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Tag Archive for: business

The behind the scenes story

6-07-2025/in blog, Visions and technique/by Frank Doorhof

Concert photography, don’t forget the behind-the-scenes

Often forgotten, but often most appreciated

In the previous blog post, I already talked about the techniques, gear, and shared photos from the concert. But today I want to talk about something else. Behind-the-scenes shots.

 

Photography is storytelling

As photographers, we are, of course ,storytellers.
From the Stone Age up till now the main reason we shoot photos, paint, draw, create music, etc. is to tell stories, process our emotions etc.
Well, ok, I also don’t know where some photos fit, but overall I think it’s pretty accurate.

In essence, “we capture unique moments in time that never come back again.”

When I shoot a concert/event, I always love to shoot some extra behind-the-scenes images.
Also, during the recent concert in the Duif with Wibi Soerjadi I shot some behind-the-scenes images I wanted to share today.

behind the scenes concert photography behind the scenes concert photography

Why shoot behind-the-scenes shots?

 

Of course, I still try to do my best to get interesting shots, lighting, etc.
Behind-the-scenes doesn’t mean “just spray and pray”. You can get some really nice results by just taking some extra care of lighting, angles, etc.
During the TV interview, I used the light from the camera in combination with the K&F concept black diffusion filter for a very nice soft glow in the image. Using a lower angle, I got some nice contrast in Wibi’s face, and it made the storytelling part more interesting.

But also capture that quick moment where his stylist quickly adjusts some final details.
How many of those images do you think he gets?
And how handy would it be to have an artist’s stylist as your fan for the great images you always give him/her.

Behind-the-scenes, concert photography

As photographers, we often don’t have a lot of images where you can see us at work.
So when I saw that Edwin Smulders was taking some images of Wibi for the magazines he works for, I thought it would be fun to shoot some images of Edwin at work.

Behind-the-scenes images are great for you as a record of the events.
And behind-the-scenes shots are great for the artist. It’s a registration of details they don’t always get or think about.
Don’t forget, behind-the-scenes images are also great to build networks and friends. Often, the people behind the scenes work very hard and love the images. So, they are always much more open to let you do your work. Or even get you access you would normally never get, even if your event photos are top notch.

I can’t stress enough the importance of some behind-the-scenes images.
So the next time you shoot an event, or even a family, in your studio. Think about the behind-the-scenes or fun shots.
It happened more than once that my client prefers the fun shots I took during a shoot compared to the more posed (read slightly uncomfortable) shots.

 

https://frankdoorhof.com/web/wp-content/uploads/2025/07/Wibi-Concert-De-Duif-573-June-27-2025.jpg 800 1200 Frank Doorhof https://frankdoorhof.com/web/wp-content/uploads/2015/03/studioFD_Logo-1FV.png Frank Doorhof2025-07-06 18:00:492025-07-19 15:22:38The behind the scenes story

One of the best tips ever

9-05-2025/in blog/by Frank Doorhof

And also one of the most simple ones

And the moment I tell you, you probably go like “yes of course….. but I sometimes forget indeed”
Today I’m sharing one of the best tips, and it’s mostly about keeping your customers, or getting more.

Over the years I’ve done a lot of sessions, assignments and events, and if I learned one thing it’s that you always have to be prepared for everything and also take into account that people change (a lot and always). So what do I mean with this?

In most cases when you are hired there is a certain plan.
This can be for example “shoot a model screaming with a Tommy gun shot from a slightly lower angle”
And of course an image like this is exactly what the client asked.

When working very focussed it often means you are totally locked in to the image your client describes.
And when you get it and the client goes like “WOW LOVE THIS” it’s so easy to call it a day and write your invoice. but…..

But what if a few days later he/she realizes that a screaming model with a gun might be a bit too aggressive or simply not exactly the vibe fitting the campaign.
Of course you can rehire the photographer, model, build the same set and do it again. But you can easily prevent this but being pro-active in your session. And sometimes that means going against your client, who is happy with the shot and would prefer to just pack up and go home. For me it sometimes means that I just tell the client that whatever I do now is free of charge.

For example when the client orders a series on a white background I also always add some images against black and a few where I show the product with some props, smoke etc.

In most cases the client still uses the images he/she ordered, but we always get a very positive response and in a lot of cases they are using the other images also in another context and we hear a lot from customers they hire us back because we are always delivering the assignment but also some extra options. Plus often the client is so focussed on that look they don’t even know how it would look with another color, or for example within a set. This is one of the problems we all know… being to focussed and missing the bigger picture.

So back to our screaming model.
It’s of course very easy during the shoot to also shoot some images where the model doesn’t scream, or maybe even has a totally different pose, or shoot it from a lower/higher angle.

And this doesn’t just go for expressions, sets etc.
Also think about the layout.
Personally I love shooting in landscape mode. The negative space (I would love to call it positive space) gives your model so much more room to draw the viewer in and for you as photographer to play with composition. But often a client “demands” a portrait setting. Also in this case shoot some images in landscape because they might not use it for this campaign but it could be used for something else, and again if your client can use your images more than he/she expected the chance you get hired back grows.

When I started with photography for clients one of my first assignments was for a clothing brand and the assignment was very clear. Written down with all the specs.
And we did exactly that and the client was happy. But a few weeks later I got the question “We want a nice billboard in the shopping centre, can you crop one of your images so it fits”
And…. that was not possible for the image they wanted. Now a days it would probably be possible with generative fill but at that time it was just a no-go, also because it was shot on a 10MP camera so cropping too much would not make it good enough for a billboard in a shopping mall. End result, they hired a local photographer to do that one shot… and I never heard back.

If I would have shot a few images against their plans I would have probably kept the client.
Fast forward to a few days ago.
I was asked to shoot a team photo in front an office for an official letter, in this case it has to be landscape for the simple reason otherwise it would not look nice in a letter. But I also shot one set in portrait mode, because this was due a corporation between two companies the landscape image is great for the official letter, but the portrait mode can be used on the website where it’s easier to incorporate and when the session was done I asked them for one more shot. sitting on the ground and have everyone looking down at the camera. Totally not fitting the official photo, but I am pretty sure that that last shot will be one of their favorite for more casual use.

So even when a client has a 100% vision and urges you to not shoot anything else because this is it. Always try to shoot some extra material, and if the client is up for it just show what you can do more and I promise you, you will get more clients and keep them longer.

 

https://frankdoorhof.com/web/wp-content/uploads/2025/03/Linda-Koster-15-March-08-2025-Edit.jpg 1365 2048 Frank Doorhof https://frankdoorhof.com/web/wp-content/uploads/2015/03/studioFD_Logo-1FV.png Frank Doorhof2025-05-09 18:00:102025-04-29 11:39:48One of the best tips ever

How I approach a business shoot

12-11-2024/in blog, Visions and technique/by Frank Doorhof

Dentists “kruispunt”

Most of the work I post is from our workshops model photography or street/travel photography.
But we do a lot more of course, including business shoots.

Today I want to share some tips on how I approach our clients and why we score the shoots.

The first thing I always do is know my client.
When a client approaches us I always try to find out what kind of company they are, how do they work together, what is the team like and of course what do they want to have as an imago. One of the questions I try to avoid is “what do you look for?”

In most cases this is why you/we are hired, to create something where the client will recognise themselves in.

In our first conversation I often already have some ideas I bounce off to the client, and during that conversation you will find out that the client will open up a lot more and share much more information when you pay attention than you would ever get by just asking “what do you want?”. In this case it was immediately clear this is a very modern practice with people that love to work together and is a real team.

Before the “real shoot” I always try to visit the location to look around and see if we need extra lighting or other gear, and if somethings need to be moved or removed. This is a vital part of a successful business shoot because although your client might be comfortable in front of your camera, often the people working there have other opinions when a stranger just points a camera in their faces. So that first visit before the shoot is vital to get to know the people, joke around a bit and make yourself known, this will not only speed up the real shoot but also give you a huge headstart because now everyone knows what’s going to happen, and if you make it fun they will mirror this.

Standard, or not

This client was the kind  I love the most, they didn’t want to use any stock photography. Every shot had to be unique for their practice and the people that work there. But they also wanted unique images for their service/pages fitting the subject. So I started with shooting some close ups of the tools and rooms, and most shoots will probably stop there because that would be exactly what they needed. But if you really want your clients to come back you have to deliver much more. And in this case I knew they were very involved with patients that were afraid of the dentist.

“When we have a patient that is afraid, we always ask our receptionist to hold her/his hand, this really calms them down”

So I knew that one of the images for the page about fear, would have to show this.

But we also wanted some images that were a bit more tongue in cheek and different.
So for one image I decided to put away my fear and sit in the chair with a 12mm wide angle.

But we didn’t stop there.
They also work a lot with kids so we decided we needed some images that showed the dentist as a fun person and is nothing to be afraid off.
The actually used a puppet to show how to brush your teeth and of course this was the perfect prop. The only problem was that it’s a slightly older puppet and the teeth were all yellow, but although I’m not a dentist this was something I could easily fix in Photoshop.

By using the wide angle I got the effect I wanted.

And for the page prosthetics I could not resist to also make a funny looking shot.

Do remember that the images in this blog are the more funny, extreme ones.
For me during a business shoot I always try to shoot as much “stock like” images as possible from different angles and depth of field settings. You never know what works best in the design of a website, so also experiment with the angle and flow of your images. By giving your client different angles and directions in your images you never have to say to your client “sorry we did not shoot that”.

But besides these “stock” photos I always feel it’s important to capture the essence of the brand/company/client. And this is were you start to use the information you gathered about the company.

In this case I knew they were dynamic and modern and in for some fun. So this is why at the end of the session we did one more shot.
This one will probably not end up on the website but it can function as an awesome sociale media headshot 😀

During a business shoot I shoot a lot of images that are usable for websites and show tools and rooms, but to get the ones that really capture the essence of a business/client you have to know them. So always take your time and don’t do the shoot as a photographer but as a friend, it will hugely impact your business.

For business shoots and much more visit www.studiofd.nl

https://frankdoorhof.com/web/wp-content/uploads/2024/10/Tandartsen-TPK-65-October-08-2024-Edit.jpg 837 1200 Frank Doorhof https://frankdoorhof.com/web/wp-content/uploads/2015/03/studioFD_Logo-1FV.png Frank Doorhof2024-11-12 18:00:412024-11-06 18:10:53How I approach a business shoot

Ultimate weekend Emmeloord Feb 26/27th

21-01-2016/in blog, News etc/by Frank Doorhof

It’s almost time for the new Ultimate weekend workshop again….
This is without a doubt the most intense workshop I teach, 2 jam packed day filled with information on model photography.. I literally teach you everything I know about working with models, lighting, retouching, workflow, social media, business etc. plus we have an amazing diner at night with the whole group in a local restaurant.

 

At the moment we have 3 seats left so if you want to learn everything you always wanted to know about model photography…. read this.

 

Ultimate weekend day 2 2401

“Put the magic in your lighting” 

This is without any doubt one of my most popular and most intense workshops…
The ultimate workshop weekend in our studio in Emmeloord
(the Netherlands)
Language for this workshop will be ENGLISH

 

Join us in our studio in Emmeloord for a very intense workshop weekend in which you will get all the answers you always wanted about model photography, business, retouching, workflow etc. In 2 full days (and evening) we go through every part of a successful photoshoot.
Styling will be in cooperation with Nadine Stephan and Sinister.

 

This whole weekend is 100% flexible in topics, styling, storytelling etc.
Each day we start with a Q&A which will be the base on which I build the rest of the day. This means that every attendee will learn exactly what he/she wants and there will be no questions left unanswered. This is a unique style of teaching that has proven to be incredibly successful for the attendees and a challenge for me as an instructor 😀

 

Day 1:
Full studio day from 10:00-21:00

Topics will cover at least :
Metering, workflow, color management, coaching the model, building a complete set and styling it, vintage portraiture, glamour photography, high-end fashion, styling ideas, working with clients, adding movement, using smoke, adding gels, going from ok to WOW and much much more.

 

Evening 1:
A nice diner and chats about everything (and photography)
Hang with our team during a nice diner and after this we continue in the studio with a retouching workshop.

 

Day 2:
The location day from 10:00-17:00
Working on location has a whole different range of challenges and we will discuss them during this day.
We start again with a Q&A after which we use different locations near our studio ranging from edgy to nature. We will be using flash, natural light, reflectors etc. In the studio we will mimic locations with constant lighting and alternative light sources will be used and discussed. 

 

Day 2 afternoon:
Retouching part
Learn how to control your workflow, retouch techniques for Photoshop, Lightroom, Capture One, DxO and the use of plugins.
Business tips

 

 

 

Register now for just 699.00 (euro)

This includes the diner, lunches etc.
No hotel and flights are covered, but we will offer a good location close to our studio and transport to and from the hotel to our studio.
Group size is very limited and the language of the workshop will be English.

This is the most complete workshop you will find anywhere.

 




Some samples from previous workshops, this is the kind of material you will be shooting too…..

Manon 46 - November 22 2014_DxO editSharon Jan 24 2015 27584Anna Matthea February 14 2015 0452Chantal November 21 2014 0168Manon 101 - November 22 2014_DxO-retouchManon 119 - November 22 2014-EditManon 134 - November 22 2014_DxO retouchSharon Mei 31 2014 (83 of 101)-EditLenaa Januari 25 2014 B (4 of 4)
https://frankdoorhof.com/web/wp-content/uploads/2015/10/KelbyOne-Day-1-Chapter-10-take-1-GO29244-R.jpg 1047 1250 Frank Doorhof https://frankdoorhof.com/web/wp-content/uploads/2015/03/studioFD_Logo-1FV.png Frank Doorhof2016-01-21 06:00:262016-01-14 11:22:34Ultimate weekend Emmeloord Feb 26/27th
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