Tag Archive for: tricks

Working with a model during her first shoot and how to make it a success

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Trial by fire

In the previous blogpost you already saw the results from the test session with Jannaika.
The images were shot during the Digital Classroom live stream.

Today in the blog the full episode of Digital Classroom with a much requested topic.
“how to work with models during their first shoot and how to make it a success”

See the full session and get all the tips about lighting, posing and how to coach your model.

If you have any questions, feel free to ask.

A very cool lighting technique with just one strobe and softbox

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A tip on lighting

Today in the blog a video about a very powerful lighting setup for ultimate moody shots.

In the short digital classroom videos I explain the lighting of one of my photos I took during the workshops. You see the results, the behind the scenes video and an in depth explanation about the technique.

If you have any questions feel free to ask and maybe you see your question answered in a video.
Want to visit one of our workshops?
Visit fotografie-workshops.nl for more info on the Dutch and English workshops.

I’m using Geekoto strobes and softboxes in the video.

Outside fashion shoot for sunglasses with extreme styling and flash Part II : let’s talk gear

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Because size matters, also outside

Today Part II from the workshop “Working on location in Emmeloord”
In this workshop, the challenge is to use not-so-interesting locations and create awesome shots.
In the previous blogpost we showed set 1 and talked a bit about the gear, today we dive a little bit deeper into the deep reflector. What gear do you need for an outside fashion shoot?

But first, let’s take a look at the setup.

The third set we used during the workshop (set II will follow the next time) was a small house near the beach. This is an interesting location but in all honesty, I had the most trouble with this one to create something interesting. But by using the lines in the location and changing my angles of shooting, I think we got some interesting looks.

For the images, I used our Geekoto GT200 and a large reflector

An outside fashion shoot, gear

Outside my favorite gear is of course Annewiek, but also my iPad in the Ulanzi iPad holder and a large reflector.

Outside Fashion Shoot Gear, the must-have reflector

As you can see this is a pretty large reflector.
And that’s exactly the reason I love using those on location.
The thing is that even with a 200W strobe you are still not “killing” the sun from let’s say 3 meters distance. And when you love those Day2Night shots or love to shoot HSS you will have to run almost constantly on full power. But even with fill-in flash…. ok you get the idea without any reflectors even a 200W hybrid strobe with HSS is not perfect for all day Day2Night photography

However, as soon as we add light shapers, the story becomes different.

When we add a striplight like the Rogue flashbenders or any other brand of course we will actually lose light output compared to the bare strobe.
But luckily we can also add light to the output.

You probably also know from studio use that reflectors can have a huge impact on the light output of your strobes. And the same goes for outside. We are using a Bowens converter to hold our Geekoto and connect the reflector. The reason the reflector is so deep is that it will focus the light more the deeper the reflector (on average, it also depends on the material of course). In usage, this can mean the difference between shooting a strobe on 1/3rd power instead of full power, and that is something you really notice.

As a bonus I love the look of these deeper reflectors, they are not as harsh as some smaller reflectors but they still give a tremendous deep shadow and high contrast. If you order one make sure you also order a grid if that’s available. I’m using a generic brand from AliExpress, if you are shooting with Hensel it’s called the 14″ reflector (which is even larger than this one) and for Elinchrom it’s called the MaxiLight or MaxiSpot. I highly recommend getting one for outside work. The reflector is really my favorite gear on an outside fashion shoot.

 

The iPad solution is another must-have for your shoot on location

As you can see in the image I’m using an iPad on location.
I’ve been using MacBooks for years but the disadvantage of a MacBookPro is that they are very fragile on location, they can easily fall, attract dust like crazy, and have loads of openings to collect dirt. Plus they are very expensive to replace or repair.

The iPad on the other hand can be securely fastened to just one stand with the awesome Ulanzi holder (we got so many questions about it that we added it to our webshop).
The nice thing about the iPad is that it will run all day on one charge and the light output is really nice for outside work, as long as there is no direct sunlight hitting the screen of course.

During this workshop I shot wireless to the iPad but in 99% of the cases I’m using an IQwire USBc-USBc 15meter tether cable to shoot to the iPad using CasCable. I’ve been using this combination for a while now and it never disappointed me. If something goes wrong the advantage of the iPad is that you just close an app and start it again and it all works fine again. But to be complete I’ve experienced a super smooth workflow so far with little to no problems. This is also the main reason you see me using the iPad more and more during shows. Especially with Adobe releasing great updates to their Lightroom and Photoshop apps which makes the iPad a real workstation nowadays.

Especially on location, you want gear you carry around easily and don’t have to be afraid that something falls during the hike to the next location.

 

The results

Ok let’s take a look at the results from the third set during this workshop (next time set 2)

Model/Styling: Nadine
Sunglasses: Sparks
www.fotografie-workshops.nl for the Dutch workshops
www.frankdoorhof.com/shop for my gear

Outside Fashion Shoot Gear

Just a bit more light on the model’s face with the reflector

Outside Fashion Shoot Gear

 

 

Same background, totally different results

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Maximize your results with this simple technique

When you shoot for a client, delivering different options is always interesting and smart.
But different options take time, right? In this blog the same background and totally different results

Well not exactly.

Be smart with your setups.

For this example, I’m using a white background.
In the front, I’m using the Rogue black umbrella with a sleeve aimed straight at our model.
The backdrop is white seamless.

You probably already know about the inverse square law, meaning light falls off over the distance.
A great way to use this is to control your background.

I’m using the white background for my first shot in this setup.
This one was shot with one Rogue umbrella in the background and one Rogue umbrella on the front.

white background but different results You can already see a very slight light fall-off in the background, which can be solved by using a second umbrella on the other side of course as explained in the previous blog posts.

But what if you just take away the umbrella(s)

again the same white background but different result

As you can see the background now turns grey and you can add some extreme vignetting in Lightroom or Photoshop (or your favorite editor) for a completely different look.

Change the distance for total control (different results)

Using the inverse square law you can change the luminance of the background very easily.
You actually have 2 options.

  1. you can change the distance from the main light to your model.
    Move it closer to the model and the background will become darker.
    Move it further away from your model and the background will become lighter.
  2. Move your model forward to get the background darker
    Move your model towards the background and the background will become lighter.

Of course, you have to re-meter the light when you change the distance between your model and your background.

Explained wrong

I just wanted to add an extra note to this blog post.
I’ve seen several videos and articles that claim that the light halves when doubling the distance, this is however wrong.
The name already gives you the answer in fact.

“The intensity of the light is inversely proportional to the square of the distance”
meaning in simple turns that for every doubling you lose about 75% of your light.

In usable terms.
Place your light really close to your model and the light will fall off incredibly fast. Place it further away from your model and more of the set and model will be lit and the light fall-off will be smoother.

 

Conclusion using the same background and getting different results

When you have to shoot with certain setups always check if you can also get usable results by turning off/on certain strobes.
You might surprise yourself when you start testing this, it can be done in much more situations than you might think.

Read the post about poses and the white background 

Read more about making the background and floor totally white 

see more pictures Frank made with the Umbrella on the RogueFlash website 

check out the Digital Classroom about Umbrellas