Tag Archive for: photography

TourBox Lite, this will change your workflow forever

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Does the TourBox Lite change your workflow?

Last week we received the TourBox Lite for a review. In this blog, you’ll read how it changed my workflow.

Workflow importance

One of the things I always teach during workshops is workflow.
It might sound boring but having a proper workflow is essential to get not only consistent results but also to simply save time for other important things in life 😀

When we talk about workflow we often talk about settings and the order in which you edit in Lightroom, Photoshop, or your favorite editor.
But there is a lot more.

With the release of the iPad Pro I (and many with me) thought the world would change forever and we would not need laptops anymore… well a few months later I sold my oversized iPhone and closed that chapter. But many years later I bought the 11″ iPad Pro and that changed my workflow forever.

iPad Pro 12.9″

At the moment I’m using my iPad Pro 12.9 for almost 99% of my sessions in combination with Cascable to shoot tethered, and let’s be honest, especially on location, you can shoot all day with the iPad, it has more than enough light output for outside, it’s well protected against the elements and… well it’s not about the iPad today, but it’s a game changer. The iPad Pro is an important part of my workflow.

Retouching with the iPad and a laptop

For me, most of the time is spent on retouching. Like most of us, I love taking photos but retouching… well it has to be done. Don’t get me wrong it’s a lot of fun in most cases, but in a lot of other cases it’s something you have to do and the faster it can be done the better.

In the studio (and at home) when I work in a static setup I use my MacBookPro 14″ M1Pro connected to a 32″ BenQ monitor and retouching is done via an XP-pen drawing tablet (with screen), which works like a charm. But I have to sit behind my desk.

Sometimes I also want to edit on the couch. When traveling, in a hotel, and sitting behind a desk is not always ideal. Having a laptop with a touchpad is doable but not for everything. You just need more control sometimes, especially with selections or skin retouching.

Luckily Apple has a great solution for this.
You can connect your iPad to your MacBook and use it as an input device. In fact, I’m having my MacBookPro on the table and holding my iPad and Apple Pencil on my lap.

Full Photoshop on the iPad

Well ok, there is an app on the iPad called Photoshop. Although it gets better every release, it’s a far cry from the desktop version. So to do proper retouching I still need the full version of Photoshop (at the moment). This is where the connection between the iPad screen and MacOs works like a charm, there is however one HUGE disadvantage.

the iPad is an important part of my workflow

Where are my keys…. oh there

As you can see in the image the iPad mirrors the MacBook and when using an Apple Pencil retouching becomes really close to using a real drawing tablet. Some things are a bit “wonky” but overall it’s a huge improvement over using the touchpad and especially on location this is the biggest improvement in your workflow in years.

But…. we all know that for Photoshop we also need key input.
Try to use Photoshop just with a pen and you will within seconds find out that you can’t do anything. For almost everything, you need keystrokes. Now luckily Apple knows about this so they offer a floating “keyboard” with the most used keys like COMMAND, CRTL, SHIFT, SPACE, etc.

I don’t know about you, but I like it because there is nothing else. But it’s far from perfect. You don’t feel the keys, they take up space and on the iPad screen size is something I don’t want to sacrifice.

Hardware solutions

Over the years I’ve tried several input devices and although they all promise that you will speed up your workflow 10-fold and everything is easier and…. well you know what I mean. In real life, I never really found something that stayed.

Most of the devices I tried are too light, meaning they “walk” over my desk, adding some anti-slip feet helps but it’s something I have to add myself. Other devices were not well-formed which meant I had to move my hand too much and because most buttons had the same form I still needed to look at the device, which made the device useless for me because I could as easily just use a keyboard.

The TourBox Lite changed my workflow

The TourBox Lite changed my workflow

TourBox Lite (2024)

I think I found the perfect solution to improve my workflow.
A left-handed device (yes, read on if you’re like me right-handed). that just hits the nail on the head.

The TourBox Lite is the newest addition to the TourBox family and retails for just under $100 which in my opinion is a very critical price point.

When unboxing the first thing that caught my attention was the weight.
You expect something from that size to be a lot lighter, now I’m not saying it’s TOO heavy, in fact, it’s perfect.
It doesn’t move around on my desk and it’s light enough to carry around easily in your backpack.

At first glance compared to some other products you might think “There are not a lot of buttons there”.
But let’s be totally honest with each other.
This is NOT a keyboard replacement, it’s a workflow device, and when you look closely at what you really need I have to be honest that I don’t really miss any buttons.

 

TourBox Lite workflow advantages

One of the cool things about the TourBox series is that you can add app 100 actions to the buttons.
They make this possible by using combinations and also double clicks.

I’ve been testing the TourBox Lite for a few days now and for example, in Logic Pro I’m using the double click on the play button. One time means STOP/PLAY but double click means GO BACK TO START. This is an action you use all the time and having it under one button is just genius and feels very natural.

For Final Cut Pro and Lightroom/Photoshop, I’m using the scroll wheels to zoom in and out and change the brush size and that speeds up your mobile workflow a lot.

TourBox lite console

More options

I started this blog post with a story about how the iPad changed my workflow and the TourBox Lite is for me a huge upgrade. I can now just leave my laptop on the table (or floor) and use the iPad Pro with Apple Pencil and the TourBox Lite to work through my whole session without ever needing to touch my laptop. This is huge 😀

But when I’m not using the iPad Pro for retouching I still have it next to my MacBookPro and use it for almost all software I use. The fun thing is that with the other devices I tested I always found out after a few minutes I was using the keyboard and actually forgot that I also had another input device.

The TourBox Lite is designed for left-handed use, and that’s genius.
I’m mostly holding my XP-pen or Apple Pencil in my right hand and my left hand is free to operate the keyboard. But also when adjusting parameters when using Logic Pro and holding a guitar, having the right hand free to hit the strings and the left hand to adjust is really comfortable.

Of course, you can use other devices also with your left hand. But this is I think where I like the TourBox Lite more. Because I don’t have to move my hand. I position it and it hardly has to move. Another huge advantage is that all buttons feel slightly different. My other device uses mostly the same buttons where you have to put stickers under to see what you’re doing. Well in a dark studio, this already doesn’t work and often ends in frustration. And that you only use the dials and buttons on the keyboard, which I think is not the way it should be 😀

So many options, so little time

You probably already picked up that we can program A LOT of combinations but how do you remember everything?
For me, that’s always been a problem.
When I start with a new software suite I try to first learn the most important keystrokes. And luckily it’s often pretty straightforward. But even with a normal keyboard, especially at the start, you have to sometimes look up the keystrokes.

With these kinds of devices for me, that’s always a problem. On the keyboard, I can mostly find my most used keystrokes but when you use several suites at the same time it can become really messy with input devices.

The TourBox software has a really nice option where you can link software to the TourBox. This means as soon as you open the software it will open the preset on your TourBox too. This makes it easy to switch between software but doesn’t solve my problem of remembering what is what.

You can of course just try or maybe even have the editor open on another screen, but I actually love the way TourBox chose to use a HUD solution that can be customized, moved around, and setup exactly the way you like.

When you press a button it will also show up in the HUD.
Now in most cases you will probably only use the HUD for a few days or weeks, after which it should probably be a matter of feel and muscle memory.

In conclusion, did the TourBox Lite change my workflow?

The new 2024 TourBox Lite is a very interesting input device.
It’s small enough to be used on the couch with your iPad. But it has enough buttons and combinations to even help with more complicated workflows.

The price point is spot on, but you sacrifice a bleutooth connection and some extra buttons that you can find on the Elite. But if you have no problem with working with a USB-C cable, I don’t see an issue there.

Are there things to improve…?

Yes of course 😀
I would love to see a small backlight at the buttons. I mostly work in light-controlled areas which means that the TourBox is located next to my keyboard in the studio and there is hardly any light hitting that area. Because all the buttons feel different it’s not a big deal, but it would be nice, and shouldn’t be a problem seeing the TourBox Lite is connected via USB-C anyway.

For me, the TourBox Lite hits the nail on the head.
It has enough buttons, the right price point, great software, auto switching apps, HUD, and of course well designed so you can use it with one hand and minimal movements (great for long hours of work).

I lost my interest in this kind of devices but this one has shown me that it can be done right.

HIGHLY RECOMMENDED.
Also, want a Tour box?

When you use this link for your order, you also support our work: TourBox Lite

For BenQ we have a 10% discount code for European customers, if you are in the market for a new monitor, drop us an email for the discount code.

 

Disclaimer:
I was sent the TourBox Lite by TourBox to check out.
ALL reviews I make are 100% my real opinion and not motivated by manufacturers, our readers demand and deserve a real and honest review and that’s what I do.

A kind of different product photography, shots from guitar pedals

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A kind of different product photography, shots from guitar pedals

Most of the posts we do online are from model photography. But product photography is also one of the services we offer our clients. Most of the time, the model shots are however a lot more interesting to post. But sometimes we also show you some of the products we shoot, when it’s special.

Hobby vs business

I always say I’m a lucky guy, every day I can do what I love most, create images. But sometimes I’m double so lucky when I can combine two of my passions.

I’ve known RJ-amps for a few years now and he can do wonders with tube amps but also builds great guitar pedals. When I brought my amp in I got two brand new pedals to play with which will be released later this year. And of course…. and he knows that…. I couldn’t resist to take some images.

Now we also took some of the more boring white backgrounds but when we do product shoots I also always like to add some “special set” shots. With handbags for example. We build a small set fitting the brand and took some shots in there, with fancy lighting. In most cases, we do this for free (and fun) but clients often end up using those images also.

How I shot this product, the guitar pedals

For this series I decided to shoot it at home with a combination of a Lumecube with a snoot and two Nanlite led tubes on the side.
The challenge was to get the Lumecube in exactly the right place, but luckily we could use the K&F concept tripod I’m using for my iPhone video setup. This is an awesome tripod because it can act as a boom arm, making it ideal for shoots like this or using phones in video setups.

Here is the behind-the-scenes setup for both pedals.

A kind of different product photography, shots from guitar pedals

A little bit of set styling

The reason I shot this at home was mainly because it was the best location 😀
This is the area where I create my music and also host live streams when I do seminars for clubs or Digital Classroom episodes without live shoots.

I love the carpet here (somehow most guitarists seem to love them) so I wanted to use that as my “base”
Because it’s a pedal I chose this vintage-looking amp because it’s pretty neutral-looking and stands close to the floor. So there is no problem fitting it in the frame.

Of course, you also need a guitar. Here I chose a custom-built guitar for the nice wood look which I think works great with the color of the amp and the carpet. Also, the finish has a very high gloss which makes it harder to light. But the effect when done right makes it possible to use just a little bit of light to see some details.

For some “fill,” I used my favorite-looking microphone, a nice Marantz Ribbon mic.

Lighting

As mentioned I’m using the Lumecube with a snoot and two Nanlites tubes on the left and right.
I love using accents with red and blue because both are on the same axis in the colorspace they blend together really nicely and both are also the so-called “emotion” colors so for me personally it’s a combination I use a lot.

Placing the lights is vital if you want details in the guitar without getting too much glare. However, around the edges, I did want just a little bit of reflection making the guitar stand out. After finding the right spot you can fine-tune the spread by just turning the tube very slowly and keep looking through your camera.

Ok… let’s show the results.
I did use just a little bit of BorisFX for special effects.
Get a 15% discount on BorisFX by using our link.

A kind of different product photography, guitar pedals A kind of different product photography, shots from guitar pedals

 

PS: if you like this blog about product photography (from guitar pedals), let me know! Find me on social media.

everything you always wanted to know about light shapers

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I know it’s a bold claim 😀
But I think in this episode of digital classroom we are combing close, I’m discussing all my favourite light shapers and I even show you the different lighting they create.

Digital classroom is a monthly live stream on our YouTube channel (we really appreciate a subscribe and like). During the broadcast the audience can interact with us and ask questions which will be answered during the broadcast. It’s a lot of fun 😀

Lightshapers

To control your light you need light shapers.
Do you need harsh shadows, or do you want a very soft quality of light?
Do you need to light a small area, or a very broad area?

All of these topics will be discussed, but we also talk about lightshapers that can be used in the studio vs light shapers for location work, and how you can mix them all together.

During the broadcast you get to see the shoot with our model Nadine via 3 studio cameras plus you can see the images coming in via the iPad Pro running Cascable.

If you have any questions feel free to leave them under the video, we check our channel every day for comments.

The way we tell stories and how to light them to get the right mood

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Storytelling with photography

 

It’s no secret I love guitars. I don’t label myself as a real collector but I do add guitars to my collection when I find something that’s unique or a good investment :D. And of course, I like to take pictures of my guitars. This blog is about storytelling with photography.

Vintage and stories

As a photographer, I love to tell stories.
And as a musician, I love vintage gear. I think the main reason I love vintage gear so much is the story behind it. A well-played guitar with some damage through an old tube amp… I don’t know… you just play differently.

I saw the brand Vintage a few years ago and really liked what they were doing, but never added one of their instruments to my collection. However, when they started to work with Joe Doe it became interesting.

Limited editions for the masses

Joe Doe builds guitars in a very limited quantity. And where other luthiers might build a copy of a Strat or Les Paul. He builds guitars that already have a backstory (made up). And that….. combined with great playing and sounding instruments is a very nice combination.

While looking at Marktplaats/Ebay I found a “lucky buck” in like new condition so I decided that would be my first Vintage guitar. (the brand is Vintage).

Now this is not a review of the guitar, but it’s a whole experience.
You get the guitar with the backstory, but also in this case a hard case with loads of “case candy” which all connects to the “made up” story. I can’t express how much fun this is and immediately connects you to the instrument 😀

The backstory

For the Lucky Buck, this is what I got from their Facebook page.
“Leslie ‘Lucky Buck’ Coal topped the Billboard Country Music charts in 1952 with his heartbreak-inspired single, “Whiskey for Breakfast”. Flushed with sudden success, Coal signed numerous endorsement deals, the most lucrative of which was a contract to become a regular fixture on the WHB national radio show Giddy Up Y’all!.”

And of course, when you buy a guitar you have to use it in a shoot right?
Yes of course 😀

My story of storytelling with photography

Now there are always different sides to a story.
For this workshop I thought it would be a great exercise for myself and the attendees to use one prop, one model, one theme but tell two totally different stories, and how lighting and styling can completely change the narrative.

For me, the story goes as follows (following the original).
Leslie topped the billboard chart and had it all, but…. lost it all and was forced to play in small bars. Almost like living rooms, holding her head down so she could imagine still being on the big stages playing the guitar they made for her when everything was going great.

Years later a rapper finds the music, uses her hooks, and immediately propels Leslie back into the spotlights and the huge stages. So she needed photos for magazines. And this is of course a totally different Leslie. Heads up and fun Leslie, she made it “again”….

The setups

For the first setup, I wanted to create a very small stage idea.
One artist with a guitar and mic.

We used our brick wall from ClickBackdrops as background, and a wood floor to mimic an old western bar feel.
I’m using the small Geekoto 26″ softbox with a grid as my main light (one of my favorite light shapers) on the model (Felisa) and making sure the face is covered in shadow.
For some extra mood, we added a standing lamp with continuous lighting.
But that would make a very dark image.
So I added one Geekoto GT250 with our magnetic rogue grid to add some glare on the guitar en mic and just enough to give a slight outline to the face.

With that setup, a lot of areas were just a bit too dark/ So it was time for the final ingredient, a little bit of smoke.
Smoke doesn’t just add to the “smokey” atmosphere fitting the scene. But smoke is also a kind of “secret” weapon you can use as a diffuser and reflector. Add too much and it looks terrible. Add too little and it doesn’t look right. But add just enough and you get a sort of haze that’s great for light beams, glowing flares. But also to just light up areas where light doesn’t normally hit.

For the back, we are using larger smoke machines. But we recently started using smaller smoke machines for details and for smoke that actually sticks to the floor. The handheld smoke machines are great for location work but as you can see in the full-body shot. The attachment for making the smoke stick to the floor works like a charm. With the larger machines we can never get results like this. And the fun part is that they are very cheap and available in two sizes. I would highly recommend adding one of them to your kit bag, smoke really adds a lot.
This is the larger one, and the smaller one.

Setting this up is tricky

The main light has to be exactly right to light the model’s body and part of the guitar, but not the face. But also cover the front of the microphone and add a nice flare. This means you have to play a bit with the angle of the microphone, guitar, and position of the model. This does limit the poses the model can use, but in this case, we only need one or two shots.

The accent light is the hardest.
It looks maybe natural but every position and angle is experimented with and changed.
Angle the guitar slightly forward and there is no light hitting the frets and no glare on the maple neck. Angle it too much and the whole fretboard and headstock are white. But do it right and the light hits it beautifully.

Same with the microphone, it’s placed exactly in the light beam of the accent light. The sides of that light beam just barely light the face.
When it all comes together you get images like this…..

Story telling with photography

So now that we did the story of the bar it’s time for……

Better times

For me, David Lachapelle is a huge influence so for this shot I wanted to do something that has a “feel” of his work. Now we don’t have the budget or team he does, but I hope you get a little bit of that feel.

For the background, I’m using light blue with plexiglass on the floor for some soft reflections.
Because for this set I wanted something much more fun and focussing on the feeling of joy we used a small rocking horse and just let Felisa go wild.

The main light is a Geekoto GT400 with the 48″ softbox without a grid to get a nice and even light source.
You can also use an umbrella for this, as long as you have a broad light source in the front. Also, place it far enough from the model so you get a nice and even fall-off on the backdrop, we want the front slightly lighter than the back (due to the background light). And by placing the light far enough you use the inverse square law to get the fall off you like. Over time you will know exactly where to place it. But always experiment with what the light does, even if you find something you like right away.

Because just the main light looks really flat we want more depth in the image.
If you can’t use shadows to create depth you can use the opposite, highlights.
So for this setup I’m using two striplights with grids on the side.
If you aim them slightly up (or use grids) you prevent the annoying shadows that will run towards the camera and look unnatural.

For the background, I’m using a Geekoto GT250 with the Rogue magnetic grid.
If you like the center to be smaller (or if you have to place the light farther away) you can always stack our grids.

So let’s take a look at the more fun shots.

Story telling with photography Story telling with photography

Conclusion: Storytelling with photography

As photographers we are storytellers, we freeze unique moments in time that never come back.
BUT… as photographers, we can also create our own reality out of “nothing”. This will not only create fun photoshoots but also help you as a commercial photographer to be able to be creative on set when a client wants something more than just a headshot.

During the workshops, I love to challenge myself and the attendees. And by using a strong storytelling concept I always keep the workshops fresh and interesting. And I can add a lot of techniques to the educational part of the workshop.

So the next time you do a free work shoot, pick one prop and try to tell at least 2 totally different stories with it. Trust me, you will have fun, the models will too.

You can order the gear I use via our website frankdoorhof.com/shop
You also find my instructional videos there, including the brand new “Did you know… Adobe Lightroom“.

If you have any questions or suggestions let us know.

You can find Vintage guitars here.
(we are not affiliated with them and I bought the guitar myself).

Want to hear some of my music?
Check out Frank Doorhof on your favorite streaming service.