Tag Archive for: creativity

TIP on backgrounds

When I started out with model photography I used a lot of seamless backgrounds, and I think most of you do.
However the more I shot the more I grew bored with these backgrounds and I started using the studio walls and more and more and I was drawn to location work. Of course it’s not possible to work on great locations all the time, and let’s be realistic…. the background does have to have something interesting, being it structure, rawness (is that a word?), edginess (love that word, I always use it when I don’t know something else) and…. well you get the general idea, walls can be cool if they are cool.

At one point it dawned to me that if I couldn’t go to locations all the time why not get the locations in our studio, if you go through my portfolio you can actually see that a lot of my work is using models pretty much straight up or in front of walls. In our studio we actually painted all the walls in different themes and looks going from nice and dark to totally distressed with wallpaper hanging down and broken plaster. Sometimes people will actually comment on these walls and ask me when I’m gonna do some fixing up… until I tell them that those are sets and their response is “oh cool, I need that”… actually at that time I already earned my money for the workshop because in my opinion the biggest problem a lot of photographers struggle with is “seeing possibilities”. So if you see an old broken down wall don’t see it as something that has to go but see it as an photo oppertunity.

Our studio is pretty big and there is no wall in the studio that we can’t use as a backdrop, I always am stunned when I visit studios that are HUGE but have all the same color walls, it just doesn’t make sense for me, of course a shooting area for cars has to be one color, but there are also so many other walls, areas etc. that you can use and that are often left untouched, for me the studio is a working space and not an office (heck even my office has different themes, I hate plain walls I guess).

So what if you can’t do your walls like we can?
In essence all walls can be covered with wallpaper right?
So find some interesting wall paper like for example this :
Roosmarijn Maart 29 2016 0331

Roosmarijn Maart 29 2016 0340If you are not allowed to do this on the walls, make “small” (2.50×2.50 mtrs) panels and cover them.
But you can also paint those panels, in this case one of our interns did a tremendous job I think, and as you can see it REALLY spices things up, the image in front of it is already cool but the walls…. well they complete it, and it really also helps to enhance the styling.

Nadine Professional Imaging - 16  March 12, 2016

Indeed all the structure and blues you see is in the wall, we used a little bit of smoke to spice the set up, but the wall in combination with nadine her awesome styling makes the image complete.

But a lot more can be done.
Here are some examples of our walls in action 😀

Bertrie en Mauries Februari 3 2016 0583 1

Roosmarijn Maart 29 2016 0347 1

Nadine Februari 6 2016 31200

Nadine Februari 27 2016 0020

Now if you don’t have the options for panels, or wallpaper or…. there is always another option.
Lastolite is a brand you probably know right?
They have some amazing foldable backgrounds with great prints, and the fun thing is… they don’t take up any space and they look great in a photoshoot. I always have some with me when I teach on location (just in case).

Here are some samples from the Lastolites.


Nadine April 3 2016 1430

Poeka bij FotoKlein December 19 2015 0010

Poeka bij FotoKlein December 19 2015 0042

Now if you think these are too expensive (man you are hard to convince :D)
You can always use a backdrop system and mount some plastic to it and play with that.

Nadine open dag November 28 2015 30556

Nadine open dag November 28 2015 30526

Or use some curtains

Nadine open dag November 28 2015 30488

So the next time you grab your seamless…. try to do something more creative and start using the walls, areas of your studio etc.
OR….. well you also use seamless of course.

Karina Feb 13 2016 Phase One workshop NY 0064

 

Karina Feb 13 2016 Phase One workshop NY 0067If you want more in depth tips and tricks check out my book “Mastering the model shoot” it’s not just on models but also has extensive parts on styling, your studio etc.
Also check out my instructional videos via this website (see the left menu), and check out my videos on KelbyOne where you can also find one on building your own studio.

Props are not always expensive

Sometimes people think that props should always be expensive, but in essence it is often way more fun (and more interesting) to shoot with cheaper props, like in this serie with Nadine where I used an old window, and indeed NEVER let your intern wash the windows… one of them once offered me to wash them “because they were so dirty”, the look she got from me….. well let me put it this way she didn’t offer it again 😀

 

A bit dirt and grid really makes the shot for me.
In these shots we also sprayed some water on the windows for a added effect.

Nadine Januari 2 2016 0498

Nadine Januari 2 2016 0500

Nadine Januari 2 2016 0519

 

Sharon in a small space

One of the workshops I teach is actually called “Small spaces”
Loads of photographers “complain” about their studio being too small, and of course this is possible, but in my opinion there is always an interesting shot to get.

 

You might not be able to make a model jump (although that could be funny, and painful) but there is always a option. So this workshop is all about working in tight spaces and this means smaller modifiers (often just a beauty dish) with grids to make sure the light hits only the places you want it to, and of course we have to adjust the models poses a bit.
Remember also that tight/small spaces can actually be incredibly cool if you let your model pose with them, for example lean in between two walls, make her look “locked up” etc. when you come to think about it shooting in small spaces can be much more interesting than shooting in wide open spaces 😀

 

Today some images from this workshop with Sharon.

Sharon Januari 8 2016 30877

Sharon Januari 8 2016 30880

Sharon Januari 8 2016 30890

Sharon Januari 8 2016 30907

Sharon Januari 8 2016 30912

As you can see sometimes you have to think outside the box… but in the case of small spaces it can help to think inside the box 😀

 

If you like these kind of tips make sure to check out my book “Mastering the model shoot” or get one of the instructional videos from this website.

About input and working together

Today some more images with the light snake like we discussed in the previous blogpost.

 

This time we have added a small set and did a bit more with the styling of the model.
These images were shot during a workshop about smoke and props, in this workshop we show the attendees on how to control smoke, and believe it or not it’s almost a science, but also on how to work with very simple and budget friendly props to create something cool.

 

One of things I always try to teach is that you’re much stronger if you’re listing to your team or anyone in the room. There is a saying “you’re as strong as the weakest link” and that might be so for certain areas but I strongly believe that if you combine everything together even the weakest link adds to the total amount.

 

What I see a lot on sets is that the photographer takes control…(read this with a low voice) it’s HIS set and everyone should listen, if someone has input HE will determine if it’s right…. (switch back to normal voice) now that might work for some people, or at least they think, in reality they are missing out a lot.

 

During workshops and shoots I always listen to everyone, I want all the input I can get, some ideas I will not investigate further because I simply know they are not fitting the shot I want/need but most of the time you will find that if you create the atmosphere in which people DARE to have input your session will FLY and your creativity will blossom.

 

In this set I just started simple and together with the students we started to think about what we could do with the light-snake, and see what happened.

Poeka Januari 9 2016 31007

Poeka Januari 9 2016 31017

Poeka Januari 9 2016 31027

as you can see it’s just a very simple change of the light snake and it actually changes the whole shot, the light snake goes from a position in the back where you could actually ask “why” to a major role into the shot. Now this was shot during a workshop so my time is always limited to shoot but imaging going further with this and connecting the back part for example to the mask….. just thinking out loud 😀

 

So next time you shoot, make sure to listen to your team and value their input, they REALLY can make you better, often people compliment me with the diversity of my portfolio, and I always honestly tell them that it’s because I always work with very creative people and value their input, this way you can always improve and change, even if you work with a steady team there is always a new element like an internet, an attendee or even just a simple visitor that can add to your shots..

 

Good luck.

 

If you like tips like this and want even more check out my book “Mastering the model shoot” or get one of our instructional videos from this site.