Reviews on gear and software

The year 2020, a year so bad they named it twice

Yeah sorry had to put that one in the title, I thought it really summed up 2020 best.
So as every year you can read what someone did that year in the yearly overview, but this year I decided to break that semi tradition, for the simple reason like most of you guys (who did follow the rules) we have been in almost complete lockdown this year. Yes we did work of course (what was possible) but for the workshops it’s been the worst year you can imagine, where I normally teach twice a week, do events, seminars etc. we ended up this year with less the 10 workshops and 1 event, it’s been bad, really bad. But compared to probably most others we are incredibly blessed and lucky, so no complaints from our side, we are still here mostly healthy and our business didn’t take a huge hit thanks to Annewiek who actually could work most of the year with Tethertools and help me with the online parts.

So what do you do in a year like this?
In decided to not look at it from the negative side (pfff) but from a more positive side, finally we have some time to do things we normally don’t have time for, the only problem….. and I don’t know if you experienced the same thing…. I just couldn’t move myself to be super creative, it always feels like there is some sort of barrier, so I decided to focus on different things.

A monster tutorial
The first thing I did was record a 7 and a half hour instructional video on Photoshop and lightroom. Something you guys have been asking for for years and seeing the amount of work I always pushed it forward, and not for nothing, it took me a month of recording and editing (in parts of course) to complete this “monster” but I’m happy I did, the responses have been awesome and I’m very happy with the result. (you can download the video here)

 

A new book
2020 also saw the release of my new Dutch book about working with speedlights.
I already wrote a book about this a few years ago but decided to completely rewrite it instead of doing a “new version”, which often means you buy the same book but updated, and to be honest… I don’t like that idea.

When the book was released we got a lot of people asking for an English version, so we decided (well actually Annewiek) to translate the book ourselves for the English reading market and we are going to release the book ourselves, so not via a publisher, this way we have total control. We are being assisted by two American friends of us with the translation and at the moment we are half way through, so we expect a 2021 release, it will be a digital release.

 

Another tutorial
Yeah somehow you guys love these 😉
One of the most visited workshops is without a doubt “Glamour : the light of the classical masters”
Everywhere where I teach this subject the people are super enthusiastic and kept asking for a full length tutorial about this subject. And let’s be honest it does contain a lot of unique topics like working with flags and total light control.

Filming this one was a challenge seeing we couldn’t use any models.
So Annewiek and I filmed everything ourselves during the lockdown and left everything open where we needed a model. In the summer this was possible and we filmed the remaining parts with two of our most fitting models. And in all honesty I think it’s one of my best tutorials ever, it’s full with creative solutions for that old fashioned look like Harcourt, film-noir etc. But it also contains a lot of theory about shadow fall off and edge transfers (trust me it’s awesome).
(you can download the video here)

 

iPad pro and being more mobile
If you remember correctly I started an experiment last year just before our trip to South Africa with using the iPad pro as a replacement for my laptop. This worked out pretty well but there were a lot of problems, which were semi solved with the release of iOS13 which made it possible to use external harddrives. But to completely replace my laptop I needed a lot more, so I decided to use 2020 to see what I can do if I really pushed it, so lets continue this blog post about my favorite ways to use the iPad pro.

In 2020 we got a wakeup call, loads of things have changed, and we were forced by an unknown invisible enemy to distance ourselves from our work, from each other and our whole way of thinking. For me it meant going from being a full time educator and fashion/model/celebrity photographer to…. absolutely nothing. Of course I can still teach online (which I do) but it’s not like shooting a real session/workshop with a model.

Now of course I have more interests than just photography.
So I started out with doing some more product shots.
Very soon I started to see this as a fun experiment and decided to really limit myself (or not).
Most remarks I get during seminars and workshops is “I don’t have that…..” and just fill in whatever you want, there is always an excuse to NOT do something, while I’m more the kind of guy that finds solutions. So the idea rose to start doing some shoots with just two led tubes from Nanlite and my mobile phone and only using mobile devices to edit on.

 

Photography apps and workflows
Without any doubt the best app I ever used and use daily is Lightroom.
Adobe really hit the nail on the head with this one.
I’ve been very critical about the mobile app in the past because you really needed a super fast internet connection, the link to the desktop was FAR from perfect and the options were very limited. Fast forward to today and we have a “perfect” solution. The retouch options in Lightroom has grown to a point where you can even do some really nice skin retouching inside of Lightroom, the presets are now finally easily updated and shared via the cloud, the speed has increased, you can work without internet, sharing with the desktop (Lightroom Classic) has been perfect for me etc. etc.

During 2020 I did a lot of Mountain biking.
Now don’t think I started in 2020, I’ve been riding bikes my entire life (like most Dutch people) and been riding MTBs for over 10 years, but mostly on road and I loved to always get faster and faster, mostly due to time restrictions I was able to bike maybe an hour every day and that’s it. This year I decided to forget about that whole racing and go more off road, into the woods and stay there for a few hours, and man…. can I HIGHLY recommend this to anyone. I’ve spend countless hours in the woods riding trails and experiencing total relaxation while getting my heartbeat up, it’s awesome, plus you come home with some great shots which you can take with your phone and edit on your iPad (or Phone) without doing anything extra.

I’ve set Lightroom up so that it imports all RAW files on my phone automatically, this means you take the shot and when you’re home they are nice and comfy on the cloud as backup and on all your devices ready to be edited and shared, and if you want your GRAPHICS logo in there…. since the latest update that’s now also possible.

So for me on Number 1 without any doubt Lightroom

Now if you want to edit your images even more there are several apps I can highly recommend.
Snapseed and Pixelmator always give me great options for some special effects, but in all fairness you have to be careful if you want to end up with some good quality, most apps (including snapseed) pretty much butcher your images in resolution and quality, so when I use snapseed it’s always last in line and I know that it’s limited in resolution (depending per device). So make sure you check this before you end up with instagram sized images.

Now of course you might wonder what about when you really have to do some work on photos?

On the iPad pro I run both Affinity Photo and Photoshop.
And how much I really want to like Affinity I just… can’t… sorry.
I’m constantly battling the program with behaviors that just don’t make sense, and I don’t do a lot of difficult stuff but I do use a lot of layer masks and this is where Photoshop is just stable and it does what you expect and with Affinity… It must be me but the layer masks keep giving me issues. But in all fairness Affinity on the iPad pro is something I would love to see Photoshop going, it’s very complete and it works pretty well.

At the moment I would say that the iPad pro can replace my desktop for about 90% of what I do with retouching, and 100% when I just look at street/travel photography.

The one thing that I really miss on the iPad pro for photography is shooting tethered via a cable.
There is an app out there called CasCable it promises a lot and also supports tethering via cable but it’s incredibly vague on their website on what is really supported, you can test it out by getting a pro subscription for a week but I honestly think this is ridiculous, why pay money to test if my camera works, just make a list online and mentioned the cameras that are supported, I tried to contact the company a few times but never got a response back (in fact I did get a response a few months ago but nothing after that).

It’s for me pretty weird that now that iOS supports external gear it’s still not possible to shoot tethered via USB, for me it’s vital to really replace my laptop with the iPad pro for the simple reason that WiFi tethering (although rock solid in 90%) is not always working, especially during tradeshows. More frustrating is the fact that I can do it on my Android phone and tablet. Even in RAW. So which iOS app maker takes up the challenge 🙂

 

Music
Oh my…..
This is where we are going to flip the coin completely.
Most of you guys that follow me know that I have a deep passion for guitars and recording music. Although this year has been a disaster for me creatively I do study a lot and I try to complete my workflow on the iPad pro.

Now when I bought the first iPad pro there were a lot of promises and that ended in me selling my blownup iPhone a year later with a huge disappointment, it never ever delivered and although the Apple pencil is awesome to draw with it never really got to a point where I could use it. When I bought a new iPad pro 11″ in 2019 things did change a lot, to a point where I got the 12.9″ in 2020 to really start working.

Where with Photography I still think the desktop beats the iPad pro silly, yes really (especially when you want to dive deeper into retouching), but it does a great job for 90% of the work I do with music it’s the other way around.

In the lockdown I build a complete home studio, I love analogue vintage gear so getting stuff cheap is often not a problem (hey I’m still Dutch) and of course I started with connecting everything to my laptop. Software wise I opted for Reaper (it’s free to try and the license is very cheap) because it promises to be a complete DAW competing with the big guys but you don’t have to spend a small fortune for the unlimited version (which somehow I always think I need). Long story short… awesome. But you need external gear like a keyboard, some drum pads etc. And of course a place to work that has room for this, and power.

Enter the iPad pro.
And this literally blew my mind.
I started with Garageband, which immediately I would highly recommend for everyone.
I can play most instruments but add to this the smartplay options within garageband and now I’m a “pro” keyboard player, I can do some nice string sections, oh… and I can be a pretty groovy drummer too, and the fun thing… even if you can’t play one note or don’t even know what notes are let alone keys and scales…. you can be just as good as anyone.

However I’m a bit more advanced.
So when I record I mostly use loops and samples for drums, these can come from an app or friends who send me their drum recordings, keys are all midi so so far so good. However when I start recording my guitars I love to use mics in front of an vintage Marshall cab (with blackbacks) and some tube amps for the nice and creamy tones. So one guitar part is 2 mics and one direct signal, and this multiplies during recording. So garageband on the iPad is a bit too limiting.

A few weeks ago I got more frustrated by this and decided to spend some money on an app that I would like to give the number 1 position for music creation on the iPad pro…

Cubasis 3.2
What do you expect from a mobile app.
Ask me this 2 years ago and I would say.
“maybe remotely control the real app”
“a very much simplified version of the desktop app”

And yes both are still true, however what do you need, and what makes your workflow easier.
Let’s put some things into perspective.

I don’t know what I like.
I love to record some Blues, or maybe some Metal…. mmm how about making some beats.
In other words I love to play, and this…. is EXACTLY where the iPad pro shines.

Let’s first just look at the basics.
Cubasis 3.2 is a full fletched DAW (Digital Audio Workstation) meaning you can record audio on multiple tracks, you can edit and record midi, you can master and mix and of course export. And believe me, the plugins you can use on the iPad pro are absolutely mature, with the latest release they even now support Autotune inside of Cubasis via WAVE (a high-end brand for audioplugins). Now of course the workability falls or stands with what you can connect.

Well lets not spend too much time on this, I use a Behringer 18/20 interface connected to a Yamaha 01V96v2 console and believe it or not Cubasis supports all inputs and outputs and so far I tried recording three tracks at once and it didn’t even raise my CPU, I’ve read people online recording a complete band on Cubasis on an iPad and it all worked like a charm. So this is one part where the iPad pro and Cubasis really shows you the mobile workflow can be done on an iPad.

Now let’s skip a bit.
For creativity I love to play around with loops, which people also sometimes call “making beats”, I don’t really call them that because most “beats” I make are the basis for a song I will record with other instruments or use the beat as a base. Without the iPad this means you need a program that supports an external device for input. You can use a keyboard for keys (duh) and drums, but mostly people that create beats use a midi controler. This can really add to the total cost and bulk and making the “mobile” setup not so mobile.

 

A midicontroler

Enter the iPad pro.
Because the screen is touch sensitive in all directions you can literally (like a brush in Photoshop) press harder or softer but also move around and change pressure when you move, this is for example awesome for stringed instruments. On the iPad this means you can get a pretty solid piano effect, but in all honesty I don’t like to play keys on the iPads screen, for me it just doesn’t feel right, so I do use a small midikeyboard (but I can do without), however for the buttons in for example Beatmaker3 the iPad works perfectly for me, it’s more hitting the right square than hitting the right keys (huge difference)

This brings me to the part where I’m super enthusiastic about the iPad pro.
Let me explain.

I’m sitting on the coach (or plane or whatever) and I can play a bit in Beatmaker 3 with loops and chord ideas, my sketch is imported as stems (separate tracks) into Cubasis, in Cubasis I can make a proper mix of them, change some instruments, add some midi via other apps (you can run them inside of cubasis as “plugins” or just export) and when I’m done I just pickup the iPad and walk to the console. Now I have 18/20 inputs/outputs and I can start recording my bass lines via direct in. When it’s time for the guitars I get 2 mics into Cubasis and 1 direct in, and that’s it….

I’m going back to the coach (or plane or whatever) and with some proper headphones (don’t use regular headphones but headphones that are designed for mastering) I can start mixing everything and when I’m done I can opt to go back to the console and run everything through external effects gear or to tape (and back) or… … …. whatever you want.

This gives you so much freedom and ease of work that I find myself working at least 10x as much on my music, It’s really highly underestimated how much being able to work in EVERY situation makes your creativity flow, and this is actually the idea of this whole experiment and blogpost. Realizing that being able to work everywhere without the need to add anything externally (only if you wish) is a huge thing, especially when the quality of the outcome is the same.

So Cubasis 3.2 for me is the number one app to get, but there are more.
Remember the DI tracks?
For my guitars and bass I use an app called BiasFX2 and BiasAMP.
These apps make it possible to connect your bass/guitar/etc. to your iPad and run it through virtual amp setups, including building your own amps (even replacing tubes and power supplies), moving around mics, chancing speaker cabs etc. etc. The sounds are more than ok (although I prefer the real deal, but that also means using a lot more gear and building a hushbox for your cab, because a tube amp crancked… makes a lot of noise) and can be used as plugin within for example Cubasis, this means I can record a guitar direct into the iPad without any effects and later on decide if I want it to be a Jimmy Hendrix setup or a Metallica sound, or maybe… a John Mayer or Brian May like sound… it’s all possible. You can even re-amp the whole thing (meaning you run a line out straight into a real amp and re-record that sound).

Do you already feel dizzy?
I know I do, but that’s more that dizzy feeling of being overly happy 😀

One day I hope to add the desktop version of Cubase 11 to my software, but for now it’s a bit out of my budget for the unlimited track version, but if you do a lot of recording this makes Cubasis fall into the same category of Rush and Lightroom/Photoshop in which you can seamless connect everything together.

Adobe Rush

Video
A large part of my work is video and editing video.
Man I love it and I hate it. It’s cool to sit down for hours and edit video, but… it’s also boring and you’re pretty much stuck in the location where your PC/Mac is.. right? because let’s be honest if my i9 Dell XPS with 32GB already has problems with my drone H265 footage, the iPad….nah…

Well brace yourself.
My iPad pro is actually a LOT smoother with editing video than my laptop (yeah that also stunned me). And when you get over the first hurdle of “where the hell is my keyboard” you realize that working with your fingers or the pencil is actually a LOT faster and more easy (and you can always use a keyboard later, shortcuts are added to more and more apps including trackpad support)

Editing works like a charm and rendering is real time (meaning 10 minutes of video renders in about 10 minutes).
My favorite software ?

On a shared number one position since the last upgrade.
Lumafusion and Adobe Rush.
Now this needs a little bit of explanation.
Lumafusion is still king I think.
However Rush is getting better with each release, and it’s going pretty fast, plus the main advantage of Rush is the connection to the desktop versions and Premiere which in all fairness is a big thing if you also use your desktop for adding multicam or more elaborate things like after effects, Rush makes this combination a breeze.

If you want to edit and finish on the iPad I would advise LumaFusion at the moment, but if you are a casual editor, Rush is free with your subscription 😀

 

Lumafusion

Media consumption
Let’s be realistic, Netflix, Disney+, AppleTV+, Prime etc. media consumption on the 12.9″ is a dream. Same goes for reading comics and books. But I guess we all know this so I just wanted to mention it.

 

Conclusion
2020 is a bad year.
2020 is also a year where we are forced to look at ourselves.
In a world where polarization and fear for the virus but most of all for other peoples behavior rules it’s I think very wise to take a step back and look deep inside ourselves what makes us happy and how we can achieve this and keep it in 2021-2022.

For me the wakeup call was without a doubt that I REALLY love my work.
The first month I saw as a well needed brake (we both worked way too hard the months before) but after that I started to realize I miss my work, teaching photography to people and photographing is a passion that can not be put on hold. But I didn’t want to spend a lot of time in an empty studio realizing I’m missing my work. So more than before I started to realize that devices like an iPad pro gives you so much joy and makes it possible to continue working literally everywhere and without too many limitations.

An iPad pro doesn’t get hot, it doesn’t run out of battery and the screen is bright enough for outside use, the screen is large enough for proper retouching and editing music and with the new connectivity options you can connect almost everything. Add to this the seamless workflow with backups via Adobe and it also takes away the stress that I lose work because I’m now working in so many different locations and on different devices.

This is why my end of the year blogpost is more about this than about the world.
And let’s be realistic, at the moment it seems like everyone is polarized to the max, whatever room there always was for discussion it now seems like you agree with me or you don’t and if you don’t you suck, I for one don’t want to be a part of this. We have to do this together and take care of each other, not make the gap bigger, the virus will leave it’s scars but most scars are not from the virus but from people themselves, this is more clear for me than ever before.

 

Hardware changes
Although 2020 was a relativy quiet year for my workshops we did change some things around that will have a major impact on my own personal workflow. If you want I can make a separate blog post about these, but just do them quickly now.

First off we changed from Wacom to XP-pen
Everyone that have seen me work know I’m a big supporter of using tablets to retouch and preferably with a screen (if you ever worked on one you know what I mean), the reason I switched has nothing to do with problems with Wacom but more with the fact that in my personal opinion the XP-pen series deliver an amazing quality for a small part of the budget you need for the Wacom. And seeing I mostly teach I wanted to work on a brand that is affordable for everyone, and XP-pen was the only one that I think is a 99% replacement for Wacom.

Another huge change was the switch from my beloved Huawei p30 Pro to the Sony Xperia1 MKII.
The Huawei is an awesome phone and camera, but because I use my phone a LOT during this year during MTB trips and in home for my fun projects I got more and more frustated by the video performace and the quality of images/Auto Focus in not perfect light or when working with colored tubes. The Sony Xperia is designed for photographers and video creators and this really shows. It’s a 100% complete mystery to me why Sony is not number 1 in smartphones for this market. Maybe they should be a bit more aggressive with these phones, as a Sony ambassador since the beta of the A99 it took me till 2020 to try a Sony phone, and now they won’t get it back probably 🙂

Also we got REALLY close into me switching back to Mac, and trust me it will happen….
The M1 is awesome, let me rephrase FRICKING awesome.
We ordered one but had to send it back because several of our older software (that we really need) doesn’t work, but as soon as there is a proper working Windows emulation (that would be a workaround seeing the software runs on both OS-es) we will order one again and see what happens.

 

The real number 1 app of the year
Last but not least the real number 1 app of the year.
Losing work is the most devastating thing that can happen.
As photographers/videographers we freeze unique moments in time that never come back again, if we lose this it’s gone forever. Sometimes it’s just a picture of a windmill that is awesome but sometimes it’s that final image you took of someone or that cool little video of someone you love. You can’t think about losing that right?

And no this is not about making backups. If you don’t have a proper backup strategy and you lose stuff… hope you learned something. This is more about losing stuff without you having any fault, without you even knowing it.

Enter Apples biggest mistake.
Not testing the files app, and even after numerous complaints from me and many others it still happens and you probably never noticed it. PLEASE check all your material that you copied via the files app to an external device, and please sit down when you do and be prepared for some tears. Especially copying a lot of files or large files will end up in a LOT of corrupt files. This has been an issue since the beta of iOS13 up until today more than a year later. For me this makes the iPad pro 100% unusable with a professional or ANY workflow where you want your files to stay in tact.

But luckily there is an app for that.
Surf DIRECTLY to the app store and find the app FileBrowser.
There is a free version but go for the business version, not because the free version doesn’t work but to support those guys.

If you copy via Filebrowser to an external drive everything is not only a LOT faster but you also see what’s being copied and the files don’t get corrupted. Also it’s a company that is open for suggestions, I really missed a batch rename option in the files app and within a week after asking I got a first beta version with batch renaming. This means a lot to me personally, I don’t really trust app builders that don’t respond to serious questions, but I really appreciate builders that not only respond but also add features. That alone (and the fact that my files are now safe) makes this app without a doubt the number 1 app download on your iPad.

Look for this icon if you care for your files

 

I wish you all a better 2021.
Personally we thing life will return to semi normal in 2022 but we hope to pickup a semi normal life with workshops again half 2021.
2020 has been tough and we are incredibly blessed so far, still from the bottom of our hearts we hope you guys are all ok and just know we love you all.

What was your major realization in 2020, and let’s keep it nice and about fun things please.

 

M1 Apple MacBook Air

Unless you’ve been living under a rock you probably heard about the new apple silicon.

Super fast and insane battery life. And in essence most apps will work in real time converting mode via rosetta 2. So especially for people like us that do a lot on location and really need both speed and battery life and a small form factor this sounds absolutely Awesome, but is it?

Of course we ordered the M1 as soon as we got the chance. But that enthusiasm was quickly killed when we found out that apple limited the output to 1 external screen.

Now that might seem not a big thing but realise that when you use a drawing tablet with a screen that counts as one so that’s it. And there is no trick with clamshell to get another screen. It’s one external screen and that’s if.

This was a huge deal breaker till we found a 4k60 display link adaptor from startech that is mac compatible and sells for a whopping 125.00. But it gives you 2 extra screens. And for 100.00 one. We did order one and hope to receive that very soon.

The original idea was to just receive the m1 and send it back right away because both Annewiek and I use two external screens and need video on those screens.

Because we couldn’t send it back to apple right away due to a lockdown we decided to keep it another 5 days (our return window for this label) and test it a bit more

So I’m curious to see how the convertor handles that seeing the older solutions were literally terrible with everything that was moving too fast.

So that is one problem “solved”, and with fresh enthusiasm I started the test process. And that’s where things went sideways (for me at least)

The good, the bad and…

1. Don’t think about doing a fresh install. I’m pretty tech savvy and it took me 2 hours to get the fricking thing working again and you need a second mac. Otherwise it’s back to apple so beware

The reason we needed a fresh install was literally because we gave up after testing the hardware we had in the studio to connect the screens and decided to send it back with a fresh install. Because you don’t want your account info on there somewhere. And we’ve done it countless times on other mac’s ranging from macpros to imacs and notebooks (we sold apple for a short period of time in our store and did support on them for customers).

In the end you will need to do the refresh via a second mac and the apple configurator 2. If you don’t know what you’re doing… Just go back to apple.

But it didn’t stop there….

2. First software I tried was vital for me. The studiomanager software for the yamaha 01v96v2. I also use it our home recording studio and this app is older and will probably not be updated anymore. On windows and intel it runs on the M1 no way. Installer asks for rosetta 2 and after that… It’s only a message that the developer needs to update the app. So no option to run in forced sandbox or whatever it’s just game over for me as it seems. Without that software my console is not easy to operate

So with me out of the game let’s try for annewiek

3. The wireless Epson printer installed without a glitch. But… Our HP8600 plus will not even be detected. When I ping the printer it replies and even the whole websuite works (direct IP access) but no bonjour and even the drivers from HP tell me there is no network printer…. This is bizarre seeing we can find it on our phones and the old laptop and even ping and access it from a browser

Conclusion

There is also good news of course.
The battery life is insane.
Did the whole installation yesterday starting with 94% and at the end it was as 80% I think the old macbook would be close to empty

All Adobe software seems to be working fine. But I didn’t test any plugins.

Fcpx flies, so that’s pretty awesome

Overall it promises a lot. But it can only be successful if of course there is a way to sandbox older apps. I understand you can’t support things forever. But this was the first software I tried and it doesn’t really bode well if within 1 day there are already 2 serious issues….

That being said…
If you only use new gear (released in the last 2-3 years) I think you will be fine. Just be prepared to spend another 100.00 for a second monitor and to upgrade some hardware and adjust your workflow.

I really wanted to make the switch back with the promise of insane battery life and speed. But for now I’ll be using my dell xps9570 and for annewiek it’s going to be a case of “do we get that printer to work” plus her labels scanner and apps….

Now before you start flaming me ;). I do realize this is the first version. And indeed it’s a complete transition from one chipset to another and that’s a HUGE undertaking and I really feel this is the future seeing the insane speed and battery life.

That being said

At the moment we can’t run windows via bootcamp or even in a virtual sandbox although I’m 99% sure that for example parallels will be updated and at that moment I would love to see if I can run the studio manager. Or maybe that apple will create a sandbox solution. I don’t care about speed in that sandbox as long as it works.

The main thing I worry about a lot is however something else.

A year ago we started our test with replacing my laptop with an ipad pro and in all fairness every day I’m more and more impressed with the iPad pro. It’s awesome. But…. Severely crippled by apple. I still for example can’t copy lager files via “files” without severe artifacts (it really destroys the files). When I use the third party app “file browser business” it all works like a charm but it’s an extra step

Same problem appears when uploading to youtube or saving a file from garageband. You just can’t use Files reliably. Upload to youtube only works via photos or a third party app and saving via garageband only works when you use share and than select the files app.

Now this bug has been there since the beta of 13 and I even bought a new ipad pro (12.9) and did a full new install in that one to make sure I was not causing the issue myself. But when I posted the problem I was shocked by how many people experienced the same issues.

Now you might say that the iPad pro is something else and the M1 Will be better. But…. If they can’t even get the files app working on their flagship laptop replacement…. What about getting older apps running in a completely new operating system…

Now I really want to like the new m1 because it promises everything we would dream about…. But with apples trackrecord of closing things off and not allowing developers to really dive in…. I do worry about older apps. So if you have some of those that are vital make sure you check it before doing to much work.

I hope we get the printer to work and the screens. Because it’s very exciting to see this develop. It’s a HUGE step forward. And if they do it right this might be the biggest revolution we ever saw in a short period of time.

UPDATE :

Ok that didn’t take long ;(. HP confirmed it’s a big sure problem and they don’t know when it will be fixed (?)

Also the label printer is a dead end. ;(. It’s a shame but we will send it back till they fix this. Except the big names like Adobe and apple we can’t work with this at the moment.

Best screenrecorder software….

During the whole lockdown period I decided it was finally time to record that monster project, my Photoshop and Lightroom tutorial. In the end the tutorial clocked in at a stunning 7 hours and 30 minutes. Not something you can record in between workshops and sessions. But how fast can you edit screenrecordings, and to start with how in the first place.

Now in this review/blogpost I’m not going to describe everything Camtasia can do, I’m going to point out the things I find interesting, cannot work without and my thoughts at the end. I think this is a more fair review seeing most people will not use all the options, but do need some options that normally are hardly discussed in reviews that just give you the numbers (I never understand those, just look at the website of the manufacturer).

At first (being Dutch) I tried some free software.
On the Mac I already invested in screen recording software and to be honest it did work just fine there was Windows version, and with all the free software out there you very quickly decide that it’s probably best to just go for free, right?

Well not exactly.
When you record 1-2 videos a month it might be an OK solution, but in all honesty it just sucks for anything else, so I started looking for the best solution and from every direction I got one answer….. Camtasia, and man am I glad I did started using their software, because it’s fricking awesome.

So what does good screenrecording do?
Well first off all it has to be “invisible” but also “adjustable”

With invisible I mean that it shouldn’t limit you in what you can do (a lot of free software does and that drove me nuts), for example do you want to record, one screen, a window, maybe several screens, do you want the audio from your OS or just not. Well Camtasia has all these options, but there is more.

Of course it’s nice to see someone when they are talking to you, right?
Now of course you can use your awesome (or mostly not) webcam, but than you’re stuck in one place with often nog so good image quality, or too much wide angle, or maybe not…. it’s not perfect. Connecting an external camera is the best way, that way you can choose your own webcam and position, or even more interesting connect a standard HDMI handycam and now you can zoom and have a lot better quality (if you light it correctly of course). Do remember that when you connect an external HDMI camera you need some form of capture card, personally I use the Magewell which works great for cameras but also for example for my desktop mirroring during digital classroom (where I work from another computer as where the streaming software runs). The Magewell is not the cheapest solution but at least it never crashes and it has a lot of settings you can adjust so it will work flawlessly in most software, and this is really something to consider because you can buy some cheap convertor but if it isn’t supported in the end that cheap one will cost you a lot of frustration and in the end you’ll get another one anyway.

The easy to setup main hub for recording. Here you select what to record, which camera and which mic you use.

The nice thing about Camtasia is the workflow.
When you want to record you just go for the record option, you don’t even have to open the software, although you can of course and start recording from there.
The settings are incredibly simple.
A floating app let’s you choose microphones, cameras, which desktop or screen etc. etc.
If you selected it once, it will keep it in memory, so no need to tinker with the settings every recording session. (this is a very annoying thing when an app doesn’t do this)

So what else?
Well let me start by how we used to do screenrecordings.
In the past I would often chose for an option without video, for the simple reason combining the two was not hard but it was always an extra step with syncing the two, two different sources etc. With Camtasia it’s a lot easier. You just connect the camera and microphone and… well that’s it.

When you’re done with the recording the real power of Camtasia is unleased.
After the recording the software shows you two tracks, one with the screen and the other one with the video. When you drag that on the time line it actually looks almost like iMovie or any other “simple” video editor.

The first thing you will notice is that you can just drag, scale, move forward/backward etc with both video parts. This makes integrating the video into your screen recording very easy. Sometimes I will place my screens next to each other, sometimes I will put the video small in a corner. Now till so far you can pretty much also do it with for example Adobe Premiere, but….. that’s where it all stops.

One of the major advantages of Camtasia is that you can literally do almost everything with the two tracks, but mostly zoom… now why is this important?

When I explain something in Photoshop it’s sometimes hard to find where the pointer is on the screen, now there are several solutions for this that cannot be done (easy) with video editing software. You can do it “easy” with for example a bright spot on the mousepointer but that doesn’t always work the way that you want, what I like to do is actually zoom in to the area that is important at that moment. Now the cool thing about Camtasia is that you just very simply zoom in at the moment where you want the zoom to appear and Camtasia makes an awesome zoom and glide effect, and after this you can just drag or push the trails and make the transition longer or shorter. The way this works is absolutely fast and very easy, in fact without reading a manual you can work with Camtasia within minutes. And that’s the goal of course.

Another thing I really like about Camtasia is that you have several options for annotations, simple color/brightness adjustments for video, green-screen techniques (or remove a color-range), of course there are also a lot of fades, shifts and other special effects between scenes.

Recently Camtasia has been upgraded to version 2020 and there are a lot of new features.
You can find these here.
But the things that really got my attention were the following.

Video templates
You can store templates which means that if you need to make something in an universal look you can always get this back. For most videos I do this is not something I use, because the positions change pretty often depending on what I explain, but in essence you can store a template and use this for all your projects.

Placeholders and Replaceable Media
Quickly replace media on the timeline, while preserving properties, transitions, effects, audio points, and animations.

Camtasia Packages
Create a Camtasia Package (.campackage) to back up and share your Camtasia resources such as templates, shortcuts, libraries, themes, and presets into a single file for deployment across computers, teams, and organizations

Timeline Enhancements
Automatically remove spaces between media on a track to insert or rearrange media on the timeline with magnetic tracks.
Detach the timeline to view more tracks at a time or to move to another monitor for precise editing.
Create unique animations with track mattes

Media Bin Enhancements
New views help you to quickly sort and find media. Identify unused media in the Media Bin to clean up a project.

Recording Enhancements
Camtasia 2020 includes webcam capture improvements, ability to capture screen recordings at higher frame rates, and other recording enhancements.

Conclusion
Overall one could say that there are service upgrades, which often kill some bugs and just up the version number, but Camtasia 2020 really feels like a new version, it’s smoother, slightly faster and the new way to setup your camera at higher frame rates is awesome for people that want to record a bit more motion, for me capturing Photoshop or Lightroom…. 30 frames a second is more than enough, but the templates and packages is great, and the Timeline enhancements were something that didn’t really bug me with the older versions, but now that it’s “fixed” I can’t go back to be honest.

As mentioned before there are many screenrecording software solutions but Camtasia just checks all the boxes for usability, speed and most of all quality and flexibility. You literally have everything in one package and although you might think at first glance that it’s just a “simple” video editor you can’t be more wrong, everything, and I mean everything is aimed at pushing out those videos as fast as possible, if you want even straight to YouTube for example. It’s all there.

I’ve been using Camtasia for over 2 years now and can only highly recommend it.
Follow this link and also support our work.

A distant modelshoot in a time of social/physical distancing

One might say we woke up in a “bad” sci-fi or horror movie.
No more going outside for a lot of people, no more photoshoots, no more….. well in the Netherlands we are “happy” that at least we are not in a full 100% lockdown but still have some things we are allowed to do. And don’t get me wrong, I’m not one of those protesters that believe the government is keeping us inside for other reasons. Trust me if they want the damage to the economy to be limited they will open up as soon as possible, if your country does not yet open up, don’t do it yourself, this is a virus we are fighting with each other not an enemy you can see.

So of course one of the things I miss most is doing photoshoots. I know some people still do it, but I think that’s irresponsible, you have to move to the location, there is a huge chance of infection during that travel or on location, if you do it in your studio you have to clean literally everything and they still don’t know for sure how long the virus will be active in a room where there is little to no ventilation, in fact they already know it can be spread via the HVAC system, so you might not infect yourself but maybe someone in that building. So just don’t take the risk.

To show you guys that you can do photoshoots even without leaving your home my friend Andy set up this special photoshoot (and all credits go to him for this).

Andy is a dear friend of us, but he lives app. 6000 miles away. So talk about keeping your distance.
Andy is also a photographer, but also a good looking dude, so he came up with the idea to do a long distance photoshoot. And with todays technology this is of course very possible.

 

Our setup.
During the lightsetup I switched between the small camera and the desktop. So for the shoot the desktop was large and for setting up the lights I switched the two cameras so I could clearly see what was going on.

So what did we do?
Andy put his camera on a tripod and connected it to his laptop via a Tethertools cable of course.
Thanks to Capture One I was able to switch between shooting modes, settings and very importantly live view (without live view forget about this).

One camera (from his laptop) we set up so I could see most of the room, this made it easy to see where the lights were placed and give directions to how to angle the lights. Of course Andy was able to do the metering and place the lights.

As soon as everything was setup I switched over to the live view mode inside of Capture One and posed Andy. Now to be honest when we started this shoot I didn’t expect it to go as smooth as it actually did. For the “meeting” software we used ZOOM, but you can also use Skype or any other software that supports both taking over someones desktop and using a camera at the same time. Zoom actually worked like a charm (this was my first time using Zoom).

When everything was set up correctly I could see Andy posing via the live view and getting the shadows right was easy. When I started this my initial idea was to just use flat lighting, this is easier to get a good shot, but when we saw how smooth the connection was we just immediately went for the more contrasty lighting. Now I have to add Andy was a real champ and stayed exactly the way that I told him, there is always a slight delay between shots and directions but in all honesty it felt almost instant, so this is without a doubt usable.

Now in real life I can make better shots, will experiment a bit more with different positions, fine tune the light, freak a bit more with flares etc. but I have to be honest for a remote shoot this was not only a boat load of fun (thanks buddy) but the results aren’t that bad either, in fact if you take more time for it (we did a session of 30 minutes) I think you could do some really cool stuff.

So what do you need?
Make sure you connect your camera via USB to your laptop/tablet.
Make sure you use software that can show you the live view of your camera, for example Capture One.
Place one camera that can see the whole room and use this as the standard “webcam”
Use software that is pretty solid in the connection and has the option to take over someone’s desktop, you have to have mouse control.
The software you use to make the connection has to support also the option that both the desktop AND camera stay active
Make sure the software makes it possible to see both the desktop and the extra camera

Now if you want to go fancy (and who doesn’t)
You can use a dedicated videocamera and connect that to your desktop. We use a blackmagic HDMI to USB device for this and in our home studio a Magewell HDMI to USB device. Both do the same thing, they get a HDMI signal from your camera and convert it to something your desktop sees as an extra camera in “all” software. It replaces the often bad webcams and gives you more room to move it around and show the room.

And… well that’s about it.
After the shoot Andy send the files to me and I retouched them to show you guys the results today.

There is one thing that was a bit more difficult than expected. In real life you see everything in 3D, in other words you see depth. On a screen this is highly reduced, this made setting up the accent light for example much more tricky than normal, but in the end we got one shot out of it, I wanted to play more with that but Andy’s room was pretty bright and small so the light scatter was very hard to control, so we opted for the more darker looks 🙂