Adding a touch of color

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In the past few days you have seen some images from the workshop “on location in Emmeloord” with our model Claudia where we look for interesting locations around our own studio.
Today the final part.

One of the things I absolutely love to do on location (or in the studio) is add a touch of color.
Always remember that color evokes emotion.
Think about watching a movie without any tinting or music, you will probably pretty quickly leave the cinema disappointed, unless of course the story is strong enough. But in most cases the reason we love certain scenes/movies is because of the tinting/music used.

So today let’s take a look at some images where I added color on location.

This image is without any added color.
I’m using a Hensel Porty here with the 14″ reflector.
This reflector gives a lot more light than a standard reflector and makes it possible to shoot amazing images even in bright sunlight.
I’m using a variable ND filter to be able to shoot on a wider aperture. When using the Geekoto system I can chose for the HSS options where you can shoot on faster shutter speeds but with standard battery packs like the Hensel Porty you are stuck with the X-sync which is often between 1/125 and 1/200. In situations like this that means that you are almost always shooting at F16 or F22. By using a variable ND filter you can take away some/a lot of light and shoot wide open or on any aperture you like.

For the next shot I’m using a second Hensel Porty but this one is covered with a thick red gel.
I’m using the black diffusion filter here (from the same kit as the variable ND filter) to create a nice lens flare.

I love both shots, but the second one does give me a nice extra mood/feel.
You might say that you can add this in Photoshop in postprocessing, but I disagree, you can mostly easily see when it’s done in real life or added in post processing.

Now you might remember the blogpost where I showed you the Geekoto system for the first time with the red gels.
Let’s to refresh your memory show some of those images.

These were shot with the Geekoto GT200 and GT250.
Small strobes that can shoot on HSS. As you can see I’m creating a nice Day2Night look here and the red really jumps off ow youthe background.

Now for the next images I’m using the exact same setup in the same location but here I switched the Geekoto for the 1200W Hensel porty system.

The Hensel system does have a lot more power but doesn’t support HSS and as you can see they give you results that are incredibly close to each other.
I think this is one of the most interesting parts of the smaller flash systems like the Geekoto they don’t like like much compared to a system like the Porty but due to the use of HSS they do pack an incredible punch.

Of course they can’t compete with the Hensel on durability, recycling speed, flash duration and raw power. But if you don’t need that raw power I think you can do awesome things with the smaller systems, something that wasn’t possible in the past when we still were depending on speedlights only.

 

Working on location and what does flash do?

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During the workshop on location in Emmeloord with our model Claudia the theme is to find locations that might look boring and make them interesting enough for some cool shots. in my opinion this is one of the best things you can do to train yourself to create better images.

The reason most people don’t shoot images close to their home is probably that they see it every day and don’t realise anymore that some locations can be great to shoot images in or against. Every day I walk Chewie I see locations where I think “this would be nice to place a model” but somehow you always travel to cool locations to do the same while in essence you could take the same kind of images close you your own location.

Now of course we do want to introduce also some interesting lighting, because if you just shoot something with ambient light it’s boring right?
Or maybe not….
So during the workshop we actually run through several different lighting solutions.

So today let’s take a look at what you can do with just an open parking place.

Let’s start out with ambient light only.

A low angle and a standard preset I created in Luminar AI (you can get those on frankdoorhof.com/shop)

Now let’s add a just a slight amount of flash.
I’m using a Hensel Porty with a 14″ reflector here and to get this effect you really don’t need a lot of power, in essence I’m overpowering the ambient by just 1-1.5 stops.

With retouching you could get something similar quite easily.
Now one of the limitations of shooting with the Hensel Porty is that you are limited to the X-sync which in most cases lies between 1/125 and 1/200. So you will mostly shoot on smaller apertures when using a lot of power. This is why I’m using a variable magnetic ND filter on my lens when shooting with the porty system outside.

I’m using the K&F concept version which you can find in the Frank Doorhof kit which includes 2 Black diffusion filters (1/4 and 1/8) and the variable ND filter, all magnetic of course.

Ok, so now let’s add a lot of light.

Here I’m totally overpowering the ambient light and also chose a different angle to enhance the contrast even more.
One might say…”hey this is cheating because we don’t see the sky anymore”
So of course I also shot some with the sky included but we did move the set a bit to make the series more varied.

This is something I always highly recommend.
If you shoot all images from the same angle and in the same location it can be very nice but also a bit boring, and you don’t have to travel or even walk to another location, it’s often a matter of choosing a location where you can shoot from different angles and create something new with every angle. It doesn’t only speed up your workflow but also give your client much more different images for the same price, so they will be much more willing to hire you again for another job.

As you can see there is a huge difference between the first and last images.
However in reality it’s “only” the difference in lighting and by choosing different angles.

So the next time you are shooting on location look around for areas that can be shot from different angles and don’t be afraid to shoot with or without strobes.

 

Shooting models in the sun with Geekoto Off-Camera Flash

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Geekoto is the perfect off-camera flash to get full control over your light. In the studio and on location!  Read more about shooting models in the sun with Geekoto Off-Camera Flash.

 

During the location in Emmeloord workshop with Claudia, it was the first time I used the Geekoto GT200 and GT250 during a workshop. I only shot the first set with the set with Geekoto and after that, we switched over to the powerful Hensel Porty System which images I will upload tomorrow. The weather was great. So, we had to shoot model Claudia in the bright sun with Geekoto Off-Camera Flash.

Yes, the Hensel Porty system is with its 1200W and large reflectors a lot more powerful, but for those small strobes, the Geekoto’s surprised all the attendees including myself.

We started with just using the Geekoto and a reflector on the Bowens mount.
Now I have to add it was very sunny.

As you can see it’s pretty easy to push away the ambient light, and it’s easy shooting models in the sun with Geekoto Off-Camera Flash. And this was not even on full power but actually on almost the lowest setting, adding a reflector with highly reflective material really helps a lot.

For the next set, Claudia only moved to another angle where the sun was a bit more challenging especially because I decided to also add a red gel and our Rogue dome to the setup, now you have to realize that adding a gel will take away a considerable amount of light, but as you can see in the results, the system had no problem keeping the mood I wanted.

Now the original idea for us was to use the Geekoto system as a replacement for our Nissin system making it easier for me to demonstrate our Rogue products during trade shows and workshops/events on location where you would normally need speedlights. But the Geekoto’s impressed us so much for the price that we decided to go a few steps further.

Starting next week we will be the official distributor for the Benelux for them.
We are building the website and will add the products to our shop this weekend, so if you want to order please send us an email or wait till we add them to the shop in the coming days.

For the time being, we have built the pages on:www.geekoto.nl

Results from the Landschaftspark workshop with Nadine

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This weekend it was time for an awesome workshop.
The location: Landschaftspark Germany (Duisburg Nord). For Photo + Aventure festival 
An awesome location where I taught a workshop a few years ago. The plan was to come back the year after but Corona had other ideas. So after a few years… this weekend it was finally time to visit this amazing location again.

For a location like this we of course want some fabulous styling and a great model, so we brought Nadine with us 😀
With Nadine, we always know we get some kick-a$$ styling and great poses.

Gear is also essential when working on location. In Landschafstpark we can expect some locations that will be very bright but also some very dark areas. Luckily the Hensel Porty system has no problems with any location you throw at it.

The first set in this workshop is shot with our fiberglass Rogue umbrella.

The nice thing about this umbrella is that it’s very sturdy due to the fiberglass. And on location, an umbrella is easy to bring and has loads of options for lighting your model. And on the Porty we can even shoot in the bright sunlight without any problem.

The first set we did outside with one of the buildings in the back.

For the next set, we move “inside”.

I’m using the 14″ reflector and a slightly smaller reflector to really focus the light on Nadine.
By adding a blue gel I added a touch of color and mood to the set.

We still had a few minutes left before lunch so I quickly set up another option by using the nice structured wall and one strobe under an extreme angle. By moving around the model you can get some cool results very quickly.

 

After lunch, we decided to take some shots in a beautiful part of the park where you can really work with some nice angles.
I started with the light straight at Nadine as a sort of fill-in flash.

There is nothing wrong with this setup but I really wanted some more drama and “oompf” in my shot, so we moved the strobe to the side and got these results.

When we saw these shots we knew we still had more than enough time to add at least one more set. But how do you improve this I thought?

We decided to go for a location where we could let Nadine interact with the building and use the sky a bit more prominent with some strong shadows and leading lines.

The next shots were done with one strobe with the 14″ reflector and grid.

Sometimes we have these amazing shots and we are happy and stop.

But …..
Over the years I’ve learned that you should always also try different angles. And believe it or not, in most cases those images are at least as good. But often a lot better. The reason is that we as photographers often chose an angle that feels “natural” and it can create breathtaking shots. But when we start to experiment with stranger angles or simply move to the other side….. it often is a lot more interesting.

 

I absolutely love teaching workshops so I never stop exactly at the time the organization sets 😀

 

That meant that we decided to not go back to the meeting room but add another strobe with a red gel, move the whole set a few meters to the right, and ended up with maybe my favorite shots of the day.

 

Many thanks to Nadine for the awesome styling and posing.
Annewiek for filming the whole day (video will be uploaded tomorrow)
And of course the Photo+Adventure organization for inviting me over.
But not to forget the awesome group of students, we had a blast 😀

If you also want to visit a workshop visit www.fotografie-workshops.nl for the agenda.