Tag Archive for: Sony

Digital classroom from this week

Today (May 6th) is my birthday and what is better than to start the day with some gifts.

 

  1. Great MacPhun offer
    on my site on www.frankdoorhof.com/macphun you can buy the complete suite for a big discount.
  2. 25% off on all my instructional videos
    It doesn’t matter if you use our shop or the direct video download page… use the coupon code “super” and get a stunning 25% off

 

And we share the newest digital classroom with you guys, this was broadcast live on May 4th.
I love doing these and thanks to Rogue/Expo imaging and BenQ it’s also possible.
So enjoy the day and the digital classroom 😀
And by the way we REALLY appreciate it if you subscribe to our YouTube channel (see the button on the side of this site).

Sony releases new A6300 camera

Today Sony released information on the new A6300 (E-mount).
A very interesting camera for people who still need to change lenses but also want a really small form factor without sacrificing quality, the 6000 was already a really cool camera and Sony has improved it with the new soon to be released 6300.
The new A6300 has the following specs:

  • 24.2MP APS-C Exmor CMOS Sensor
  • BIONZ X Image Processor
  • XGA Tru-Finder 2.36m-Dot OLED EVF
  • 3.0″ 921.6k-Dot Tilting LCD Monitor
  • Internal UHD 4K30 & 1080p120 Recording
  • S-Log3 Gamma and Display Assist Function
  • Built-In Wi-Fi with NFC
  • 4D FOCUS with 425 Phase-Detect Points
  • Up to 11 fps Shooting and ISO 51200
  • Weather-Sealed Magnesium Alloy Body

 

preorder the camera via this link and also support our work.


The Press release. 

NEW YORK, Feb. 3, 2016 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced the latest addition to their award winning lineup of mirrorless cameras, the α6300 model.

The camera boasts an unrivaled 4D FOCUS™ system that can lock focus on a subject in as little as 0.05 seconds, the world’s fastest AF acquisition time1. Additionally, the α6300 has an incredible 425 phase detection AF points that are densely positioned over the entire image area – the world’s highest number of AF points on any interchangeable lens camera2, and can shoot images at up to 11 frames per second with continuous autofocus and exposure tracking

The impressive new mirrorless model also has the ability to support full live-view continuous shooting on the Tru-finder or LCD screen at up to 8 frames per second, ultimately producing a real-time shooting experience that combines all the benefits of an electronic viewfinder with the immediacy of a through-the-lens optical viewfinder.


The versatile α6300 is equipped with a newly developed 24.2 MP (approx.. effective) APS-C sized Exmor CMOS sensor that works together with a BIONZ X image processing engine to produce outstanding image quality throughout the entire ISO sensitivity range ISO 100 – 51200 3. It can also shoot and record high resolution 4K video with full pixel readout and no pixel binning in the popular Super 35mm format.


“The α6300 is yet another example of the dominant innovation that Sony continues to bring to the industry, especially from the mirrorless space,” said Neal Manowitz, Vice President of Digital Imaging at Sony Electronics. “With this new model, we’ve combined the world’s fastest and most extensive AF system with a superb image sensor and many of our most advanced imaging and video technologies, creating a package that can far exceed the performance of any DSLR in its class. This camera connects you with the action like never before.”

Unrivaled AF Performance


Sony’s new α6300 camera builds upon the acclaimed 4D FOCUS performance of the α6000 model, utilizing a Fast Hybrid AF system that combines high-speed phase detection AF with extremely accurate contrast AF and allows it to capture and lock on to moving subjects in as little as 0.05 seconds1. The camera’s High-density Tracking AF technology positions 425 phase detection AF points over nearly the entire field of view, allowing it to accurately focus throughout a wide area – even on small, fast objects that other cameras would fail to recognize.


In addition to the extensive AF coverage, the α6300 debuts a new High-density tracking AF technology that significantly improves subject detection and tracking performance. This new technology can quickly activate a large number of AF points surrounding a subject – approximately 7.5 times more density than the α6000 – and intelligently adjust them in accordance with the subject’s motion. This is a particularly powerful feature when used with high-speed 11 fps continuous shooting or the new 8 fps continuous live-view mode, which provides 100% accurate framing for fast moving subjects on the LCD screen or viewfinder.


Of note is the fact that the camera’s 425 phase detection AF points, enhanced tracking and focus accuracy are all available on the α6300 when using A-mount lenses4 with a mount adaptor like the Sony LA-EA3. This is a first for Sony E-mount interchangeable lens cameras with an APS-C sized sensor, as the only other cameras to feature this capability are the full-frame α7R II and α7 II models.
Other enhancements to the α6300 include silent shooting functionality the ability to use AF in focus magnifier mode, expanded flexible spot AF, Eye AF in AF-C mode and more.


Powerful 24.2 MP Exmor CMOS Sensor and BIONZ X Processor
In order to maximize efficiency and overall camera performance, the α6300 features a new 24.2 MP sensor that is an ideal match for its BIONZ X image processing engine.
The new image sensor employs copper wiring in its structure, which improves light collection efficiency and significantly accelerates readout speed. The BIONZ X processor features an upgraded image processing algorithm designed to maximize the sensor’s overall capabilities. Together, the two key components work together to produce images with low noise and exceptional resolution in sensitivity settings up to ISO512003, in particular in the mid-to-high sensitivity range.

Ultimate 4K Resolution and Other Professional Video Capabilities
In another first for non-full-frame Sony interchangeable lens camera, the new α6300 offers internal 4K movie recording in Super 35mm format. When shooting in 4K, the camera uses full pixel readout without pixel binning to collect 20 megapixels of information – approximately 2.4×5 (6K equivalent) as many pixels as 4K UHD and then oversamples the information to produce high quality footage with exceptional detail and depth.
The camera utilizes the XAVC S codec6 during video shooting, which records at a high bit rate of 100 Mbps7 during 4K recording and 50 Mbps during standard Full HD shooting, ensuring maximum detail and clarity in both video formats. Additionally, the camera will focus approximately twice as fast as its predecessor during movie shooting thanks to its new and improved AF system. AF speed and AF tracking sensitivity are also adjustable for expanded creativity.


Other professional caliber video features include the ability to record Full HD at 120 fps at 100 Mbps7, another first for α interchangeable lens cameras with APS-C sized sensors. This mode allows footage to be reviewed and eventually edited into 4x or 5x slow motion video files in Full HD8 (24p or 30p) resolution with AF tracking. The new α6300 also offers S-Log gamma recording9 for wide dynamic range shooting – approximately 14-stop latitude in S-Log3 gamma setting – and supports S-Gamut for a wider color space. Both options allow for greater creativity for processing video post-production.


Also included on the new camera is a microphone line input that accepts external microphones and also supports XLR input with Sony’s XLR adapter kit, as well as Gamma Display Assist, a new function that allows users to monitor images or check focus when recording S-Log movies. The new model has enhanced Zebra functionality for greater exposure control. Picture profile settings are available, as well as Time Code / User Bit and much more.


Enhanced Operability and Ergonomics
The α6300 camera is equipped with a high contrast, high-resolution XGA OLED Tru-Finder with approximately 2.4 million dots that offers exceptional corner-to-corner visibility. There is also a new mode available for the viewfinder that allows display of images at 120 fps, ensuring that action is displayed smoothly with very few afterimages, making subject tracking through the Tru-finder easier than ever.
Aesthetically, the new α6300 camera features an extremely solid feel in hand thanks to its robust, magnesium alloy design. It can be customized to fit nearly any shooting style or preferences, with 9 customizable buttons that one of 64 different functions can be assigned to. The camera adds a digital level gauge as well as upgraded dust and moisture resistance10, a reinforced lens mount structure and a new shutter release button and mode dial with improved operability and grip.
The new α6300 camera is Wi-Fi® and NFC compatible and fully functional with Sony’s PlayMemories Mobile™ application available for Android™ and iOS platforms, as well as Sony’s growing range of PlayMemories Camera Apps™, which add a variety of creative capabilities to the camera. It also supports QR code for easy connection to non-NFC smart phones.



Pricing and Availability
The Sony α6300 interchangeable lens camera will be available in March for about $1,000 for the camera body or for about $1,150 paired with a 16-50mm F3.5 – F5.6 kit lens (model SELP1650). Prices for the Canadian market will be about $1,350 CA for the body and about $1,500 CA for the camera kit. It will be sold at a variety of Sony authorized dealers throughout each region.
The α6300 is compatible with Sony’s growing lineup of α lenses including the new premium G Master™ lenses also announced today.

sony_ilce6300_b_alpha_a63000_mirrorless_digital_1454515585000_1222744

Digital classroom Small flash

Digital classroom is a live broadcast from our studio which we do every month for free.
I started digital classroom to introduce people a bit to what we do with our instructional videos and workshops, of course these go more in depth and are a bit more technical but for a free broadcast I strongly believe it’s a great educational tool.

 

Digital classroom is not possible to create without the help from some sponsors of course, so we are very grateful for our friends at BenQ and Rogue/Expo imaging to help us out with this.

 

This time the theme of the Digital classroom is “using small flash”.
It’s a 2 hour instructional video so take your time, sit back, grab your notepad and enjoy.

Break the 1/125 rule with Sony now….

You all probably saw my review from the new Elinchrom Skyport and HS heads by now I hope, an amazing system and I can’t wait for the Sony version to be released. But…. if you’re like me and don’t want to wait for the Sony version and want to play with the creative options right now there is another solution that does almost the same. I have to say it’s not as versatile as the skyport and it will only trigger your strobe but it does it all the way up to 1/8000 of a second.

 
The Odin system from Phottix
For my small flash system I use the Phottix Odin system, and because I also owned it before the Mitros+ I also had some older receivers from Phottix. Now these 2 is all you need actually.

 

Just connect the Odin to your Sony camera and select HSS (High Speed Sync).
Now you can adjust the shutter speed on your Sony all the way up to 1/8000, if you don’t you’ll be stuck at 1/250.

 

Now just connect the Odin receiver to your strobe (it works for any strobe but we used a D-lite4 to test) and you’re all set. You can now shoot up to app 1/400 without any light loss on the D-Lite4 and up to 1/8000 with considerable light loss (which is normal because….well it’s how the system works, cutting the strobe and using the TTL pre-flash so it will never be full power), this is the same with the Skyport and it’s something you will have to get used to, using a light meter for example will be impossible for the simple reason that every strobe will react differently and even the power output will have some impact on the results.

 

Let’s fine tune it
At first you will loose a lot of light and this is due to the standard timing which we have to adjust (same as on the Skyports). To do this press the MODE and + Key for about 5 seconds and raise the ODS setting to 5. You’re image will be all black, now slowly start lowering that number until the black bars disappear.ODIN_ODS_Buttons_c640

ODIN_ODS_00_b600
We ended up with 1/8000 on F2.8 ISO400 which was very similar to what we achieved with the new skyport on the D-Lite4.
Now don’t think this is a better solution than the skyport because it’s not. The Skyport is better trigger because you can control your strobes, read the output, work very easily with the Elinchrom system etc. but if you already own an Odin or if you don’t use Elinchrom or Profoto strobes and you still want to break that 1/128 barrier, this is actually a pretty cool way.

 

Now waiting for the new skyport is not that hard anymore 😀
This is actually an option that was already inside the Odin transmitters and receivers but I never looked into it until someone on my blog gave me the idea and I tested it and much to my surprise and joy it works like a charm.

 

Now there are a few things you have to take into account
This will not work with most high-end strobes, the faster the flash duration the less the light output will be, the slower the strobe the better the results, this is also why Elinchrom released special HS heads that accommodate this perfectly. But if you have strobes that are in the budget range you will have a blast and actually do stuff that the more expensive strobes can’t…..

 

Again if you’re using the Elinchrom system it’s wise to wait for the Skyport to be released for Sony, or buy the present Canon/Nikon versions, in the end you will be saving money (the odin and receivers are more expensive than the Skyport and you need more receivers (one for every strobe)) but if you’re on another system this is actually a very solid and incredibly cool addition, plus the Odin system is a real good performer so maybe it’s time to change your current triggers for the Odin and double them for your small flash system.

 

 

And because video does more than words 😀