About technique and more.

Fashion with the Credo60 and Nadine PartIII

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In the final part of this series some outside shots with natural light.

Shooting with the Credo60 in natural light is a really nice thing to do.
As mentioned before in the previous posts about the Credo60, the display is a huge improvement over the previous leaf digital backs but also the speed in which you can work is something I really love, even on the card there is no buffer, meaning you can just keep firing until the card is full (well I think you can, I never tried it but let’s say that if there IS a buffer you will probably NEVER ever fill it up), and with a speed of 1 second per frame there is a really nice flow to the shots. It’s quick enough to nail some shots where the wind is a vital part of the story like in this series and it’s still “slow” enough for the model to get into her “groove”.

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Fashion with the Credo60 and Nadine Part II

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Today the second series of images shot with the Leaf Credo60 and model/stylist (allround cool person) Nadine.

Today the set we shot in the studio.
One of the things a lot of my students and people online ask me when they first get to know my work is “What kind of Photoshop do you use”, sometimes people are stunned when I tell them that I actually don’t use Photoshop that much, almost everything you see in my images is “real” or not Photoshoped. For some this is hard to believe, for others it’s something that drives them to more understanding from light, so let’s take a look at what I did in these images.

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Article for digital photography school

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I don’t do a lot of guestblogs at the moment because simply put time is limited (very limited). But sometimes I make an exception, and so it happened that I did this blog post for the Digital Photography School. It’s my 3 tips to become a better photographer, of course there are many many more, but these 3 will make a good start 🙂

http://digital-photography-school.com/3-tips-that-will-work-in-most-forms-of-photography

Who needs expensive lights

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You know….. sometimes we are so caught up in our work that we forget to think about how things can be different. We as humans are “beasts of habit” meaning that we will figure something out, and if that something works really well for us we will always get back to that. And we photographers… well sorry to say it…. we are also that way.

 

That’s why sometimes it’s so incredibly important to make sure that you do a what I call “hard reset” and don’t get me wrong, I don’t want you guys (and girls) to bang your head against the wall until you pass out and wake up, so please don’t do that. What I do mean is that you should sometimes literally just pull the plug out of your strobes, put everything aside that has anything to do with “studio technique” and get back to the basics. Learn how to “see the light” but most of all “to understand the light”. And there is hardly any better tool to do this than the good old fashioned (and oops indeed it’s old fashioned, we stocked up on some because over here they are not sold anymore in the higher watts) lightbulb.

 

During the glamour workshop I will often grab my lighbulb fixture, it was the most bare bone fixture I could buy, and hang it from a boom stand, tell the students “this is the new setup” and watch how their jaws drop and their expressions go like “the what, the who, are you nuts”….. well yes and no (but you already know that). No really…. a lightbulb when used the right way is one of the most awesome light sources there is. So in this blog post some explanation and images from that simple lightbulb session….

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