In todays blog the results from the Digital classroom episode with Jannaike in which I explained the differences between softboxes.
Do remember that these were shot during a live broadcast with loads of ambient light so it’s a bit harder to set the light perfectly.
But I’m very happy with the results.
Even with easy software it’s sometimes easy to get an error that… well you can’t fix.
You checked everything, and although you know your brand new monitor should really be perfect, it’s far from.
Or maybe you don’t know how to read the rapports and just wonder why there is so much fuzz about professional monitors.
Want to know how to predict your light?
And of course how to use the different modifiers to create some images with impact?
Than this is the digital classroom for you.
In almost 2 hours I show you the difference between a lantern, normal softbox, striplights and our new Geekoto Quicky softbox.
“This camera is unusable for studio use, that’s insane for such an expensive camera…. etc”
Countless of these kind of bashing cameras can be found online, especially when the EVF in a camera was not as widely used as now.
So what’s going on here.
In the older cameras we used the sensor only as a replacement for film.
The image was still split to a part where you see the image, focus is done etc. and a part where it’s hitting the sensor.
With the mirrorless cameras everything changed.
First of all we could get super accurate focus (well not at first, it was terrible at times) because you literally focus on the sensor, but we could now also use the viewfinder in a completely new way.
