During our stay in Las Vegas for PhotoshopWorld we filmed a new class for KelbyOne in the series : The inspiration series.
It’s an 1 hour class in which I tell you everything that drives me in my work (and personal life).
You can find the class here :
http://kelbyone.com/course/fdoorhof_inspirational_vegas/
Often people ask me what to look for when shooting models with shadows.
The answer is very simple “make sure that the shadow is part of the story”
In other words I don’t want a big blob of a shadow behind my model but a nicely featured shadow that actually also plays a role in the shot, or in again other words, the shadow is a vital part of the shot.
So how can you “train” this.
Very simple.
Start to experiment with some silhouettes and learn what a model can do, by moving her arms away from her body she creates a certain look, when everything is connected to the body she creates just a big black “blob”.
In this shot I used a white background with a small strobe with grid and nothing in the front.
I asked Nadine to create several dramatic poses and especially play with the position of her arms and keep her head/face in profile so you can see that she is a real person.
I’ve been teaching workshops for a few years now, most workshops run for a full day and although very intense there is always so much more to learn, so most students visit the workshops several times. The reason for this is very simple, I never try to duplicate workshops, there are so many things you can do with lighting, location, styling, the models etc. that it would be a shame to teach the same workshop material over and over…..
For the one day workshops I have several themes, for example “working on location”, “working with artificial and available light”, “Duo shoots”, “Masks”, “Smoke”, “Retouching” etc. etc. all these topics are so broad that they are already difficult to jam into one day…. so last year the idea actually grew to do a multiple day workshop, however when I do something I always want to make sure that what I deliver is solid, there is no sense in doing a workshop in 2 days or 3 days that can be taught in one day by just talking faster…..
So slowly the idea for the “multiple day workshop” grew and got more shape.
After the first trials the students actually came up with the name and called it “The Ultimate workshop” and I have to say I agree and use that name for these workshops.
In 2-3 days you will get so much information it will make your head spin, we are working as a small team (group size is always limited to max 10-12 people depending on the location) to create literally a multitude of different scenarios. The ultimate workshops are the best workshops I can teach, and I dare to say, probably the best on the market if you’re into model photography.
What can you expect?
Of course we work with our very best models during these workshops, so next to learning a lot you will also get a real portfolio boost. All workshops start with an Q&A session. In this session you can actually tell me what you want to learn and I will incorporate all these questions into the workshop ahead.
