Tag Archive for: tips

“Beyond snaps : street and travel photography tips” a new instructional video

We just released a brand-new instructional video called “Beyond snaps : Street and travel photography tips”

 

We all love photography right?
So when we travel the camera always travels with us, however how often did it happen to you that when you looked at the images at home you thought “Now where is that killer shot?, I know I made it”. Well we all know that feeling, often while traveling there isn’t time to wait for the perfect light, get the perfect position to shoot from etc. there is always something going on that will prevent us from taking the perfect shot.

 

In this video you travel with us through the beautiful Sweden and I’ll give you a lot of tips about how you can go “Beyond snaps”.
The video contains many topics like :
using GPS for more adventure, internet on the road, backups, power while traveling, gear advise, using lenses for special effects, finding the interesting angle, how to approach people, tripod tips, shooting a sunset very easily (or faking one), making roads interesting and much much more…

 

The video is jam-packed with information and will make sure that your next trip doesn’t end in “Now where are the good shots”, but will end in “LOOK at this shot”.

 

Video run time : well over 95 minutes
Quality : Shot on 4K, video is 1080P for download
File size : App 7 GB

You can now order the video straight from our video page or via :

Beyond snaps

Zoom in

There’s always this discussion about using zoom lenses vs primes.
LOADS of photographers will tell you that primes are much better… and well I agree they are.
But still I’m a zoom lens person.
I know primes are sharper and often a bit faster (or a lot faster, meaning wider aperture) but to be honest in the studio I always shoot between f4-f22 so most of my lenses are razor sharp in that area, but even if they would be slightly less sharp then my primes I still prefer the variety of looks I can get from my zooms.

 

Always remember that shooting an image on 50mm and walking towards your model or moving away will be different that shooting from the same location with a 24-70, with the zoom lens you are much faster and if you want a close up you actually compress the scene much more than when walking towards the model with a 50mm (for example).

 

In a photoshoot I would like to have to most options possible and I love to switch fast so for me a zoom is always a good thing. Combine this by walking around your model during the shoot and you can not only get different looks from your composition/compression but also by the light, because if you shoot under aimed lights (like in the studio) the difference can be incredible.

Do you remember the light snake images ?
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Here we used the same set and I zoomed in a lot more to use the set in a completely different way, but also included some of the red strobe in the back for a completely different look.

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And a few more with different styling and without the red spot.

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If you like these kind of tips make sure to check out my book “Mastering the model shoot” or get one of the instructional videos from this website.

working with smoke

One of the most interesting workshops is without a doubt “working with smoke”
It all might seem very simple, just pump some smoke and you’re done… but in reality it’s almost a science, I could literally write pages about it (I might do that one day).
In essence you have to remember that smoke acts like a diffuser and reflector at the same time, so backlighting smoke can be awesome and front lighting a disaster, however if you set up your lights perfectly before you add smoke it could very well be that all falls down when you add the smoke due to the fact that smoke also acts as a diffuser, so it could be way to bright OR way too dark….

 

Now if you’re smart (and I know you guys are) you can use smoke also to light up your model in areas where normally it would a bit too dark, for example put two strips behind the model and you will end up with a very dark front, however add a bit of smoke in the front and the light will bounce of the smoke and actually light the dress…… easy right? well not that easy but in essence it is, now you have to start to learn how to add the smoke.

 

With smoke we always work with 2 smoke machines if we can, just layering in the smoke using patterns that will fit the scene, and this has to be very fast because smoke will always move around, so often I’ll ask my assistants to first blow smoke in the front of the model (in these kind of shots) and then behind them and move up very fast. This way you can create some pretty interesting effects.
To show total control over your smoke you can even create two walls of smoke 😀
To light up the face of the model a bit more I used a small snoot with grid.

 

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If you like these kind of tips make sure to check out my book “Mastering the model shoot” or get one of the instructional videos from this website.

Small spaces are limiting? … nah

One of the most heard excuses is “my space is too small for a good shot”.
Well you might not be able to shoot a model in front of a white seamless, or fit in a whole family, or make a model jump (although that could be funny… for the photographer, not the model,….. nah don’t do it), but in essence EVERY location has potential as long as you use it to the max.

 

In this case we used a small staircase that is located at the back end of our studio and leads up to the “stage”. Our building is actually and old “church” and this was where the preacher was standing, it’s a tight space but for me it’s always fun to shoot there.

 

As you can see in the following shots I used some smoke to give the scene a bit more of an edge, but I also used my lighting to the max by moving around my model. Now always remember that smoke acts as both a diffuser and reflector so the more smoke you get… well let me put it this way, it’s always different. Also remember that as soon as the smoke gets in between the model and the front light source “all bets are off” smoke will start to act as a reflector and it will be one big white out.

 

We used one Elinchrom beauty dish with grid from the front and one gridded (and later open) reflector from the back with a blue gel.
Styling and model : Nadine

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For the next one I left in a bit more red.

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But you don’t always have to use the same pose of course…..
Why not shoot one from the back for example.

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And while you’re at it. Why not move around your model and get a completely different look?

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As you can see with the same light setup and the same very tight space you can create something really cool… just think outside the box… or in these kind of cases probably inside the box 😀

 

Good luck.