Tag Archive for: results

Results from one workshop….. probably more than you think

Results from one workshop

We get a lot of questions about what I teach during workshops, but mostly about what you can expect for results. So I thought it would be fun to post all the images I retouched from ONE workshop. Let me show you the results of this workshop.

Before we start

Now to make one thing clear before we start. Some people call shooting images of a model a workshop. I don’t… I strongly feel a workshop should be an intense learning experience with loads of information, tips, questions answered, etc. So in every set, I try to add some things I know people struggle with.

During the workshops, I always try to do at least 3 to 4 totally different sets with their own problems and solutions 😀

The used products are linked to our webshop. If you have any questions, let me know. I am happy to answer them.

In today’s blog post the results from one workshop with our model Claudia.

 

For the first set, we used a box to pose our model in/on. The main idea was to get interesting effects in the background and how you can manipulate these.
Of course, the added element of the box triggers creativity.

I’m using a Geekoto GT400 with the small Geekoto softbox as the main light.
In the back, I’m using a Geekoto GT250 with the Rogue Magnetic Snoot. The main thing I love about this snoot is that you can use it not only in 4 different configurations but also can be used with or without a diffusion panel (this is without) which gives it a multitude of different looks. It’s one of my (many) favorite modifiers.

Now do remember these are WORKSHOP shots, so I shoot them while teaching, meaning they are okay, but far from perfect.

Set 1.

Result of one worshop result of one workshop, adding more props

And of course, there are always more ways to shoot something than just one 😀

 

Motion

For the next set, it was all about styling colors and adding motion to a shot. To make sure you freeze motion it’s important to know on which setting your strobe has the fastest T01 value.  I’m using a Sekonic 858 meter for this, which besides the exposure, also meters the flash duration.

And of course, coaching the model and getting the right moment is vital.

As a backdrop we used the the Rembrandt Brown vinyl 300x244cm 

model in front of a backdrop

And of course, I couldn’t resist throwing in some different angles for a portrait.
It’s always fun to see the responses when I start shooting from “weird” angles and the attendees see the images coming in.results of one workshop: portrait shot from a low angle

 

Clicki

For the next set, we are using the brand-new Clicki system from ClickBackdrops. This is a great solution for photographers shooting on location who are not willing to make any sacrifice in background quality.

I’m using a pro fabric version here. But vinyl is also an option (same price)
It’s great for portraits and 3/4 body. But I thought it would also be fun to use the backgrounds hanging in the back as a backdrop. So we placed the Clicki in between two other backgrounds, to create some more depth.

I mainly focussed on portraits and angles. Here are the results, and remember; this is still from one workshop.

result of one workshop, model claudia in front of a clicki backdrop

What gear did I use to get these results?

 

For these images I’m using a Geekoto GT250 with my all-time favorite modifier, the Frank Doorhof Rogue FlashBender.
And of course, when it carries my name it should be my favorite right?
Yes and no.
The main reason I love the FlashBender so much is that it’s very easy to use a bounce card. You make background effects by bending the FlashBender. You can fold it as a snoot. And that is awesome during events to really make a couple or subject stand out, even if the available lighting is poor ( like on some weddings during the dance). Or use it as a small softbox…. but mostly I use it as you can see here, with the striplight attachment and grid.

The cool thing…. when you buy the Frank Doorhof FlashBender everything is in the box 😀

Results of one workshop; model in front of the clicki, ligted by only the FlashBender XL Pro

 

The next results

 

For the next set, we decided to play with “light in light” where we focused the light in the model. With for example a snoot or in this case a Fresnel, opening up the shadows with a fill-in flash, often with a colored gel. The main light is the Nanlite Fresnel on a Geekoto GT400. and the Rogue magnetic system on a Geekoto GT250 as a fill-in flash. I’m using a blue gel to very slightly open up the shadows.

results of one workshop. model in front of the backdrop with a fesnel and a bleu gel

Of course, we also shot some portraits.

 

a portrait is also one of the results from one workshop

But there are more results

 

After these images, I thought it would be cool to throw in a microphone as a prop. And explain some very powerful techniques where I combine feathering with “fake” reflections by angling the light just correctly around the model. This is a very powerful technique to create stunning almost silhouette-like shots.

In this setup, I’m still using the Nanlite Fresnel on a Geekoto GT400. But the blue gel was now moved to the opposite side. Depending on the effect I wanted (the angle I’m shooting from) we just angled the strobe aiming it toward the camera. Love the results from this technique. When walking around your model you get a lot of different looks.

another result of one workshop. more silhoutte-like portrait with a vintage microphone

By adding the blue gel into the frame the total look and feel of the shots change.

 

Frank Doorhof Workshops

If you like these results and are looking for a workshop that’s totally different from just shooting images (a shooting zoo), make sure to check out fotografie-workshops.nl Here you can find information about the Dutch workshops (and location workshops abroad). Most workshops in our studio are in Dutch, but if you let us know in advance we can switch to English, most Dutch people speak and/or understand English.

1:1 workshops are always possible

 

 

PS: During this workshop, I also tried to shoot some images with the new iPhone 15 Pro Max. Can you spot them?

Results from the glamour workshop with Claudia

Today it’s time for some results from the Glamour workshop with our model Claudia.
During the workshops I of course give a lot of attention to lighting techniques, but I also feel that styling, pose/expression and styling are all part of a successful photo.

So for the first results I’m using the Lindsay Adler Westcott projector with the blades to create the triangle effect. This is an awesome light modifier with almost limitless options. For fill I’m using a blue gel because otherwise the sides would be totally black which I don’t think helps the image 😀

While shooting it’s important to not be fixated on one location or angle, as you can see in the results, the lower angle shots are clearly giving a totally different look to the the image. In my opinion a much stronger result. But the straight on results are also not bad, so always shoot both, sometimes the client will totally fall in love with one set and the next the other, so make sure you shoot both 😀

 

Also for the next setup I’m switching locations.
Make sure you setup your lighting so that it’s easy to walk around the model and you are able to shoot from different angles without having to move the light.

For me the red really adds to the image, so I wanted to make sure the color really jumped out. By using a smaller light source and a reflective material the colors really jumped.

The first images where shot from slighty above the floor.
For the images from above we used a simple kitchen ladder. (one of the best studio props)

For the next setup we played around with lens flares and how one color can totally change the image.
I’m using our Clickpropsbackdrops here with a blue undertone, by adding red it creates a beautiful combinatie.

For the final setup we used our Red Metal backdrop which for me fitted the outfit perfectly.
Lighting was one Hensel striplight from the side.

 

For me personally lighting is very important, but you can have the best lighting in the world, if the model doesn’t look the part, or the background is not fitting for the shot it all fails and you end up with an beautifully lit image that isn’t pleasing to look at.

For me a successful image is a combination of the lighting, the color scheme and of course the styling/pose/expression of the model… If we look the last image for example, the background really makes the image look the way it does now, but imagine just a white background behind the model, or a forrest….. so always make sure you don’t just pay attention to the model and lighting but also for the backgrounds and the colors the model is wearing.

Results Ultimate weekend part II

The Ultimate workshop weekends are without a doubt the most intense workshops I teach, in 2 full days (and an evening) we run through everything model photography related from styling to set building to lighting to retouching add in some business tips, shoot in the studio and on location, use strobes and natural light, add some magic with smoke, work with motion etc. etc…. we actually do it all.

This is also why the results from these weekends always end up in my portfolio, so today some of the results from day 2.
Model: Anna Matthea
Clothing by Nadine and Sinister

Oh and the new date for the next Ultimate Workshop is https://frankdoorhof.com/web/tours/ultimateweekend/

 

Shooting in a highly reflective set, much more difficult as you might think, but a GREAT learning experience.Anna Matthea  Oktober 3 2015 0014

Anna Matthea  Oktober 3 2015 0110

Our cool groups shot 😀

Anna Matthea  Oktober 3 2015 0632

And we also went outside with our model, a very simple setup in a not so interesting location, but….. as you can see the results can be very nice (well I like them anyway).

Anna Matthea outside October 3 2015    0025

Anna Matthea outside October 3 2015    0036 BW

Anna Matthea outside October 3 2015    0036

Anna Matthea outside October 3 2015    0041