Using the foreground to add dimension to your images

November 20, 2024/0 Comments/in blog, Visions and technique, Webinars and instructional videos/by Frank Doorhof

Sometimes we need something extra

We all know that when we want to show scale it’s handy to include something to show the scale.
In the case of a mountain we can of course place some people in front but today we are doing something else.

During the workshop “on location in Emmeloord” the challenge is to find locations that look not so interesting but still create some cool images.
If you ever visited our studio you know there always was an old building just in front of our studio, it didn’t look nice but it had some great walls to shoot against 😀 one of them actually made it into my signature ClickBackDrop backgrounds.

Recently they demolished the building and we ended up with a large empty building area.
Of course a great option for this workshop.

The lighting setup was pretty simple, one Geekoto with a large reflector shooting on manual mode.
During the workshops we have to shoot with so called universal triggers due to the different camera brands that are used during a workshop, this means we can’t use extra options like HSS and ETTL.

The setup itself was ok.

But I wanted something more. Something to give the image more dimension and framing.
Because I’m shooting from a very low angel I decided to include a few of the flowers in the frame.

This already made a huge impact.
But because Nadine is pregnant we also needed a slightly different pose, and I slightly tilted the camera for a nice effect and include the sun.

I also shot on extra image from a slightly higher angle to experiment with.
I ended up with a darker look which to my surprise became the favourite image for Nadine 😀
So always shoot something different, you never know what hits the spot.

Now that we talked about the setups and the framing of the shot, let’s take a look at the video from this setup.

Also want to visit a workshop?

Today I showed you one of the different sets we did during the workshop outside with Geekoto strobes “on location in Emmeloord” with Nadine.
During the workshops I always try to use 3-4 different setups explaining different techniques and of course it’s a great way to get a good addition to your portfolio.

If you think “that’s for me”
Than visit photography-workshops.eu for the Dutch workshops.
But if you are not living in the Netherlands or don’t speak Dutch we also have other options.
If you let is know 2 weeks in advance I can teach the workshop you want to visit in English.
Or if you can’t travel to our studio we also now offer the option to get a full 1:1 experience with 5 different camera angles, lightroom/Photoshop view and a talkback channel, you also get all the raw files and retouched results from the workshop. Visit our online workshops page for more info.

Working on location with strobes and making something boring interesting

November 18, 2024/in blog, Visions and technique, Webinars and instructional videos/by Frank Doorhof

From the workshop on location in Emmeloord

During the workshop “on location in Emmeloord” we scout for locations that look not so interesting but the challenge is to create some cool images anyway. This is a great training exercise because let’s be honest in most cases working on location is not as superb as often hoped for, but we are still expected to deliver awesome images.

For me there are a few different things I use to make a location look more interesting.

The first is of course the location itself, I try to find angles or other details (small or large) that I can use, or that I don’t want in the shot.
In this location we loved the onion crates, they blocked off the sunlight for a large part, which is always handy when working in the bright sun. The less direct sunlight on the model the better in this case.

After I have something in my mind for the general location I’m going to use in the set it’s of course time for the lighting.
In this case I’m using the Geekoto strobes aimed at our model Nadine from the side to create a nice light patten on the crates. Although this was nice we wanted something more, so I added a blue gel to the set. But as you can see in the video and images we started with a more flat lighting setup.

Of course we can talk about, but often a video is much better, so here we go 😀

And also lets take a look at the images separately

Also want to visit a workshop?

Today I showed you the results from one of the sets we did during the workshop outside with Geekoto strobes “on location in Emmeloord” with Nadine.
During the workshops I always try to use 3-4 different setups explaining different techniques and of course it’s a great way to get a good addition to your portfolio.

If you think “that’s for me”
Than visit photography-workshops.eu for the Dutch workshops.
But if you are not living in the Netherlands or don’t speak Dutch we also have other options.
If you let is know 2 weeks in advance I can teach the workshop you want to visit in English.
Or if you can’t travel to our studio we also now offer the option to get a full 1:1 experience with 5 different camera angles, lightroom/Photoshop view and a talkback channel, you also get all the raw files and retouched results from the workshop. Visit our online workshops page for more info.

A step by step workshop with Nadine and using Geekoto strobes outside

September 26, 2024/in blog, Visions and technique/by Frank Doorhof

Workshop outside with Geekoto strobes

What do you teach?

Probably one of the first questions people ask when they want to know more about my workshops.
And let’s immediately take the bull by the horns. It sometimes seems everyone is teaching workshops and the quality is often not what people expect. A guided photo shoot is NOT a workshop. I’ll teach you lighting with Geekoto strobes (but any brand will do). Continue reading more about using Geekoto strobes in a workshop outside.

For me, there are a few things important during the workshop.

A small group
I love to work with groups varying from 3-12 attendees. This way I can give a 1:1 experience to all the attendees and we all have enough time to shoot portfolio material.
Theory
Knowing how the light works is essential and will immensely help you understand what happens during a shoot. How to place the lighting quickly and solve problems. In essence, lighting isn’t that hard (no really), it’s the creativity and getting the right shot that’s an everlasting journey of learning.
Creativity
The theory is essential, but after that, it’s all about creativity, how to style a set, how to find the right angles, how to coach the model, etc., etc. this is in essence what makes or breaks the shot
How to work with the model
You can’t take a perfect shot (if that’s even possible) if the model doesn’t feel at ease, so during the workshop, there is always attention to coaching the model and also how to prepare for the shoots.
Workflow
Understanding your gear and software takes away so much stress and means you can focus 100% on the session and your subject.
Q&A
Believe it or not, I hardly prepare my workshops, but I’ve taught a lot of them over the years, and at the moment I start all the workshops with a Q&A. In this part, the attendees can ask whatever they want. I will answer the questions immediately for the theory part and create a set (or make it part of the set) during the workshop. Do you have a problem with a white background? Then we create one set with a white background. This way attendees always get what they want and expect.

Themes of our workshops

All the workshops do have a theme.
For example, Cosplay, Classical Masters, Glamour, Gels, etc. but the content will be different every single time due to the Q&A which keeps it fresh and challenging for me but also for the attendees that visit several workshops a year.

One of the themes a lot of photographers struggle with is using strobes on location effectively.
So let’s take a look at the workshop “On location in Emmeloord” with Nadine.

All shots were done during the workshop outside with Geekoto strobes

During the workshop, we worked with the Geekoto GT200 and a large metal reflector for most shots.
These reflectors add some extra light output to the strobe which helps a lot outside when it is really bright.
On the second Geekoto GT200 I used the Rogue magnetic system for some added color or a grid with the reflector for color.

The Geekoto strobes support ETTL and HSS but for the workshops, I have to limit the strobes to full manual mode.
The reason for this is that all cameras operate via a different radio system. This means that if you use a camera that is not supported you cannot shoot which of course is not the idea of a workshop. So we are using so-called “dumb” triggers that work on all cameras. The only limitation is that I have to shoot at a max shutter speed of 1/125 which means we shoot with rather small apertures. When I shoot commercially or for myself I’m using HSS for a much shallower depth of field. As you can see in some images.

Outside with Geekoto Strobes, set 1

After the Q&A it was time to go outside.
The idea of this workshop is that the attendees have to find interesting locations around our studio. In other words, you don’t have to travel far to find awesome locations. And always remember, seeing it through the lens and with strobes it’s a totally different scene.

The first set was right next to our studio.
Our neighbors use a closed fence. The clothing Nadine was wearing worked flawlessly with the fence.
I started using the reflector straight on the model but to create a more interesting look I added a blue gel from the side.
By experimenting with angles and the balance between the strobes you can quickly change looks on location. Even without the client noticing.

Outside with Geekoto strobes, set 2

For the second set, we found a few large onion boxes that were stacked up and Nadine had the perfect outfit for this.
I started out with just the reflector on Nadine. But soon we switched this over for a Rogue grid as the main light on Nadine’s face and the reflector with a blue gel top opened up the shadows with a blue tint for a totally different look. And of course, as you can see you can change the output of the blue strobe to create totally different looks without losing the focus on the face of your subject.

Outside, set 3

You probably will notice it with these shots but….
Nadine is pregnant. So for the next set I wanted to shoot her pregnancy shots. Well some of them at least, because I think we will do some more at a later stage.

For this set I wanted something a bit more bright and airy.
In front of our studio there was an old building. Great for photography (one of my signature series backgrounds is actually from that wall) but they recently demolished it. And now there is a large field right in front of the studio… not a disaster 😀

I used the Geekoto GT200 with the large reflector for a harsher quality of light.
This is the set I also shot on HSS as you can see 😀
The part of this shoot was to not only find the location but also find the right angles. And how you can change the look of a scene and shot by changing your perspective, using material in front of the lens and of course maybe angling the camera slightly or…. Well let’s take a look at the different options I chose from this set.

Outisde, set 4

This location was at the edge of Set 3. and the last one in the workshop outside with Geekoto Strobes
I used the Geekoto GT200 as main light and the reflector with a blue gel in the back.
Choosing a lower angle gave me a cool triangle in the back which I feel gives the image a nice flow.
And of course a more close up shot is part of the setup. This was the time we changed batteries on Geekoto Strobes.

Also want to visit a workshop?

Today I showed you the results and different sets we did during the workshop outside with Geekoto strobes “on location in Emmeloord” with Nadine.
During the workshops I always try to use 3-4 different setups explaining different techniques and of course it’s a great way to get a good addition to your portfolio.

If you think “that’s for me”
Than visit photography-workshops.eu for the Dutch workshops.
But if you are not living in the Netherlands or don’t speak Dutch we also have other options.
If you let is know 2 weeks in advance I can teach the workshop you want to visit in English.
Or if you can’t travel to our studio we also now offer the option to get a full 1:1 experience with 5 different camera angles, lightroom/Photoshop view and a talkback channel, you also get all the raw files and retouched results from the workshop. Visit our online workshops page for more info.

Outside fashion shot for sunglasses with extreme styling and flash Part III : let’s talk storytelling

April 16, 2024/in blog, Visions and technique/by Frank Doorhof

This is it

I think we can all agree that gear, lighting, styling, location etc. are all important for a successful shoot. Although during this workshop series we already saw that the location can be transformed quite easily from ok to wow by choosing the right angles and lighting/styling etc.

If you missed the previous ones you can read them here (highly recommended)
Let’s talk about the flash
Let’s talk about gear

Ok so now it’s about story telling, and what do I mean with story telling.

When we look back into history, even as far as the cavemen, the main reason to create “art” was to tell stories. Ranging from one man killing a Bison in the caves to whole paintings containing scenes from the Bible, and everything in between. Now of course there are also still lives and landscapes but I hope you know what I mean 🙂

When we look at what we see online today it’s a boatload of selfies, photos of food or things I can’t mention here. We are bombarded with a huge amount of images every single day. But when is the last time you really stopped to look at something? or when was the last time you were really impressed with an image?

Most of them probably have have the same element

And that’s story telling.
Now story telling can be done in just one image, but also in a series.

During the workshop on location in Emmeloord we find locations that are not immediately awesome, but I show the attendees how, together with an awesome model and styling in this case, you can transform those locations to something great with choosing the right lighting and shooting angles.

This is the second set of that workshop.
For this setup we went to the local beach, we chose a location with some trees behind Nadine and a slight rise.
Nadine brought a lot of Delfts blue we used as props spread around her.
Now the styling on it’s own already did a lot but when I saw that the umbrella was breaking down I decided to also use something else.

Manipulate the sun/ambient light

We talked about this technique a few times in the blog and during digital classroom episodes.
Dragging the shutter.
What I do outside to get the look I like :

First I make sure my cameras EVF is in emulation mode
I will set my camera to “manual” mode and the shutterspeed to 1/125 (when shooting without HSS) and the lowest ISO.
Now I will look through the display and adjust the aperture till I think the scene looks like I want.
Now I will set it ONE stop darker.
Take the Aperture you see in camera for the look you like
Use a lightmeter to meter the strobe at the aperture you liked
start shooting with a shutter speed of 1/60 but with the set aperture

You might wonder why I shoot at 1/60
It’s very easy to explain luckily.
When shooting without HSS I can not shoot faster than 1/125 (sometimes 1/200) this means when I shoot with strobes and I think the background should be darker I have to adjust my strobes, or when I want to experiment I end up with different apertures, meaning different looks due to depth of field. This breaks the total look of a series and can sometimes work and sometimes not.

By adjusting the strobes one stop higher than I thought was perfect and lowering the shutter speed by 1 stop I’m getting the exact result I liked at the start with an added bonus. When I want the background darker I can raise my shutter speed to 1/125 or sometimes 1/200 and get a much darker background, but because I’m shooting with strobes I can also go as a low as 1/30 and sometimes even 1/15th this gives me a nice dynamic range to work with without breaking the look of the shot.

The weather

I’m nog just using this technique to adjust the look of the shot, but also to be able to react to changing lighting on location.
And in this case for story telling.
The following series was shot within 5 minutes, so the lighting didn’t really change, however because the umbrella was breaking down I decided to raise the shutter speed and make the whole scene look darker the more the umbrella broke down.

As you can see in the next series, changing the look of a scene by the shutter speed is fast and easy and has a huge impact on the photo. I love to use it.

Let’s first take a look at the gear used :

Annewiek is holding the lightstand on which the Geekoto GT200 is mounted with a large reflector aimed at the model.