Tag Archive for: how to

How to make wow images with sets and colors

Sets really add something

Often when I mention sets people think about big-budget solutions, but the opposite can be true, and mostly is in my work. In this article, I combine sets and colors to create WOW images.
It’s almost a sport to create cool-looking sets without breaking the bank.
So we also look for cool stuff on fleamarkets, attics, etc. you would be surprised what kind of “junk” you can buy for next to nothing that works great in a photoshoot.

And sometimes you use what’s there.
In this case, a customer brought in a huge projector for me to calibrate and it was packaged in a flight case. So…. yes indeed why not use it in a photoshoot?

Today a small tutorial on how to spice up a small set with a touch of color.

Model: Claudia
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Below the video, the results of how I made WOW images with sets and colors

Model : Claudia

How to make WOW images with sets and colors How to make WOW images with sets and colors

 

Read this blog for more sets with Claudia and colors 

Creating depth and contrast in your model/portrait photography

How to create depth and contrast in your model photography?

However, if we want to create depth we do need to change the direction of our light. And today we are looking at one of the solutions to open up the darker side and get some really cool effects. Continue reading how to create depth and contrast in your photography

Depth is one of those things

We all know the term “3D looking” And maybe you also struggle with getting your images to look more “3D”
In most cases, it’s “just” a matter of changing your light to the sides of your subject.
The problem is often that the other side of the face becomes really dark. And often also the background creates really bad looking images (unless you love that look).

For me, at least the background should be lit slightly beyond the dark side of the face. This means there is some separation between the model and the background. Letting everything turn black or hardly visible is sometimes cool. But most of the time you are just left with an image that doesn’t feel right.

 

Accent vs flare or maybe both

When I started out with model photography I loved the Rembrandt setup. But somehow I never liked the darker part of the face. The easiest solution is of course using a reflector. But, a reflector only works when it gets enough light to bounce back. Because I use my lights mostly pretty close to the model there isn’t a lot of light hitting the reflector hence not reflecting enough back to the model.

Inverse Square Law

This is of course due to the inverse square law. This dictates that light falls off over the distance, meaning if you place your lights really close to the model it will fall off really fast and not have enough “power” left to also reflect back on the face and have a major impact.

Solution

So most of the time I solve this by using an extra light source on that side.
Now you can choose to place this behind your model and just hit the side opening up the shadows, moving it slightly back to only light the jawline, etc. This already works like a charm but let’s up the ante.

By using a light source with a more diffuse light source, like for example the Rogue magnetic system without or with the omnidirectional dome we can do a lot more.

We can now not only create a cool lighting effect on our model, but by placing it correctly (slightly more forward or backward, just experiment with very small increments, this really works very precise) you can also balance it so that the side of the light (softer and less output) hits the model. Creating a beautiful soft quality of light. But the main part of the output actually hits the lens creating an awesome lensflare.

If you are not happy with your lens flares, try older M42 lenses. Or even better, get the same filter I use, the K&F concept black diffusion filters, these make it much easier to create great flares without influencing your images when you don’t use backlighting.

Video about creating depth

Ok, because images say more than words, let’s look at a lot of images after each other, which we call video 😀

I hope you now understand better how depth and contrast can change your portrait or model photography.

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And some of the results
model: Claudia

Depth and contrast in your photography

Depth and contrast in your photography

 

Get stunning results and high contrast images easily with the Rogue FlashBender XL

I love the FlashBender XL

I’ve been using the Rogue FlashBender for over 10 years now. And it’s still one of my favorite modifiers because you get easily stunning results and can make high-contrast images.

When I got the “first” edition I started using it not as a bounce card. But to get some cool effects on the background, and due to the design of the FlashBender, you could also light your model from the back. An amazing tool at that moment which gave me loads of creative options.

This also got the attention of Expo Imaging (the creators of Rogue) and we started to talk. And over the years the Frank Doorhof XL edition was designed. Every time we added and changed smaller and larger details and I’m incredibly proud of the product as it is today.

First of all; the material on the Frank Doorhof edition is different from the other FlashBenders. We chose a soft silver material that gives you a more direct light-output vs white. So you get a really nice edge to your light. Plus it also boosts the output which can be great for outside situations where you need a bit more.

The FlashBender Frank Doorhof XL edition can be used as :

Bounce card
By bending the top you can limit the light loss and get much more direct light on your subject instead of just losing it into the air.

Softbox
In the box, you also find a softbox attachment to soften the light.

Snoot
Just fold the flashbender into a snoot by using the velcro.

Striplight with grid
Probably my favorite option and also the one I’m using in this video.

In this video, I show you how you can use the FlashBender in the striplight configuration to light both the background and the model for some really cool and contrasty images.

And some of the results you also see in the video.

the Rogue Frank Doorhof FlashBender XL

For my American friends, buy from Rogue 

 

How to work with a brand new model

Tips for working with new models

Today you can see a special digital classroom episode.
You have been asking for it a lot and because we always listen you can now see how to work with a brand new model.

During this episode we show you the first shoot I did with our new model Janaika.
I show you some tricks I use to get the model at ease, but also loads of tips on lighting and coaching the model.
You see the lighting setups via 3 cameras and of course all the images I shoot are shown in a PIP setup.

Of course a workshop is always better

Most of the workshops I teach are in Dutch, but if you let us know a few weeks in advance we can also teach them in English.
We can even do them online.
fotografie-workshops.nl for more info