Tag Archive for: model

Aimed light

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TIP: Look at the old lighting styles



Now a days we have all this gear that makes our life easier, but does it…. sometimes I get the idea that it also confuses people and I mean REALLY confuses people.



Often I get mails asking me what the settings were for my camera if someone likes a shot, well….. sorry to burst that bubble but actually the settings are pretty irrelevant…. you choose the aperture for the depth of field you want to see and this is also highly depended on the lens you’re using and the camera you’re holding of course, and the shutter speed for the studio… well that really doesn’t matter as long as you cut the ambient light and stay below the Xsync, so most of the times it’s 1/125. 


What I mostly tell people during my workshops is that they should look for the light, don’t be overwhelmed with questions about gear, often I think people hide the fact that they are not able to recreate something to the fact that they don’t have the gear to do it. Trust me compared to what we have today, in the old days they had a lot less.


Take for example a technique I call “Aimed light”.
With this technique I create something pretty dark with backlighting and use a single light source aimed at the models face, someone has to keep following that face, because it’s a really tight light source, or the model has to stay in one place.


This way you can create something that always reminds me of a modern twist to the film noir lighting, and yeah I know it’s completely different but it is where I took my inspiration from.


If you look at this example shot you actually see a 2 light setup, one Elinchrom beauty dish with grid from the back and one Elinchrom Snoot from the front, that’s it. Nothing complicated, now add a cool model, a strong color and there you go….. no need to worry about gear, this would look the same with a Canon 10D, a Nikon D4s or a Sony A7r (this was shot with a Medium format camera btw :D)


So next time, don’t think that you can’t do something because you don’t have the gear, dissect the image and recreate it, lighting isn’t hard (as soon as you understand it) but creating a fitting mood and working with the model and styling that’s pretty important 😀


Have fun.

Marie Mei 30 2014 (66 of 119)-Edit

Working with hair

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Today a small tip that can really boost your photoshoot to the next level.
When you work with a model that has longer hair (and a strong color really helps), don’t forget to play with the hair in your shots. A portrait can be great but at one point you’ve probably had enough of standard portraits, now as soon as you start seeing hair as a “prop” you can get some really interesting shots.

 

In this blogpost a few shots I took from our model Marie during a workshop, it’s a very simple light setup and as you can see, when the subject is interesting enough…. 😀

 

Marie Mei 30 2014 (80 of 119)-Edit

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Just between two walls

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“My studio is not big enough”
“I can’t shoot full bodies because….”

 

Well we all heard the excuses, or maybe even used them ourselves.
In reality however it’s often much less dramatic than one might think, often it’s just a matter of being creative with the area you have available, don’t just think about shooting full bodies (or whatever) against seamless where you have to have the model 2-3 mtrs from the background (although close to the seamless can be very interesting as I will show in another blog post), but think about what you can do with small spaces, and trust me, often the smaller the space the more interesting it can get.

 

In these shots I shot the model in between two walls in our studio, it’s just a small area where we normally walk on the stage, it’s tight and not really an area where you would think you would shoot, but when we prepared the studio with walls I did let the painters paint the walls because I thought I saw the potential… 😀 in the end it indeed is one of my favorite spots.

 

Roosmarijn Mei 22 2014 (57 of 155)-Edit-Edit

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Aimed light

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One of the most difficult things to do is really aiming your light.
In a lot of workshops you will see big soft boxes aimed at the model from a moderate distance, this is of course very understandable for the simple reason that in fact you really can’t go wrong…. however the resulting image is often “a bit flat” and not that interesting lighting wise.

 

A next step is using smaller light sources like striplights or for example a beauty dish with grid.
For example in this shot I used a small striplight.

Roosmarijn Mei 22 2014 (73 of 155)-Edit

It can get way more interesting however when we start lighting our model from the back and creating a very dark front. Now normally one would let the model look upward to catch some light, but often that doesn’t really result in the image you want, a model looking towards the camera always has a little bit more….. connection, especially with glamour.

 

In the next shot I used a beauty dish from the back and lit the models face with a very small light source, in this case a snoot with grid.

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