Tag Archive for: tips

Tip : where should the model look

A question I get a lot is “Where should the model look?”
Well in all honesty I don’t really think about it, I often let the model look the way that fits the image. Take for example these shots of Poeka I took during the recent small flash workshop, she is not looking into the camera, but straight into the light. I love the way the light plays on her face in combination with the shadow on her cheekbone.

Now is there a right or wrong?
Well I don’t know, I know what I like, or what my model likes.
In most cases I will however follow a few simple rules or guide lines.

  1. Catchlights
    If possible I always want the catchlights in the models eyes
  2. Center the eyes
    Make sure the eyes are centered, unless of course you want to go for that “walking dead” look with loads of eye white
  3. Make the story
    Often I will try to tell a story with my photography (even with “simple” portraits”) when a model looks straight into the camera this of course tells a story, but when he/she looks away this can often bring just a bit more of tension in a shot.

As you can see I do follow some rules, but in essence I can throw them all overboard when I think something else fits the story better, so if you are still following all the rules…. try to just “relax” and go for that special look, the look that feels awesome and when it breaks some rules… well… maybe it was time for it 😀

Poeka May 28  2016 0627

Poeka May 28  2016 0032

Adding some spice with masks

One of the things I love to do is play with masks.
You could make the joke that it saves on retouching, or it even makes an ugly model look great, but (although all true) in essence for me it’s also the fact that you don’t see any facial expressions, so believe it or not it’s actually MUCH harder to pull off a good shot.

As human beings we are triggered by expressions, emotions (like laughing, smiling, being sad etc) and when you take these away the whole shot can become very “static”, and this is what you actually do with a mask. Now it’s up to YOU to create something interesting.

This weekend was the first time Iris was our model for a workshop, I did a testshoot with her of course but this was her first real “in front of the camera during a workshop” day. I always leave a lot of freedom to the models to think of something cool during the workshops, Iris and Liselotte came up with the following idea… and I loved it.

We often visit flea-markets (for our comics addiction and) to buy some cool stuff for our photoshoots, flea-markets and secondhand stores are actually goldmines for photographers and stylists, often you can get great deals on awesome props. When they are selling gas masks I’m always interested, somehow I just love the story they tell but also the look they give a model, you can combine them with dresses (in this case an awesome Sinister dress) but also with nudes (if you shoot them) and …. well it’s the kind of accessory that CAN work always, but it can also completely destroy a shot, so be careful and think about what you’re doing.

Lighting wise I used one simple lightbulb, no reflectors, no strobes, just a 100W bare bulb.
Here are some of the results.
Also see the difference the BW conversion makes, I always have difficulty choosing so I included both 😀

 

Want more in-depth tips and techniques?
Check out my book “Mastering the model shoot” or get one of my instructional videos via Direct video downloads

Iris May 10  2016 1912 1

Iris May 10  2016 1912

Iris May 10  2016 1932 1

Iris May 10  2016 1932

Iris May 10  2016 1958

Iris May 10  2016 2231 1

Iris May 10  2016 2231

 

TIP on backgrounds

When I started out with model photography I used a lot of seamless backgrounds, and I think most of you do.
However the more I shot the more I grew bored with these backgrounds and I started using the studio walls and more and more and I was drawn to location work. Of course it’s not possible to work on great locations all the time, and let’s be realistic…. the background does have to have something interesting, being it structure, rawness (is that a word?), edginess (love that word, I always use it when I don’t know something else) and…. well you get the general idea, walls can be cool if they are cool.

At one point it dawned to me that if I couldn’t go to locations all the time why not get the locations in our studio, if you go through my portfolio you can actually see that a lot of my work is using models pretty much straight up or in front of walls. In our studio we actually painted all the walls in different themes and looks going from nice and dark to totally distressed with wallpaper hanging down and broken plaster. Sometimes people will actually comment on these walls and ask me when I’m gonna do some fixing up… until I tell them that those are sets and their response is “oh cool, I need that”… actually at that time I already earned my money for the workshop because in my opinion the biggest problem a lot of photographers struggle with is “seeing possibilities”. So if you see an old broken down wall don’t see it as something that has to go but see it as an photo oppertunity.

Our studio is pretty big and there is no wall in the studio that we can’t use as a backdrop, I always am stunned when I visit studios that are HUGE but have all the same color walls, it just doesn’t make sense for me, of course a shooting area for cars has to be one color, but there are also so many other walls, areas etc. that you can use and that are often left untouched, for me the studio is a working space and not an office (heck even my office has different themes, I hate plain walls I guess).

So what if you can’t do your walls like we can?
In essence all walls can be covered with wallpaper right?
So find some interesting wall paper like for example this :
Roosmarijn Maart 29 2016 0331

Roosmarijn Maart 29 2016 0340If you are not allowed to do this on the walls, make “small” (2.50×2.50 mtrs) panels and cover them.
But you can also paint those panels, in this case one of our interns did a tremendous job I think, and as you can see it REALLY spices things up, the image in front of it is already cool but the walls…. well they complete it, and it really also helps to enhance the styling.

Nadine Professional Imaging - 16  March 12, 2016

Indeed all the structure and blues you see is in the wall, we used a little bit of smoke to spice the set up, but the wall in combination with nadine her awesome styling makes the image complete.

But a lot more can be done.
Here are some examples of our walls in action 😀

Bertrie en Mauries Februari 3 2016 0583 1

Roosmarijn Maart 29 2016 0347 1

Nadine Februari 6 2016 31200

Nadine Februari 27 2016 0020

Now if you don’t have the options for panels, or wallpaper or…. there is always another option.
Lastolite is a brand you probably know right?
They have some amazing foldable backgrounds with great prints, and the fun thing is… they don’t take up any space and they look great in a photoshoot. I always have some with me when I teach on location (just in case).

Here are some samples from the Lastolites.


Nadine April 3 2016 1430

Poeka bij FotoKlein December 19 2015 0010

Poeka bij FotoKlein December 19 2015 0042

Now if you think these are too expensive (man you are hard to convince :D)
You can always use a backdrop system and mount some plastic to it and play with that.

Nadine open dag November 28 2015 30556

Nadine open dag November 28 2015 30526

Or use some curtains

Nadine open dag November 28 2015 30488

So the next time you grab your seamless…. try to do something more creative and start using the walls, areas of your studio etc.
OR….. well you also use seamless of course.

Karina Feb 13 2016 Phase One workshop NY 0064

 

Karina Feb 13 2016 Phase One workshop NY 0067If you want more in depth tips and tricks check out my book “Mastering the model shoot” it’s not just on models but also has extensive parts on styling, your studio etc.
Also check out my instructional videos via this website (see the left menu), and check out my videos on KelbyOne where you can also find one on building your own studio.

Interview with Joel Grimes

We travel a lot to teach on trade shows and of course our own workshops and one of the most exciting things for me is meeting up with other photographers and pick their brains about what drives them, pushed them forwards in their careers and their visions on our trade.

After professional imaging (the largest Dutch tradeshow) we invited Joel Grimes over to our studio to show him our area and of course squeeze in an interview for our videowebpodcast “Quite Frankly”, today you can see the video via our blog. Joel and me talked about a lot of topics ranging from working with handicaps to inspiring other people and of course the “perfect” lightsetup.

Enjoy.
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