Tag Archive for: Backstage

Same set different looks and messages

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It’s very important

as a photographer to be able to get images that are fitting the client y0ur shooting for.
This can be a product, a model, musician, landscape, building etc.

One of the coolest things about photography is that besides just taking a picture we can do so much more.
I remember Peter Hurley telling me that a good headshot photographer will determine if someone walks the red carpet or ends up at at fast food chain, and in all honesty, he is right for a great part.

When we hired personal we always looked at the photos.
When our son Brian wanted to get a job I had to drag him into the studio to create a cool shot with some lens flare, low angle, arms crossed, rolled up sleeves etc.
He got the job right away.
The trick is very simple.
People get a lot of applications and some will jump out and some not, and no body wants to spend too much time for a lower position so having a photo that really jumps out and showed he was tall, ready to work. And by adding the red color I knew for sure the image would jump out.

Now this is not something I would shoot for a manager wanting to get a job in the higher management sector.

In other words

Always dive into what you shoot

For me it’s always a challenge to get images that are 100% the “soul” of a company, the “character” of a person or the “mood” my client wants for a product.
Photography for me is only a small part of an assignement, talking and of course getting people at ease is a vital part.

During the workshops I always try to experiment with different lighting setups, props etc. But I also give a lot of attention to topics that are important to get the mood your client wants. And because I love using my own guitars in workshops sometimes I thought it was a great exercise to see what you can do with the same setup, same lighting, same model etc.

Of course we have some limitations.
First off all it’s all the same setup and model. But still I think you will be able to get a different vibe with these shots.
Some are aimed at more rock, some are more metal and maybe you spot the nu metal and progressive version.
The only thing that was changed is the pose of the model, the angle under which I shoot and of course the length of the lens. A wide angle will render a scene completely different than a longer lens that will compress the scene.

In the retouching I did try to keep the looks pretty similar, with small changes (except for one).
It’s a fun exercise and something you can easily try yourself.

Here are my versions.

 

The highlight of the year, the Wibi Soerjadi concert 2024

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Live photography has its challenges, but I love it

Every year has its ups and downs. But for us both as a family and as photographers there is one highlight that stands out.
The Christmas concert in Het Koninklijk Concertgebouw Amsterdam with Wibi Soerjadi. The Wibi Soerjadi concert in 2024 was his 30th anniversary.

Wibi and I met many years ago without any connection to photography. Still, we talked about it, and before I knew it, I was shooting my first real international celebrity. I can already tell you I was incredibly nervous, but Wibi was absolutely nothing like I imagined. He was very creative and knew what he wanted, but he was 100% open to the photographer’s opinion.

 

Wibi Soerjadi Concert, 30th anniversary

At the end of the year just after Christmas Wibi ends the year with an always sold-out concert in one of the best-sounding concert halls in the Netherlands, Het Koninklijk Concertgebouw Amsterdam. When he asked me to shoot some images I started from the balcony with a long lens. I was sitting in the family part so we had a great view. But the images… well were basic. So we started talking about how we could get something more interesting. The problem is that with most concerts and especially classical concerts, it’s not allowed to shoot for a longer period. And of course, I also had to abide by that rule. So the next year I did get some better images but at that point, I think also Wibi started to have fun with the whole shooting of the Christmas concert so we started to joke around how to make it even better.

Wibi Soerjadi Concert 2024

Wibi after the awesome Queen transcription at the 2011 concert

Better locations and more spectacular every year

I said “Well maybe when I lie under the piano” to which he replied (If I remember correctly) “Yeah, we’re going to do that”.
Well, in all honesty, I’m a pretty shy guy, and that idea I did not want to execute, but at that point, we did decide to take it one step further—shoot from the stage.

I was incredibly nervous, first of all with this chance but also with all the challenges you get when shooting under those conditions. But it went great… but we wanted more.

Over the years, the Christmas concert grew into something that overshadowed everything I ever saw from a solo artist.
I think it’s a shame he never played with the Concertgebouw Orchestra, I think they would sell out for a long period.

Last year’s concert

Last year I shot some of my best live work ever. But this year Wibi decided to up the ante and really push the limits (wait till next year).
The problem with a lot of different lighting setups is that I have to choose my spots very carefully.
Although I’m an all-access area photographer and am allowed to shoot from every location during the show I still have my responsibility to the visitors who paid for the tickets and don’t want to be disturbed.

Wibi Soerjadi Christmas Concert 2024

For me, this meant this year I started on the podium at approximately 1-2 meters away from Wibi.
Right after the break I ran to the balcony and shot the second part of the concert from there for more oversight shots. The lighting on the stage is totally different from the other side. After the last notes, I had to run through the building to end up right in front of the stage for the final encores. This is one of my favorite locations to shoot due to the extreme angle which gives it almost a rock concert look. It’s not a series you can use for everything but it does complete the concert for me.

The gear

Today I show you a very small selection of the images I shot.
Thanks to the dynamic range of the modern cameras (A7RV) and low noise (or Topaz/Lightroom Denoise) the quality of the full resolutions are absolutely breath taking.

For the wide angles, I used the A7rIII with a Sigma 12-24
For the other shots the Sony A7RV with the Sony 24-70 F2.8

I hope for the end of the year you have some time to enjoy the images.
And for 2025 we wish you all the best and hope that 2025 will be a much better year than 2024.

CLICK ON THE IMAGES TO START THE GALLERY
And see them in the correct aspect ratio

last year I also made a short BTS video

Working with a scenic backdrop tutorial video

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A warm scenic backdrop

It is a great start, but you can do much more with that backdrop than just use it as is.
In the previous blog post, we discussed creating depth in a scenic backdrop and I showed you some examples.
Today the video we shot during the workshop with Felisa where I explained the lighting setup and of course, how we build the set.

If you have any questions feel free to reach out, or leave comments.

 

Check the Scenic Backdrop Tutorial below

Using the foreground to add dimension to your images

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Sometimes we need something extra

We all know that when we want to show scale it’s handy to include something to show the scale.
In the case of a mountain we can of course place some people in front but today we are doing something else.

During the workshop “on location in Emmeloord” the challenge is to find locations that look not so interesting but still create some cool images.
If you ever visited our studio you know there always was an old building just in front of our studio, it didn’t look nice but it had some great walls to shoot against 😀 one of them actually made it into my signature ClickBackDrop backgrounds.

Recently they demolished the building and we ended up with a large empty building area.
Of course a great option for this workshop.

The lighting setup was pretty simple, one Geekoto with a large reflector shooting on manual mode.
During the workshops we have to shoot with so called universal triggers due to the different camera brands that are used during a workshop, this means we can’t use extra options like HSS and ETTL.  

The setup itself was ok.

But I wanted something more. Something to give the image more dimension and framing.
Because I’m shooting from a very low angel I decided to include a few of the flowers in the frame.

This already made a huge impact.
But because Nadine is pregnant we also needed a slightly different pose, and I slightly tilted the camera for a nice effect and include the sun.

I also shot on extra image from a slightly higher angle to experiment with.
I ended up with a darker look which to my surprise became the favourite image for Nadine 😀
So always shoot something different, you never know what hits the spot.

Now that we talked about the setups and the framing of the shot, let’s take a look at the video from this setup.

Also want to visit a workshop?

Today I showed you one of the  different sets we did during the workshop outside with Geekoto strobes “on location in Emmeloord” with Nadine.
During the workshops I always try to use 3-4 different setups explaining different techniques and of course it’s a great way to get a good addition to your portfolio.

If you think “that’s for me”
Than visit photography-workshops.eu for the Dutch workshops.
But if you are not living in the Netherlands or don’t speak Dutch we also have other options.
If you let is know 2 weeks in advance I can teach the workshop you want to visit in English.
Or if you can’t travel to our studio we also now offer the option to get a full 1:1 experience with 5 different camera angles, lightroom/Photoshop view and a talkback channel, you also get all the raw files and retouched results from the workshop. Visit our online workshops page for more info.