During our stay in Las Vegas for PhotoshopWorld we filmed a new class for KelbyOne in the series : The inspiration series.
It’s an 1 hour class in which I tell you everything that drives me in my work (and personal life).
You can find the class here :
http://kelbyone.com/course/fdoorhof_inspirational_vegas/
I’ve been teaching workshops for a few years now, most workshops run for a full day and although very intense there is always so much more to learn, so most students visit the workshops several times. The reason for this is very simple, I never try to duplicate workshops, there are so many things you can do with lighting, location, styling, the models etc. that it would be a shame to teach the same workshop material over and over…..
For the one day workshops I have several themes, for example “working on location”, “working with artificial and available light”, “Duo shoots”, “Masks”, “Smoke”, “Retouching” etc. etc. all these topics are so broad that they are already difficult to jam into one day…. so last year the idea actually grew to do a multiple day workshop, however when I do something I always want to make sure that what I deliver is solid, there is no sense in doing a workshop in 2 days or 3 days that can be taught in one day by just talking faster…..
So slowly the idea for the “multiple day workshop” grew and got more shape.
After the first trials the students actually came up with the name and called it “The Ultimate workshop” and I have to say I agree and use that name for these workshops.
In 2-3 days you will get so much information it will make your head spin, we are working as a small team (group size is always limited to max 10-12 people depending on the location) to create literally a multitude of different scenarios. The ultimate workshops are the best workshops I can teach, and I dare to say, probably the best on the market if you’re into model photography.
What can you expect?
Of course we work with our very best models during these workshops, so next to learning a lot you will also get a real portfolio boost. All workshops start with an Q&A session. In this session you can actually tell me what you want to learn and I will incorporate all these questions into the workshop ahead.
One of the best tips I can give people is “move around your light”
Every time I show this very simple technique during workshops there is always a group of students that is literally totally surprised by the effects you can create by just moving around your model. What you are actually doing is the same as moving around your light source, but when you combine it with a wall against which the model is posing you can get some stunning effects very fast.
In this setup I’m using one strobe aimed at my model.
In the first shot you see it shot from the front.
TIP :
Not everything is Photoshop.
A lot of the shots I post online are 99% in camera shots. For some people this is very hard to believe, I sometimes think that if someone sees something that “looks hard” they always think it’s Photoshop.
In my opinion this is limiting yourself, always believe in the power of timing and of course planning ahead. Although it sometimes seems like I just throw together some lights, place a model and shout some funny remarks to my models and press the shutter the truth is very far from that.
Every shot I take I plan ahead, I carefully place the lights under the exact right angle and move my model in the angle so that he/she is hitting the light just perfectly (or as good as you can get it).
This however doesn’t mean I plan a shot ahead in the studio, during my workshops it has become a personal challenge to NOT plan anything, in fact I often let Annewiek or organizers pick the spots for the locations and I don’t want to see anything from it (except a general idea), this way I can be 100% creative on the day itself, and I strongly believe that by showing it this way to the students also gives them the confidence that they can actually pull this off if they understand their light.
Light is our language as photographers, this is where we create our poems/photographs and this is how we tell our stories.
Photoshop for me is an awesome tool but I always get way more satisfaction when I “nail” something in the camera instead of add stuff in Photoshop.
let’s take this example.
This was shot during the Enka factory workshops last friday.
This shot was 100% unplanned, we saw the pool of water and 45 minutes before the end of the workshop I thought it would be cool if we would do something with this water, so I asked our model Lenaa if she would mind to get wet (and I checked with Nadine if the clothing was allowed to get wet, another tip.. always keep your models and stylist on your good side).
You must be logged in to post a comment.