posted some thoughts about the future of computing on my blog and the more I think about it the more I’m starting to see that for me this might be the perfect solution, and in my head I already made the following setup which I want to post here for your input, tips, comments etc.

Having 2 computers is a norm for many working professionals, one powerhouse in the studio and one mobile device for the stuff you can’t do on your iPhone or iPad, traveling often means you have to make sure your laptop and desktop are in sync, which of course now a days are not really a problem, and although some programs can be very tricky there is always a solution, which sometimes means paying an extra license (like for example with screen flow). When returning home copying from the mobile device to the studio machine is not really problematic, it’s a simple manner of connecting the thunderbolt cable between the two and there you go. For years this was my workflow and I never thought it would change.

However as an Apple user there are a few things that have struck me as odd, and even got me worried.
Apple always was the pro supporter, the one where the creatives went, it might not have always had the fastest hardware but thanks to a killer OS and great software my mac always felt much faster than any PC I worked on, but over the years things have changed… Apple seems to be losing track and although they still have a killer OS and great software like Final Cut Pro X (which is getting better over time) and of course plugins like Macphun which are Apple only it is getting harder to see a future where pros keep using Macs. Where windows users get more and more cool devices with touch, tablets, digitizers built in and INSANE speeds….. mac users get….. well a touch strip……. *play the pacman dies music…..

 

So do we abandon Apple?
Well no not yet.
The MacPro hasn’t been updated for a LONG time, I bought it the moment it was released and I’m glad I bought it with 2xD700 videocards because in all honesty working with the MacPro is still like a dream, the machine is blazingly fast… but with 4K it’s showing it’s age, I can still edit 4K without any problem even multicam, but rendering it and adding effects really shows the age of the machine, so at this moment in time I would be looking for an upgrade within 1 year. Seeing how Apple is performing at the moment I’m afraid that we can expect NO upgrade for the MacPro OR an upgrade that’s so expensive that if I would do that I would have to get another job next to my current job, which pays the bills but doesn’t make me able to shelve out 5000.00 in a heartbeat for some speed gain.
So let’s say the MacPro is out, this is my last MacPro, what now…
Well for mobile use I’m switching to Windows, I’ve tried it a few times which made me go back to MacOs within 6 months for the simple reason I couldn’t get the workflow right, the screens were too small, battery life sucked with no option for external power like the hyper juice, and the digitizers were VERY poor. But things change.

 

This could/should be your setup
Ok I know this is bold statement but I think when you read this you’ll agree or might at least think… “he has a thing going”.
As working photographers and educators we all need a mobile device that’s fast, handles all the files we shoot, can edit photos and videos and most of all is portable. For years this was the MacBookPro, but using a dedicated laptop means we also have to carry with us a Wacom tablet, and this means… editing in the field for a quick demo is out of the question, same as editing on a plane, in the passenger seat of the RV etc. And with Surface book pro’s coming out and similar devices it really really started to annoy me, long story short, when Apple didn’t incorporate the apple pencil in some form in the new MBP I knew I was going to skip that one (but I’m not quite… read on). My new mobile device will be the Wacom Mobile Studio Pro 16, not the 13 but the 16, I don’t just want to look cool in a coffeeshop checking my mail (that’s my iPhone or iPad pro) but I want real estate, and I need hardkeys for editing and retouching (a bit miss on the Surface pros, two buttons just doesn’t do it, and software solutions are cool for consumers but I need that room and tactile feel for speed), so that’s my new laptop.

v16mu

Now that we have mobile complete let’s look at home/studio
I’m now running a 4500.00 euro MacPro which still works, but has to be replaced within let’s say 1 year.
I could build a PC with killer specs, but that would mean loosing the system I’m used to, so that’s a “no go”, “thought about it for a second and woke up” scenario. Also I love using MacOs and Final Cut Pro X and MacPhun so MacOs it is. But what options do we have left as pro users…. And that’s were it actually get’s interesting.

Let’s say we buy a 15″ MBP with 16GB and a 512GB SSD. This is a very powerful machine, it has dedicated video that’s pretty fast and can do almost anything you throw at it, unless it’s the real power hungry stuff. I hear you saying… “Hey Frank you just told us you’re gonna switch to the Wacom for mobile use….?” yes indeed you’re right… I’m not going to use the MacBookPro for mobile use like the Wacom.

The MacBookPro will be placed in a dock (closed lid) and connected to 1-2 hubs, this would give me enough USB ports to connect all the gear I’m used to having and give me 2 TB2 ports for my external drive bays which I’m not willing to replace because they work great and in my opinion is a waste of money to upgrade. Also we connect a keyboard and the magic touchpad (which I absolutely love) with the new MacBookPro we can connect the 3 displays I’m using at the moment so also that is solved, this could be enough but it won’t beat my 2013 MacPro (R2D2) so how can we achieve this?

 

And this is where it get’s interesting
We need that extra speed for intense stuff like rendering, video effects, filters etc. now all/most of these work not on the CPU but on the GPU, meaning the videocards. The last few days I’ve been looking into the options for external GPU units and found that although there isn’t a lot of information about it online, there actually is some information which looks very promising. In the past most of these solutions were not easy to install and mostly just worked under Windows, which would make no sense, however things change and there are now solutions that actually are almost plug and play and also work under MacOs. And that’s where I started to think…… These boxes can make your mac up to 10x faster in heavy rendering solutions and filters, which is a HUGE boost compared to the MacPro I’m now using, even twice the speed would be awesome. BUT cost…..

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And now for the finale…. which is more interesting
If you read this far trust me you will be rewarded.
Let’s look at what we have now.
A Mac Pro which retails for 4500.00
A MacBook Pro which retails for 3500.00 (complete)
A Wacom cintiq which retails for 2500.00 (27″)
Total costs : 10.500 EURO

 

Now let’s look at the alternative solution
MBP 15″ 2016 : 3500.00
External GPU : 800.00 (they start at 599.00 actually)
Wacom Mobile studio Pro 16 totally specked out : 3100.00
Add some accessories like a dock, stand etc. : 500.00 
And we now have a total cost of : 7900.00

 

Ok so we save : 2600.00 which is already a lot of money, but we get a lot more.
As you see I left out my Wacom Cintiq 27″.
Now in all honesty I’m in love with the 27″ and don’t see myself replacing that one very quickly but for most photographers a 16″ 4K cintiq will be more than enough, and most of those people don’t even own a cintiq yet because they don’t have the budget for it. HOWEVER most of you will very quickly reach that 6000-7000 euro range when you add your laptop and Mac Pro together (if you use those of course).

The cool thing about this second solution is that for 2900.00 less you still have the cintiq….

 

Combining the best of both worlds
With the Mobile studio pro 16 from wacom you get something a lot of Macusers have been wanting, a bigger screen than the 15″ and touch/digitzer (this means you can draw on the screen), and it’s still a mobile device with loads of power, if you format your drives in exfat PCs and Macs pretty much understand each other and when you mostly run Creative Cloud and Capture One (like most of us do) you won’t really notice any difference in your workflow. But the Wacom can also be connected to a PC or Mac via a special link that makes it behave as a full blown 16″ 4K cintiq, which makes it possible to mirror your main screen for critical color editing and still have all the benefits of working on a cintiq.

The MacBookPro will be mostly used in it’s dock where it has a very powerful external GPU, a 16″ cintiq and 3 screens.
HOWEVER, when needed you can take it out and continue your work somewhere else.
So in essence you have a MacPro replacement, a mobile device, a Cintiq AND a tablet with digitizer all in 2 devices.

 

Situations where it saves you even more
Now if 2600.00 doesn’t really do it for you… let’s take a look at my situation.
If we want to do what we want to do….. which means also be able to broadcast during live events, workshops on locations etc. we need the following.

 

MacPro in the studio
1 laptop running wirecast (and that has to be a specked out one, the 13″ MBP 2015 actually didn’t really work)
1 laptop for shooting tethered and retouching
And an extra license for Wirecast and screen flow if we also want to use both machines, so add another 4000.00 euro to the 10.500.

 

By using the solution with the MBP and the external GPU we can do the following.
Run wirecast on the MBP in the dock and connected to the GPU during live broadcasts in the studio and shoot to the Wacom and retouch on the Wacom. Now when we visit a trade show or workshop on location we disconnect the MBP from the dock and take it with is while I still shoot on the Wacom.

 

Not all roses and fun
Of course I’m not living in a dream world and I for 100% know that this setup will have it’s drawbacks and problems.
For example when using the Wacom I still have to copy the files to my Mac setup, but that’s in my situation, if you can handle everything with a MBP you don’t than it’s just a matter of connecting it to the dock of course. And don’t even start about using Windows 10 pro on a daily basis, it’s probably a great Windows version but I’m 100% aware that it’s a far cry from what I’m used to on MacOs in user friendliness and stability, and yeah I also run a Windows 10 notebook so I know what I’m talking about. In reality I never have real problems with windows but I know that IF it goes wrong… well it REALLY goes wrong and with Mac the worst thing that can happen is just reinstall your OS (happend twice to me in 10 years) and all apps/programs just keep on working.

Also finding ways to connect everything together will be easy at first and then small things will start to happen that you didn’t think about. For example how about a shared agenda when using iCloud… well there are solutions but we actually switched to Google agenda a few years ago when I did my first windows experiment and we never switched back. Contacts however is slightly different, for webmail no problem but we also have some .com domains I have to use…. well we will see how that turns out, in all honestly most of my mails I actually answer via my iPhone and iPad so I don’t really see why I should change that.

 

I was deeply worried about the future (sounds much darker than it is), I don’t have gear that REALLY needs replacing, but I do feel that my MacPro is still worth money and is fast enough for what I do but that if I want to keep value I do have to upgrade within 1-2 years max. And where there is no new MacPro what do you do…. with the external GPU and the new Wacom Mobile studio Pro 16 I think a lot of fellow photographers and video editors can have the best of both worlds if combined with the MBP and an external GPU.

 

Would love to hear your thoughts, opinions, tips, tricks etc.
As soon as the Wacom is in we will start a video series on the transition of workflow so you guys can help out and see what we do.

71rhtwbw51l-_sy355_

New instructional video “A guide to Capture One 9 Pro”

We just released a brand new instructional video, and this is a LONG one.
With over 190 minutes of information it’s actually one of the longest we ever released, and the best thing… for a limited time only it’s priced at only 10.00 euros.

 

Often people forget the importance of the RAW developer and how much of a difference it can make on your final images, let alone what you can do in the RAW convertor as retouching. As soon as you open up Photoshop you are not working in the RAW convertor anymore so it’s vital to do as much as possible before that.

For years Capture One has been on the top of the list of best RAW convertors and not without a reason (of course), Capture One has many retouching and developing options that for some people will even make it possible to do the complete workflow within Capture One. 
 But that’s not all, in studio or location setups many photographers love to shoot tethered, and this is were Capture One in my opinion really shines as being rock solid and incredibly versatile.

When you first open up Capture One everything can look a bit…. frightening, especially when you are used to the industry standard Lightroom, but in all honestly the layout and options are actually very easy to learn if you get a little bit of help, and that’s where this video comes in.

In over 3 hours (190 minutes) I walk you through the way that I use Capture One.
You will find chapters on the tools, tethered shooting, retouching samples and workflow.
All videos are kept as short as possible and are very easy to understand.

Topics include :

BW modes, integration with Lightroom/Photoshop and plugins, exporting recipes, styles/looks, synchronizing, using local adjustments and layers, advanced color adjustments, advanced and simple skin retouching, masking possibilities, folder structures, overlays, watermarks, customizing the look and layout, HDR from one image, making images pop, using processing in batch, all the tools you need to know explained, auto masking tips, skin tone smoothing, tricks with the skin tone smoothing for skies, removing spots and dust, using healing for removing hair and blemishes, using capture pilot in a tethered workflow, RAW developing explained, lens correction, adding grain for a great look and evening out retouches, noise reduction, stacking effects in layers and styles, sorting and rating in the browser, creating your personal layout and much much more….

If you want to get the best out of Capture One in your workflow and setup a great integration with Lightroom this is without a doubt the best way to start. All videos are high resolution captures and the standard video is 4K so you can see all the settings and details the best way possible. The video is available now via www.frankdoorhof.com/videos

I’m 100% sure you are gonna love this one.

 

First series edited on the iPad Pro

When new devices appear it’s always a challenge to find a way to use them just as easy/fast as your known devices.
Normally all my editing is done on my Mac with a mix of Capture One, Photoshop, Lightroom and plugins like DxO filmpack, MacPhun and Alien skin, this is the workflow I know by heart and I can work very fast and accurate with these tools.
One of the challenges I set myself to see how far I could go with editing on my iPad Pro.

 

Let me make one thing clear first of all…
YES I know about the surface pro from Microsoft, so please refrain from all the comments about “wasted money”, “get a surface pro” etc. I choose the iPad pro for other reasons and editing Photos is just something I ALSO do on it, but most of all it’s used for video editing, drawing and consuming media in which the iPad pro in my opinion is a superior device.

 

That being said…. it was pretty hard to get something that worked for my modelphotography workflow 😀
The biggest problem is not the software/apps, but the support for high res images, however with the last updates of Enlight and Pixelmator I was ready to test it, both now support 50MP+.

 

Let me start by saying that working on the iPad pro within both Pixelmator and Enlight is amazingly simple and powerful. The skin retouching process is awesome via Enlight and also the tinting is very useful via Englight. Still I preferred some of the looks of Pixelmator but for skin without a doubt Enlight wins.

 

Getting the images on the iPad pro is no problem, you can use airdrop or a stick like the iFast (USB/Lighting).
I used Capture One for developing the RAWs into 16bits TIFF files which openend on the iPad pro, however some images didn’t want to be copied, I still haven’t figured out what’s going on but when I switched to 8bits TIFF on these images they opened flawlessly. This is without a doubt something they have to look into…. on the other hand…. the final images are stored as 8 bits TIFF so to be honest I’m afraid it’s doesn’t really matter and I would even advise to just develop as 8 bits TIFF.

 

As soon as the images are on the iPad pro the editing, sharing and storing is very easy and the workflow is actually quite fast. Considering this is just the start of everything I have HIGH expectations for the iPad pro. At the moment it’s more than capable of delivering high-end results but it can’t beat the Mac/PC for storing in 16bits TIFF prophoto RGB, however one should also ask him/herself if this is really necessary for everything… Personally I always store my files in 16bits but 8bits TIFF is certainly not bad, but it does make the iPad pro in my opinion not a professional editing tool YET… that being said, when I’m traveling and need to retouch some images I took on trade shows or workshops I will without a doubt not hesitate to do it on the iPad pro and save me a LOT of time when I’m home.

 

The biggest problem that have to be solved is :
* Colormanagement, now most images are stored back as sRGB
* 16 bits support for TIFF

 

I however think this will be very well possible (although I’m not sure about it, I’m not an iPad developer).
App wise I think both Enlight and Pixelmator are very good editors with Enlight having a really good skin filter and “layer” support (not really layers but a tool to paint the effect in and out, something Pixelmator doesn’t have (but needs). Add a really good app for tinting and I could actually do everything I need on the iPad pro. For the moment I can label the iPad pro for THIS kind of Photography retouching only adequate to save time when traveling but not a professional device… now before the Surface pro people jump up and down from joy :D….. this is a HIGHLY specialized workflow, if you just retouch some images the iPad pro will rock your world, the touch interface and Apple Pencil is incredibly much smoother and better than just running Photoshop/Lightroom on a device that has touch. And this is clearly seen when drawing for example, where Photoshop brushes often lag, Procreate for example never lags and is incredibly fast and smooth.

 

As mentioned in another blogpost already for video I also label the iPad pro as highly usable for a professional workflow, you sometimes do have to finish the product on a Mac/PC but let’s say you can get 100% with 90% of the videos. For street and travel photography I use Lightroom Mobile by the way which is an AWESOME way to work (if you have fast internet), I’ll give some attention to this combination in a later blog post or video. And for drawing I never saw something that works faster and smoother.

 

Here are some of the results from the workshop with Ingrid, all edited on the iPad pro with Enlight and Pixelmator.
Even the logo’s and resizing are done on the iPad Pro.

Ingird Januari 16 2016 (1 of 9)

Ingird Januari 16 2016 (2 of 9)

Ingird Januari 16 2016 (3 of 9)

Ingird Januari 16 2016 (4 of 9)

Ingird Januari 16 2016 (5 of 9)

Ingird Januari 16 2016 (6 of 9)

Ingird Januari 16 2016 (7 of 9)

Ingird Januari 16 2016 (8 of 9)

Ingird Januari 16 2016 (9 of 9)

Ingrid Januari 16 2016 1247

 

iPad pro workflows for professionals…

On November 11th I ordered my iPad pro and Apple Pencil.
The Pencil took another week to be delivered and we are now app 3 weeks later and I think it’s time for an update on how I use the iPad pro and what I think of it as a professional tool. Let me start by saying that if Apple didn’t also release the Pencil I would have not bought the iPad pro for the simple reason, it’s just a bigger and faster iPad. The Pencil makes all the difference.

 

Now when you read reviews it’s a bit black and white, loads of reviews discard the iPad pro because it’s too expensive, doesn’t deliver anything more than the iPad air series except size, there is no force touch etc. However these are not the kind of reviews I agree with, as mentioned before the Pencil makes all the difference, for me the iPad pro is much more than my iPad air.

 

My iPad air was used for entertainment on the road and at home, it controls our Home Theater via iRule and it was sometimes used for editing video on the road and some lightroom mobile, but not that much to be honest.

 

When the Pro entered our home everything changed, I picked up drawing again and I began my quest for finding the “perfect” app based workflow as a traveling photographer/creative person.

 

Apps vs Full OS
When I uploaded a video on YouTube on ONE app called Astropad I was stunned by the amount of reactions (some downright offensive) about the fact that what the iPad Pro did with Astropad was already done for years by the Surface Pro by Microsoft. Somehow this is the base I think for a lot of the misunderstanding of what I do with the iPad pro (and many more), Astropad doesn’t run the full version of Photoshop for example, it’s “just” a sort of Wacom Cintiq alternative, you still use your Mac as main computer but you can now draw, edit, retouch on the iPad pro while you see your Mac screen, and it works pretty well (except when you have the marching ants, but let’s hope they fix this, Astropad for the Pro is still in beta remember).

 

So let’s look at the way apps works vs the full os, and yeah I know I already discussed this before but things change rapidly.
My remarks on my YouTube video (and online) was that I was not feeling comfortable controlling Photoshop from a Surface pro without a keyboard because I needed certain shortcuts like sampling for example. I also found that photoshop was far from optimized for touch. Well… Adobe released a huge Photoshop update not a week later, and ….. Photoshop is now much beter with touch devices, to a point where most of my remarks can go out of the window, and trust me that’s a good thing (I’m always honest in my pieces and reviews).

 

So did my opinion change, well yes and no.
Let me start by saying that if Apple released a full touch compatible MacOsX next week I would be raving about it and it would be the best thing ever for me, however…. working with for example Capture One, FinalCutProX etc. in a touch environment…. not really amazing, try to edit for example with just a touchpad and don’t use gestures. You will very quickly find out that it’s far from perfect, and can even be downright annoying. So before everything is PERFECT there is a LOT of work that has to be done by not only Apple but also by ALL software manufacturers. Which brings us directly to the next part.

 

Apps
The nice thing about apps is that they are 100% touch based, and with the appearance of keyboards a while ago most apps (like for example iMovie) have shortcuts that speed up editing a bit. But it’s the other way around than a Full OS version, in a Full OS version taking away the keyboard makes the software very slow to operate or some functions even impossible to use, with Apps the addition of a keyboard makes the apps a bit easier and faster to operate. One might say its the same thing, but it’s not.

 

Now the Eco System for apps is HUGE with Apple so one could very easily think that there is no problem finding alternatives to create a professional workflow with apps vs full OS right? Well that is not true and I’ve hit my limit of frustration quite some times, so lets look at the options and how I at the moment use my workflow.

 

Video
This is easy, and to be honest I didn’t expect that. Video I thought would be much harder to get right with the iPad pro (iPad series) than photography, but boy was I wrong.

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With iMovie and Adobe clip you actually have two apps that work flawlessly with video, you can export to your internal video roll in 4K, there are a LOT of options like titles, adding audio, picture in picture, looks etc. It’s all not as extensive as the full blown versions but let’s say you can get 95-100% done mobile and later just export it to FCPx or Premiere and finish it off.
Video I would say I’m 100% happy with the mobile workflow and prefer it to running a full OS with just touch on the iPad pro. (Unless of course FCPx and Premiere would fully support touch, more options are always better).

 

Street and travel photography
Or just add wedding, event etc. here.
In other words the photography that is heavy on selecting, small edits, mostly adjusting cropping, exposure, looks etc.

 

For this Lightroom Mobile rocks, upload everything at home as smart previews, download everything on your mobile device, edit on the road and sync again when home…

 

And this is where the problem also lies.
Uploading to the cloud is HORRENDOUSLY slow and cumbersome. If you are blessed with fast internet you are lucky, but most hotels aren’t so planning will be VITAL if you want to be able to work on the road. But when you have… well there is not much that I don’t like about Lightroom mobile to be honest, it just works.

 

If Adobe would add a way to bypass the cloud I would say that for my street and travel photography Lightroom mobile works for 95%, and the other 5% I can do very quickly as soon as I’m home.

 

Portraits, fashion etc.
This is where my quest was a HUGE frustration.
Not because the software isn’t good, heck no, it’s because in fact there are LOADS of alternatives that would make working on the road easy, but all seem to be missing some vital parts…..

 

let’s see :
First off Adobe fix.
Great software, can edit my work very easily and store it, but… if you want to store as PSD you are actually needing the cloud, to the filmrol it’s JPG only. Also the fix functions are great but you can’t really tint your images or do other “funky stuff”.

 

hero
After this I decided to give Pixelmator a go.
AWESOME software, really nice, but not really great on storing again, if you want the better quality… it’s that cloud thing again. No real problem if you have a fiber internet connection but in hotels or on a plane… well I don’t have to any further right. One solution is however to save your work and when you have fast internet just sync it then, this is of course a great solution so Pixelmator is without a doubt in the running of being the best app, however there is one more….
screen480x480

Our old favorite Snapseed isn’t really an option at the moment, highly limited to a low resolution it seems like Snapseed and the other apps are mostly focussed on shots you do with your iPhone, and that’s ok, let’s be honest a few weeks ago there was no real need for real professional editors because the iPad was not considered a professional tool.

 

You know that feeling that you know it should be possilbe?
Heck if Adobe would have the need I’m sure they could release a full blown Photoshop on the iPad pro, it’s fast and big enough, but for now I was left with a load of great apps that all did what they needed to do but were all missing that one real important thing…. resolution and saving in high quality PSD or TIFF internally.

enlight-photo-editing-app

On facebook I saw the app Enlight a few times and it looked like a great photo editor, with one major drawback… in their description it’s clearly stated they only support 19MP on iPads… still I decided to just email them and much to my surprise (which is actually weird if you think about it) I got a reply from them within 24 hours stating they are supporting high mp counts on the iPad pro and will soon even release versions that will support up to 70MP (well even it turns out to be 50 I’m happy, although editing my MF shots would also be nice of course). So I decided to spend the 3.99 on the app and I was blown away.

 

This is the app I would HIGHLY recommend to ALL photographers using an iPad pro (or other). You get a load of options including a great resize tool where you can freeze certain areas and after that stretch the canvas, but you also get a huge amount of looks ranging from filmlooks to downright ridiculous artistic looks (not for me but it might attract you). There are no layers from what I can see but don’t worry you can use masks which works very well.

 

The most important thing I love about Enlight is the skin options, under clarity there is an option called portrait, run this on a model and the skin gets a very nice treatment, now use the mask to fill in on the areas you want and voila use a bit of the patch tool and you have a retouch that will fit 90% of the cases, if you want to have it perfect you will need the Mac/Pc of course, but for 90-95% of fashion work I think the end result will be more than enough, especially if you mask it nicely and know what you’re doing with the strength 😀

 

The best thing about Enlight is that it just stores the files on your film roll in TIFF. Very cool app and finally a company that responds to your questions, highly recommend this one. Don’t forget Pixelmator however, although you have to wait till your home to sync and you DO need fast internet if you need to sync 10 PSDs it’s still an awesome app.

 

Painting and drawing
With all previous tasks it’s a step back from sitting behind your desktop and working, but with drawing and painting I would say it’s the other way around, the iPad pro really knocks this one out of the ballpark, the 13” screen is amazing, the palm rejection is close to voodoo and the way the pencil works is magic….. “come on Frank really?” yeah really.

 

I love to draw and paint digitally but never picked it up on my digital devices, in fact I didn’t draw since I was 16-17. I tried, oh trust me I tried but I never found the way that felt comfortable or where I could get results that were even close to what I wanted (now I have to say I’m not a great drawing artist :D).

 

I think this is the area where the iPad pro beats the standalone solutions.
I tried drawing with my Wacom in Photoshop and always had problems with my eye hand coordination on the Intuos, and a Cintiq I found too expensive for just drawing and would stand in my way for my retouch workflow, Also in Photoshop I found certain brushes to be quick and responsive while others would lag INCREDIBLY, on the iPad pro all brushes are fast and responsive in the next series of apps.

 

Adobe Sketch
If you have a CC subscription this is free.
It works flawless, great fun to use but it’s not much more than well… a sketchbook.

Procreate-made-for-artists

ProCreate
Oh my, this changed my life, literally.
At the moment I try to draw as much as possible in Procreate and it’s addictive as can be for the simple reason it feels 100% natural, brushes, pencils and pens all look great and the drawing experience itself is VERY nice, you can turn the paper to the orientation you like, you can zoom, erasing is a simple two finger gesture, redo a three finger gesture and there are much more gestures build in. Also very nice is to see a video after your artwork is done that shows the complete progress from start to finish.

 

Of course Procreate supports layers, opacities, blurs, blending modes etc. etc. it’s “perfect” but still looks very simple and easy to understand.

about-mpiPad

MediBang paint
Can I say WOW again.
This looks like Photoshop on the iPad, a very very extensive app with of course layers and all their behaviors, loads of brushes (more available online, just like with Procreate), color pickers etc. but also extra additions like drawing perfect circles and other forms, adding content from online like backgrounds etc. and much much more.

 

The interface looks a bit more cluttered which I like for photo editing but to be honest I like the look the look of Procreate a lot more for drawing. However the options you get with MediBang paint are slowly drawing me more towards MediBang, if they would add the movie recording of ProCreate I would probably switch. The nice thing about MediBang is that it’s 100% free.

 

So far
Overal I’m finding my ways on the iPad pro.
The feeling is exactly as expected, it bridges the gap between being at home or in a hotel and being able to work on a “proper” workstation (MBP or MacPro) and traveling.

 

There will always be people that claim the iPad pro is a toy because it doesn’t run a full OS and I can understand this from a Windows perspective, I own a touch based windows laptop (i7 Sony with full specs and pen which I use for other applications than creative) and the app eco system for that system… well it’s there but to be honest it sucks, there are some cool apps but most are not even remotely as sophisticated or usable as the iOS apps, and thats 100% understandable (don’t get me wrong) there is no real need for apps because the laptop runs a full OS.

 

However I think this is the main reason why many surface owners are so bashing the iPad pro, and they are right in many ways, but also wrong in some. The main reason for me to go for the iPad pro above the Surface pro is not because I don’t like microsoft, I’m a modern guy and I know my hard/software so I can make everything talk to each other.

 

The main reasons are much simpler
With the iPad Pro have a device that is superior in drawing and painting which although it’s a hobby is very important for me, now I know there are people doing great art on an iPhone with their fingers, but I’m not that talented I need a very simple to use interface so I can focus on my drawing “skills” and for example Procreate delivers this, it’s 100% touch based so it feels natural, and the Apple pencil is just awesome for me.

 

Also it’s a matter of battery life, although both claim the same battery life my experience with both my Sony laptop and Surface pro is quite different. When I edit video my battery is empty in about 2 hours on the Surface Pro and my Laptop, the iPad pro however just keeps going and going. For watching movies we flew from Amsterdam to LA and both my iPad (Air) and Surface were both not 100% empty so for entertainment this is non-issue but when editing video/photos the iPad pro will just last longer and seeing the fact that not every seat on an airplane has a power connector I prefer that a lot.

 

Also it’s a matter being able to do what is needed. In the air or on the road I don’t need to FINISH something, I like to do the ground work, I need to be there 90-95% so when I’m at home it’s a simple way of syncing everything up and finishing what’s needed in 2-3 hours and be done with it. Before I worked mobile it meant that I lost 1-2 full days at home for retouching and editing video.

 

During workshops I can shoot tethered to my iPad pro with the Sony software and QDSLR dashboard, that’s all I need. During shows I can connect the iPad to a large screen TV or projector via a cable and power the iPad pro via lighting so we can shoot all day.

 

For presentations I can edit in KeyNote and control keynote on the iPad pro via my iPhone, use it as a laserpointer, draw on the screen and see my next slide and notes.

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Documents I can edit on the road via the Logitec Create keyboard (I didn’t like the Apple keyboard), which in fact almost makes the iPad Pro into a full blown laptop when combined with Numbers, Pages and Keynote (or Microsoft office).

 

Would I like more?
Yeah of course, this is not an article on how great the iPad pro is, it is what it is and for me it’s a perfect companion for travels and at home, but most of all a great creative tool thanks to the pencil.

 

I would LOVE an extra USB port for external drives or a camera, although I use the iShow fast it would be nice to also be able to shoot tethered via USB with my camera (sometimes wifi can be tricky on trade shows with much interference). The iShow fast however is a great companion for the iPad (Pro) because it makes it possible to copy files (very fast) from my Mac via USB to the iPad (Pro) via lighting, or to just store movies and watch them via the stick.

 

I always carry my laptop with me for the storage of files, bigger tasks etc. It would be great if apple would release a macbook pro without screen where you could just fit the iPad pro too and it would become a “dumb” display, where you can use all the options of a full MacOsX, maybe copy files to the internal iPad Pro storage and take it off and continue working. But till then I will just carry my whole MBP on longer trips.

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The future
I strongly believe we are just seeing a tip of the iceberg at the moment. Apple released the iPad and at first it was just a blown up iPhone I think with the Pro we are at that same point, the potential of the pro is not yet used by 99% of the apps I’m running, even Astropad claims they are still in beta.

 

With the recent release of Photoshop with a main focus on touch and GUI improvements I think/hope Adobe is making more steps into creating Photoshop based on a touch device. I don’t know how hard it is of course to port everything to iOS but seeing the fact they are already release many mobile apps the last few months/years and those apps grow in power I would not be surprised if 2016 would be the year in which we see some major improvements in Photoshop on the iPad pro and probably also Lightroom mobile.
On the other hand, I think also Apple feels the need to integrate the two worlds. They will not run MacOsX on a 100% touch device I’m afraid and I understand why, where I always got the feeling that Microsoft looked more at a standpoint from “if our software runs great we release it” Apple looks at it a bit different “EVERYTHING needs to be seamless and perfect otherwise we don’t release it” this is now clearly shown with the release of the iPad pro which many (including me) hoped to be running full MacOsX, we now have a device with loads of power and possibilities but we are depending on apps, on the other hand if these apps are created you will have a superior device to anything else. It’s a matter of something can be said for both. I for one would be able to live with a half functioning Capture One on my iPad pro running MacOSx as long as tethering worked for example but it isn’t so and that’s reality.

 

At the moment I feel very confident with the purchase of the iPad pro, it bridges the gap between travel and being at home “perfectly” and is perfect as a creative tool for creating drawings and painting.

 

Still I’m always looking at the surface pro series from Microsoft and find the recent updates to Photoshop more than interesting, but in a 100% mac environment and with the apps I use the iPad pro at the moment is the perfect addition in my workflow.

 

I hope this article gives you some ideas about apps and how I use the iPad pro at the moment.