Tag Archive for: tethering

Looking back at the first year of problem-free tethering and connecting photographers…

Exactly a year ago we introduced a new tether brand: IQwire. We used the 10-meter cable a lot. Problem-free! But there is more. Read this update about 1-year problem-free tethering with IQwire.

Facebook sends you reminders of what happened a year ago. And today Facebook showed the official announcement of us distributing IQwire in Europe.

What is tethering?

Shooting tethered is one of the best upgrades you can do to your workflow. In case you wonder “Tethering?” When we talk about shooting tethered we mean that we connect our camera to a larger display to see the images we shoot right away. This can be on a tablet like Android or iOs, but also Windows or Mac of course.

In the studio or on location this means you can immediately judge your images for focus, lighting, etc. But you can also add presets to the images so your client (or yourself) can get an idea about how the final image will look. Especially when shooting in BW this can be an awesome tool that really makes the difference. But also think about overlays where you are able to shoot the images straight into the publication with all the headlines, text, etc. already laid out so you can get perfect results.

What you might not know is that most modern cameras support shooting tethered. In most cases, software like Lightroom or Capture One supports your camera. But there are also alternatives, most cameras even have their own software which can or cannot be incorporated with Lightroom. Tethering is a serious workflow enhancement, and might I say probably one of the most important ones.

But time moves on and demands also grow

A camera that was cutting edge a few years ago is already surpassed by many generations that followed. This also means that the files are getting larger, but most of all the buffers of the cameras are getting larger, cards are getting faster and we are also able to charge our cameras via USBC. This means that the demands we have for our tethering cables are getting higher and higher.

Today it’s exactly a year ago I made a post on the internet that we would be releasing a new brand for Europe that would be able to solve most if not all problems that people experience when shooting tethered, and after a year let’s look back and continue reading about 1-year problem-free tethering with IQwire

the IQwire logo with slogan

Experience is key

I’ve been shooting tethered for as long as I can remember. It started with the famous yellow composite cable to a CRT monitor. A simple connection from the video out of my camera to the TV. Nothing fancy but it worked like a charm. Later of course I switched to wireless tethering with a special battery grip which in all honesty worked ok for JPGs but was way too slow for RAW files (nothing changed here). I believe that when I switched to Medium Format it was the first time I really was able to shoot tethered the right way via Leaf Capture. At that moment I was running Windows and there actually was no Windows version of Leaf Capture. But thanks to the awesome team at Leaf I was able to run an alpha/beta version of the software. Later I switched to Mac also due to the fact my Windows laptop was way too unstable in heat or wet environments.

Sony A99 could not tether

Fast forward a lot of years and I was asked to do the introduction of the Sony A99. At that moment a groundbreaking camera with an EVF and …. well…. no tethering. Seeing I was asked to do the official introduction in Dubai for an audience this was really a big issue. So I started working together with a small company that actually managed to get me a “working” version of their tethering plugin for Sony cameras, with the STRONG message, please don’t shoot more than 25 images, and please not too fast. To make a long story short it was a demo with not that many shots but I was probably the first one in the world that actually shot tethered with the A99.

Tethering can be complicated

We never stopped looking for better tethering solutions and for many years Annewiek and I worked effortlessly to make tethering problem-free for every photographer. You have to realize that just adding a cable to your camera doesn’t warrant that tethering works. It’s actually in some cases a very complicated process where drivers can block the tethering or power saving can cause lost connections. Dropbox can even totally shut off tethering, hardware drivers aren’t updated or not correctly, etc. I could write a small book about all the problems we experienced over this period.

But as mentioned times changed and we found that more and more photographers (including myself) demanded more from our cables and solutions. For me, it was important to be able to use 10 meters (33 ft) cables without any hassle of adding two different cables together. I want to tethering to work problem-free. Extending cables in reality just doesn’t work reliably. Even when using locks after a few months I started getting lost connections and we had to tape the whole system together. And let’s be honest if you walk on a stage you don’t want to worry about losing connection, you just want to shoot and trust your gear.

And we found a brand that does exactly what the modern photographer wants.

IQwire

And the IQ is not there for fun or advertising. We deliver the IQwire cables in 5 and 10 meters lengths. So one problem for me was solved (length). However, when using 10 meters you are going beyond the limits of USBC (4.7 meters) so how do we make it work you might ask?

Well in the 10 meters version, you will find 2 boosters, and by using 2 boosters we have some advantages that no other brand has.

First of all of course the length, finally 10 meters without any extra connections.
But by using two inline boosters we are also able to solve another huge problem. The fact that most professional photographers use several cameras. With the IQwire, we are also selling several pigtails and even a USB-A converter. This makes the IQwire literally one cable to rule them all. When you shoot USBC you just use the cable as it is. But if you need USB mini/B/micro or any other connection you are able to connect a so-called pigtail cable where you go from USBcC female to the connector you need. Our pigtails are app 15 cm in length but I did some tests with adding a convertor PLUS a 4.7 meter cable and to my surprise my Medium Format camera didn’t just shoot without any dropouts but even was able to charge on the lowest setting which proves how stable and well build the IQ-Wire system is. So that is what we call problem-free tethering!

And although you don’t really need a booster on 5 mtrs also our 5 mtrs cables have one booster.

But there is more

As soon as you connect your camera for the first time you will notice that the connection is blazingly fast. The camera is recognized almost immediately and there are no more pauses or hiccups during the session, all images come in at the same time and speed.

We did several tests ourselves and clocked a difference of up to 20% compared to the best other cables. According to a recent review, the reviewer actually claimed even faster speeds compared to an off-brand cable. The impressive fact from that review was he compared a standard 1-meter cable with our 10-meter cable.

Part of this is of course due to the boosters. But also due to a small piece of hardware called IQ-connect. With IQ-connect you are always sure your camera and computer/tablet have the fastest connection and don’t disconnect the camera during the shoot.

With modern cameras, you can still shoot with standard cables of course, but if you want a reliable professional solution that can take a beating IQwire is the best choice in our personal opinion.

Read this update about 1-year problem-free tethering with IQwire.

Cascable logo, tethering software for the iPad

And more

When we look at the demands from photographers besides length we also hear being used iPad more and more. And let’s be honest, being able to shoot to a laptop is great, but you always have to carry an expensive piece of gear into environments that are far from friendly for anything that has air vents. Take your laptop to a beach with a little bit of wind and you know what I mean.

The iPad is the perfect solution for shooting tethered. I shoot with the iPad almost exclusively now and would literally never go back to the laptop. More battery life, much more light output, and much much easier to mount on a stand without the risk of falling over.

But you need software for this of course. And as mentioned before we always look for great solutions and found this in an app called Cascable on iOS. Do make sure you check if your camera is supported for wired tethering (they support a lot of cameras and even more wireless so make sure you check for wired too).

You guessed it… there is more

Now that we have the perfect cable in the perfect length, and a good tethering solution there is one thing missing.
When we connect something to our camera there is always a risk of damaging the port. This is one of the reasons I never advise people to empty their cards via the cameras, so how do we solve this with tethering?

First of all, IQwire uses angled connectors which already bring the risk down when a camera tips over when on the floor. (Never ever place your camera when connected on a stool or table, if someone hits your cable the camera will fall and probably not survive, so always place a connected camera on the floor). Due to the angled design of the IQwire the camera will literally turn over the cable protecting the port. But that doesn’t help when someone stands on your cable (of course you never do that yourself :D).

This is the first reason everyone should consider a 10-meter cable

When you use a 5-meter cable you have to take into account your own length (in my case 1.97) and the height of the laptop or tablet (mostly 1.50 meters). This means that if you don’t want your cable to “float” you already lose roughly 3.50 mtrs which means you can move around 1 to 2 meters around your laptop/tablet before the cable becomes a danger to trip over. With a 10-meter cable, this is much more than double. Now you can move roughly 6.50 mtrs around your laptop/tablet. This makes it not only safer to shoot but also hugely benefits the way you can use your set creatively. Being limited by length is incredibly frustrating.

But even when you use a 10-meter cable the port is still very fragile.
So you need something to connect the cable securely to the camera. Anything that moves around is not safe enough and just a small protection, as long as the cable moves there is a constant movement to the port which will eventually weaken the port and this will lead to lost connections.

For years I’ve used a solution that was expensive, very troublesome to take off and put on and was often cut into my hand. So we decided to create something that would work much better and would be a LOT cheaper.

our CableBlock is red,small and also arca compatible for problem-free tethering

Enter the CableBlock

Our StudioFD “We Know Tether” CableBlock solves many problems you can find in competing products.
First of all, we opted for a smaller form factor. This means that on most cameras you can still access the battery compartment and the CableBlock doesn’t cut into your hand when using smaller cameras. But most of all we wanted an easy way to take the CableBlock off the camera, so we added a clip which you can quickly take the CableBlock off your camera or put it on of course. You can still use a coin or screwdriver but you don’t need to anymore.

And of course, the CableBlock is fire red which makes it stands out. It’s fully Arca compatible and the best thing …. we are able to sell it for 35,00 euros retail. And for the time being it’s actually delivered for free with the 10- meter IQ-wire when bought from our dealers.

Looking back

Introducing a new brand on the market is always a problem. But realizing it’s just one year ago we did the introduction it’s stunning to see we are now being sold in most camera stores in the Benelux. And getting orders from other countries far out of our sales region is nothing less than awesome.

We are very pleased with all the positive reviews we get from magazines, websites, and most of all our users. Everybody seems to love IQwire, and reading that people can shoot without any problems or hiccups is the icing on the cake of course, and the reason we always find the brands that deliver.

For myself
1 year using a 10-meter IQwire meant
ZERO lost connections
Still using the same cable
No visible degrading on the connectors and housing and even the cable itself still looks brand new although there were quite some instances where people and dog stood on the cable and I even (by accident) rolled my chair over the cable during a shoot a few times.

So do you also want to shoot tethered problem-free?

Like with most products there are brands that innovate and brands that keep everything the same. With IQwire we are ready for the future, are you already an IQwire shooter?

For more info see www.iqwire.nl
Buy the cable block here from us
Buy IQwire directly from us

You can buy IQwire and CableBlock in your favorite camera store

Why StudioFD?

Of course, you might wonder “Why should I choose to work with StudioFD?”
First of all, we have an unsurpassed experience with tethering. Without going into details (don’t want to hurt other brands), we’ve been working in the business of tethering for over 15 years building brands from the ground up with almost 24/7 365 support.

As a dealer, you don’t have to think about solving problems for your customer which costs time and often will not solve the problem. Instead, we take over the complete after-sales and will support your customer with all the questions they have and if something doesn’t work… Well, we will make it work (unless a camera doesn’t support tethering of course). Besides an extensive experience with tethering, we also ran a PC/Mac shop for over 20 years so we have a proper knowledge of the software and hardware needed to create a flawless workflow.

Dealers are welcome.

A workflow that works

We all struggle with the same thing…, laptop vs desktop.
Backup or not to backup… just kidding 😀

In this episode of digital classroom we talk about the workflow that works (for me).
And I tried to really go over every aspect from backups to tethering and making the iPad and MacBook work seamlessly together.

Behind the scenes during the workshop “smoke” plus how I shoot tethered to the iPad pro

In today’s episode of behind the closed DOORs we talk about tethering to the iPad pro
And I take you BTS during the workshop smoke with our model Linda.

During the video you see all the results but in the blog post one of the sets 😉

Enjoy the video and dont forget to subscribe. We have a lot of different videos ranging from behind the scenes to reviews and tips and tricks. Plus of course our regular live streams in the digital classroom series

the future of computing a few more thoughts

Recently I already posted some thoughts about the future of computing on my blog and the more I think about it the more I’m starting to see that for me this might be the perfect solution, and in my head I already made the following setup which I want to post here for your input, tips, comments etc.

Having 2 computers is a norm for many working professionals, one powerhouse in the studio and one mobile device for the stuff you can’t do on your iPhone or iPad, traveling often means you have to make sure your laptop and desktop are in sync, which of course now a days are not really a problem, and although some programs can be very tricky there is always a solution, which sometimes means paying an extra license (like for example with screen flow). When returning home copying from the mobile device to the studio machine is not really problematic, it’s a simple manner of connecting the thunderbolt cable between the two and there you go. For years this was my workflow and I never thought it would change.

However as an Apple user there are a few things that have struck me as odd, and even got me worried.
Apple always was the pro supporter, the one where the creatives went, it might not have always had the fastest hardware but thanks to a killer OS and great software my mac always felt much faster than any PC I worked on, but over the years things have changed… Apple seems to be losing track and although they still have a killer OS and great software like Final Cut Pro X (which is getting better over time) and of course plugins like Macphun which are Apple only it is getting harder to see a future where pros keep using Macs. Where windows users get more and more cool devices with touch, tablets, digitizers built in and INSANE speeds….. mac users get….. well a touch strip……. *play the pacman dies music…..

 

So do we abandon Apple?
Well no not yet.
The MacPro hasn’t been updated for a LONG time, I bought it the moment it was released and I’m glad I bought it with 2xD700 videocards because in all honesty working with the MacPro is still like a dream, the machine is blazingly fast… but with 4K it’s showing it’s age, I can still edit 4K without any problem even multicam, but rendering it and adding effects really shows the age of the machine, so at this moment in time I would be looking for an upgrade within 1 year. Seeing how Apple is performing at the moment I’m afraid that we can expect NO upgrade for the MacPro OR an upgrade that’s so expensive that if I would do that I would have to get another job next to my current job, which pays the bills but doesn’t make me able to shelve out 5000.00 in a heartbeat for some speed gain.
So let’s say the MacPro is out, this is my last MacPro, what now…
Well for mobile use I’m switching to Windows, I’ve tried it a few times which made me go back to MacOs within 6 months for the simple reason I couldn’t get the workflow right, the screens were too small, battery life sucked with no option for external power like the hyper juice, and the digitizers were VERY poor. But things change.

 

This could/should be your setup
Ok I know this is bold statement but I think when you read this you’ll agree or might at least think… “he has a thing going”.
As working photographers and educators we all need a mobile device that’s fast, handles all the files we shoot, can edit photos and videos and most of all is portable. For years this was the MacBookPro, but using a dedicated laptop means we also have to carry with us a Wacom tablet, and this means… editing in the field for a quick demo is out of the question, same as editing on a plane, in the passenger seat of the RV etc. And with Surface book pro’s coming out and similar devices it really really started to annoy me, long story short, when Apple didn’t incorporate the apple pencil in some form in the new MBP I knew I was going to skip that one (but I’m not quite… read on). My new mobile device will be the Wacom Mobile Studio Pro 16, not the 13 but the 16, I don’t just want to look cool in a coffeeshop checking my mail (that’s my iPhone or iPad pro) but I want real estate, and I need hardkeys for editing and retouching (a bit miss on the Surface pros, two buttons just doesn’t do it, and software solutions are cool for consumers but I need that room and tactile feel for speed), so that’s my new laptop.

v16mu

Now that we have mobile complete let’s look at home/studio
I’m now running a 4500.00 euro MacPro which still works, but has to be replaced within let’s say 1 year.
I could build a PC with killer specs, but that would mean loosing the system I’m used to, so that’s a “no go”, “thought about it for a second and woke up” scenario. Also I love using MacOs and Final Cut Pro X and MacPhun so MacOs it is. But what options do we have left as pro users…. And that’s were it actually get’s interesting.

Let’s say we buy a 15″ MBP with 16GB and a 512GB SSD. This is a very powerful machine, it has dedicated video that’s pretty fast and can do almost anything you throw at it, unless it’s the real power hungry stuff. I hear you saying… “Hey Frank you just told us you’re gonna switch to the Wacom for mobile use….?” yes indeed you’re right… I’m not going to use the MacBookPro for mobile use like the Wacom.

The MacBookPro will be placed in a dock (closed lid) and connected to 1-2 hubs, this would give me enough USB ports to connect all the gear I’m used to having and give me 2 TB2 ports for my external drive bays which I’m not willing to replace because they work great and in my opinion is a waste of money to upgrade. Also we connect a keyboard and the magic touchpad (which I absolutely love) with the new MacBookPro we can connect the 3 displays I’m using at the moment so also that is solved, this could be enough but it won’t beat my 2013 MacPro (R2D2) so how can we achieve this?

 

And this is where it get’s interesting
We need that extra speed for intense stuff like rendering, video effects, filters etc. now all/most of these work not on the CPU but on the GPU, meaning the videocards. The last few days I’ve been looking into the options for external GPU units and found that although there isn’t a lot of information about it online, there actually is some information which looks very promising. In the past most of these solutions were not easy to install and mostly just worked under Windows, which would make no sense, however things change and there are now solutions that actually are almost plug and play and also work under MacOs. And that’s where I started to think…… These boxes can make your mac up to 10x faster in heavy rendering solutions and filters, which is a HUGE boost compared to the MacPro I’m now using, even twice the speed would be awesome. BUT cost…..

arc-hub-image-_5_-0

And now for the finale…. which is more interesting
If you read this far trust me you will be rewarded.
Let’s look at what we have now.
A Mac Pro which retails for 4500.00
A MacBook Pro which retails for 3500.00 (complete)
A Wacom cintiq which retails for 2500.00 (27″)
Total costs : 10.500 EURO

 

Now let’s look at the alternative solution
MBP 15″ 2016 : 3500.00
External GPU : 800.00 (they start at 599.00 actually)
Wacom Mobile studio Pro 16 totally specked out : 3100.00
Add some accessories like a dock, stand etc. : 500.00 
And we now have a total cost of : 7900.00

 

Ok so we save : 2600.00 which is already a lot of money, but we get a lot more.
As you see I left out my Wacom Cintiq 27″.
Now in all honesty I’m in love with the 27″ and don’t see myself replacing that one very quickly but for most photographers a 16″ 4K cintiq will be more than enough, and most of those people don’t even own a cintiq yet because they don’t have the budget for it. HOWEVER most of you will very quickly reach that 6000-7000 euro range when you add your laptop and Mac Pro together (if you use those of course).

The cool thing about this second solution is that for 2900.00 less you still have the cintiq….

 

Combining the best of both worlds
With the Mobile studio pro 16 from wacom you get something a lot of Macusers have been wanting, a bigger screen than the 15″ and touch/digitzer (this means you can draw on the screen), and it’s still a mobile device with loads of power, if you format your drives in exfat PCs and Macs pretty much understand each other and when you mostly run Creative Cloud and Capture One (like most of us do) you won’t really notice any difference in your workflow. But the Wacom can also be connected to a PC or Mac via a special link that makes it behave as a full blown 16″ 4K cintiq, which makes it possible to mirror your main screen for critical color editing and still have all the benefits of working on a cintiq.

The MacBookPro will be mostly used in it’s dock where it has a very powerful external GPU, a 16″ cintiq and 3 screens.
HOWEVER, when needed you can take it out and continue your work somewhere else.
So in essence you have a MacPro replacement, a mobile device, a Cintiq AND a tablet with digitizer all in 2 devices.

 

Situations where it saves you even more
Now if 2600.00 doesn’t really do it for you… let’s take a look at my situation.
If we want to do what we want to do….. which means also be able to broadcast during live events, workshops on locations etc. we need the following.

 

MacPro in the studio
1 laptop running wirecast (and that has to be a specked out one, the 13″ MBP 2015 actually didn’t really work)
1 laptop for shooting tethered and retouching
And an extra license for Wirecast and screen flow if we also want to use both machines, so add another 4000.00 euro to the 10.500.

 

By using the solution with the MBP and the external GPU we can do the following.
Run wirecast on the MBP in the dock and connected to the GPU during live broadcasts in the studio and shoot to the Wacom and retouch on the Wacom. Now when we visit a trade show or workshop on location we disconnect the MBP from the dock and take it with is while I still shoot on the Wacom.

 

Not all roses and fun
Of course I’m not living in a dream world and I for 100% know that this setup will have it’s drawbacks and problems.
For example when using the Wacom I still have to copy the files to my Mac setup, but that’s in my situation, if you can handle everything with a MBP you don’t than it’s just a matter of connecting it to the dock of course. And don’t even start about using Windows 10 pro on a daily basis, it’s probably a great Windows version but I’m 100% aware that it’s a far cry from what I’m used to on MacOs in user friendliness and stability, and yeah I also run a Windows 10 notebook so I know what I’m talking about. In reality I never have real problems with windows but I know that IF it goes wrong… well it REALLY goes wrong and with Mac the worst thing that can happen is just reinstall your OS (happend twice to me in 10 years) and all apps/programs just keep on working.

Also finding ways to connect everything together will be easy at first and then small things will start to happen that you didn’t think about. For example how about a shared agenda when using iCloud… well there are solutions but we actually switched to Google agenda a few years ago when I did my first windows experiment and we never switched back. Contacts however is slightly different, for webmail no problem but we also have some .com domains I have to use…. well we will see how that turns out, in all honestly most of my mails I actually answer via my iPhone and iPad so I don’t really see why I should change that.

 

I was deeply worried about the future (sounds much darker than it is), I don’t have gear that REALLY needs replacing, but I do feel that my MacPro is still worth money and is fast enough for what I do but that if I want to keep value I do have to upgrade within 1-2 years max. And where there is no new MacPro what do you do…. with the external GPU and the new Wacom Mobile studio Pro 16 I think a lot of fellow photographers and video editors can have the best of both worlds if combined with the MBP and an external GPU.

 

Would love to hear your thoughts, opinions, tips, tricks etc.
As soon as the Wacom is in we will start a video series on the transition of workflow so you guys can help out and see what we do.

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