turning pro yes or no

A while ago I was asked to write a guestblog for a Dutch photographers blog and because I had little time and I always want to post something that is different from the standard “put your light here” blogpost I decided to make a blogpost about something that is always a hot topic during some of my seminars and workshops.

 

Don’t get me wrong, photography is the best job in the world according to me, I love what I do and I don’t feel like I work a day in my life, however I consider myself incredibly lucky and one of the few that can do what I do thanks to the support of my family. Now a lot of people mail me or ask me for my advise on starting their photographic career, now let’s say we are talking about Mr. Smith (a made up name). Mr Smith earns a bit more than minimum wages at the moment, rents a house and has a wife and 1 son who is let’s say 12 years old. At the moment Mr. and Mrs. Smith have a relatively good life, twice a year they can go on a standard holiday, the rent is paid and they can safe a little bit of money for costs that are not foreseen, the only problem is that Mr. Smith loves photography and doesn’t really like his day job, he doesn’t hate it… but if he would become a photographer that would be awesome.

Gwendolyne 28 Juli 2012 - 2342

Now I totally agree with Mr. Smith of course, being a photographer is great, however let’s give Mr. Smith a few tips that might or might not change his mind.

 

1. Know what you have
At the moment everything goes well for the family Smith, in his spare time Mr. Smith shoots his images and during vacations he always creates nice travel books which everyone likes, and almost all friends and family give him the advise to do more with photography.

 

2. Know what will come
When Mr. Smith quits his job it means all income to the family Smith will drop down to zero, however all the costs will continue without any pauze, meaning from day 1 Mr. Smith must be able to pay for :
Utilities, rent/mortgage, school, insurance, income tax, VAT, car expenses, food, drinks, telephone, internet, tv etc. etc.
So the first thing I would advise to Mr. Smith is to make a list during at least a full month on ALL costs, so also when they go out for a small trip in the weekend, write down every cent that is spend, but also every bill that is coming back every period like insurance and rent. The first thing he will notice is that without knowing it there is a lot of money being spend, and that is without taking into account to be able to buy a new car when the old one stops working.

 

3. Know that you have to be able to reserve money
When you don’t have a job your income will be VERY insecure, especially in the first year or 2. In theory one should be able to earn the money you need in a year in a few months when you want to do photography because believe it or not, there is no work for a whole week the whole year round.

 

4. Dive into your tax system
This is what will bankrupt most starters in the first year. I’ve known many people who started their own business but never realized that in the Netherlands you will loose 21% of your invoices to the VAT, but that’s not all…. you also have to take into account the income tax at the end of the year.

 

5. Dive into your financial system
Not only VAT and income tax are different from when you have a day job but also think about health insurance, if you are now insured  by your boss you can add a considerable amount of cash per month for the insurance of yourself and your family, also the pension build up will stop so you have to do this by yourself now.

 

6. Other things you need to do
With an own business there is also a lot of extra insurance you need, think about your gear and of course legal and not to forget and income insurance for when you are sick or become inable to work, and this last one costs A LOT of money and if you don’t take this insurance please think about your family and stay with your day job, because if you are inable to work (depending on the country you life in) it would mean a tremendous change in lifestyle I’m afraid.

 

7. Customers
When you show your friends and family your images they will all say “wow you really should do something with this” however, trust me, as soon as you start shooting professionally they will not be the ones that will be paying you, they will ask you to do it for free or demand discounts so high that you can better do it for free because making the invoice will cost you more 🙂

 

8. Gear and computers
Doing photography as a hobby is cool, you can get away with certain things and you can maybe even use your software via the school system of your kids, however when turning pro this doesn’t work anymore. The gear has to have backups, you can’t go out with just one camera (that’s suicide for your business) so you will have to own at least one backup body, your computer has to have a proper backup system and of course ALL your software has to be legal, luckily Adobe has a great service via the creative cloud so it’s affordable for everyone, and let’s be honest if you can’t pay for the creative cloud you should NEVER ever consider turning pro.

 

9. What to do?
Now before you start with quitting your job I would advise to do a proper research to your market, what do you want to do? where are your customers? and what prices would you have to charge? A photographer that does everything is a bit of a Titanic, it all looks great but when it meets it’s iceberg it WILL sink. Better is to specialize in one topic you really really like and excel in, for example if you love nature think about travel, landscapes etc. (very tough market) if you like fashion think about adding business portraits, schools, weddings etc. but please keep it “real” and within the things you know you can do.

 

10. Social media and market research
Now that you’re ready and you know you can make it…. don’t do it yet.
First start out with the normal prices you would need to charge and do the photography in your spare time, I know it sounds like a lot of work if you already work 40 hours a week, but trust me, working 60-70 hours a week if you have your own business is normal, so if you can’t combine your day job with some “mild” photography business stop right away and keep it as a hobby. Now during this period try to build your social media presence and get the jobs you need, now if you succeed in earning at least half of your income from photography that way I think it will be time to quit your day job and pursue your dream.

 

11. Think about all the rest
Running a business is first of all no 9:00-17:00 thing, it’s a 24/7 thing, meaning you will go to bed with your business and get up with it, holidays will still be possible but it will also mean you will probably want to check mails, phones etc. more often, with a boss you can just turn everything off… when running your own business you probably can’t. Also think about the extra time you need to retouch, do bookkeeping etc. And of course take into account one very high hidden cost that almost everyone forgets…. your bookkeeper, of course you can try to do it yourself but I think you will very quickly realize that a good bookkeeper will not only earn you money but will also make sure that you won’t be hit with a tremendous amount of money you have to pay after a few years because you did something wrong.

 

12. Finally
I’ve discussed a lot of topics but to be complete realize that when you run your own business you have to have some “fat on your bones” meaning if your camera breaks down you will need to be able to run to the store and get a new one right away, that same day, if your car breaks down exactly the same. Also when your business grows you will need to get out of the house and have a proper office/studio/showroom (rent or buy) so also start saving for that, also think about personnel in the long run, and realize that although they can make you money they also cost you a load of money, in the Netherlands we always double (just to be sure we can afford them) their wages for the extra costs like insurance, taxes, pension etc. but this will vary per country. And there will be plenty of things I now forget like a pin machine, business cards, your book keeping software etc. etc.

 

 

I would like to add that this is not meant to scare people away from starting a photography business, however I do think that a lot of people only think about “I charge 100.00 for a shoot, let’s say I can do 3 a day and I earn a lot of money” and they forget that after taxes and all the other costs they would maybe need at least 5 a day to make it work, and let’s be honest I don’t know many photostudios that do 5 paid shoots a day for 6 days a week, also take into account all the extra work like mentioned in point 11 and I hope that if you’re thinking about this you make a wiser decision instead of throwing away something you already have.

32 replies
  1. Bernd Markgraf
    Bernd Markgraf says:

    Excellent sum up. Not only true for photography business. The essence holds true for any other business as well. Just going through it with my wife trying to build up a small business. Once the motivation is there, there is no stopping. Only mild guidance to consider every little detail…

  2. Tod Colbert
    Tod Colbert says:

    I keep hearing that the market for professionals is dead due to the advent of digital. I have some friends that are professional that are suffering terribly, yetnode not know if it just that they failed to adapt to the changes or are just bad businessmen. What is the reality?

    • Frank Doorhof
      Frank Doorhof says:

      The market is not dead because of digital, the market is overflooded with “photographers” to stand out today one has to be VERY good at networking and a good photographer.

      If you just think to open up a studio and start doing family as main income…. well good luck.

      If you’re willing to work your “you know what” off and take whatever you can get assignment wise there is a good chance.

      But yeah, it’s a very very tough market, always have a plan B (even we have)

  3. Marc Eliot
    Marc Eliot says:

    A very interesting post
    . I have flirted for a while with the idea of becoming semi-pro. And during this thoughts-process, a few question ran into my mind. Maybe you can answer some of them. Marc, Vienna, Austria

  4. Marc Eliot
    Marc Eliot says:

    Here the questions (see previous Post) :
    Question 1
    The most important is you eye…. OK, without it, nothing goes. But I haven’t seen any kelby Trainer who said : Only buy a Nikon d40x (which I am still in love with) or something of that kind. You all use d800, d4, phase one, etc… So there is a good reason for that, or not ? When the price difference can be about 5000€, it can’t be only a question of feeling comfortable in my opinion. What do you think about it ?

    Question 2
    Some guys love Canon for its skin’s colors. Others prefere the Nikon contrasts.Then some say Tamron has a yellow hue, Sigma another one… But does it make a sense when you use a grey card and a colorchecker pass ?

    Question 3
    Question 2 leads me to that one : do I have to use a colorchecker if I already use a 18% grey card?

    Question 4
    Is making business more difficult nowdays? I mean Internet is nothing without pictures, so more pictures have do be done. Am I wrong?

    Question 5
    Are you coming back to Austria or Bavaria next year ?

    Question 6
    Do you do workshops in NL in english or german?

    Question 7
    I have been watching with big attention fashion magazines in the ast weeks and I was actually bored very quick : very nice, BUT too perfect and allmost all the same… Is there in fashion world a look-code you have to reproduce to get a chance to be edited ?

    Question 8
    How free is actually a fashion/beauty photographer ? Do you get a clear line from your clients ?

    Question 9
    You are a world known photographer, 1000s guys would love to be you and shoot glamour shots of famous models. Why did you stop ? Or do you still here and there shoot for magazines?

    Question 10
    Where do you get your ideas? For example in your portfolio there is this woman in a cage. Did you have before the shoot the picture in you head ? Or did you want to use a cage and suddenly, as your model arrived you had this idea? Or was your cage in the studio for ages? and did your model told you “Frank, throw me in and lock the door!” ? 🙂
    Is it a kind of… having ideas on the way ?

    • Klaas
      Klaas says:

      Question 6
      I’m a dutch guy like Frank and most of us do also speak German but our native language is “Nederlands” or Dutch, As far as I know Frank teaches in Dutch while in the Netherlands. I know it’s confusing, Dutch,Netherlands,Holland but it is all the same.

  5. Balliolman
    Balliolman says:

    The dream of earning a crust through photography has appealed to me many times. You got me nodding in agreement with many of your points, Frank; each of them made me think more highly of your own acheivements because I bet there is much more you could have added here!
    I am going to stick to my day job …

  6. Ben
    Ben says:

    Indeed, if you want to do it right it becomes a business with all the things that come with that. My plan is to slowly build it while working a dayjob, expanding my network and growing in experience.

  7. Luke Blair
    Luke Blair says:

    The supply of good photographers and the internet have made photos ordinary and worthless. You can only charge for your service not your photos. Frank makes his money being an educator not a photographer.

    • Alex
      Alex says:

      Not sure I can agree with you entirely. I believe that competition has increased, not because there are more good photographers, but rather there are better cameras that take great images in P(rofessional) mode 😉 Whenever I am out and see “professional” photographers take pictures and they are in P-mode, I can tell you that their products will be probably properly exposed most of the time, but are they creative? If you are selling an average product, the price you can fetch will be average. The problem with photography is not that there are lots of photographers, but that there are lots of them who produce average results and who do that as a hobby or semi-pros without the need to make a living of whatever they sell.
      As Frank stated, $100 may look good if you are doing this part-time, but full-time, there is no way how you can make a living off that, even if you sell 5 sessions a day. So, if you want to succeed, you have to be different. The moment you sell your photography as a service, your service is either significantly better than that of your competitors (and you are able to communicate that), so you can charge more, or, if it is equal, then settle for getting only the same.
      If you sell your services as a photographer, it should be about your creativity and the end product, not about the service you offer by pressing a shutter release button. If you want to succeed, you need to differentiate yourself. Some people are very successful with portraits, because what they offer is different. The photo session is not, but the products they deliver to the client. Long story short, there is money to be made with prints, for as long as they are not the same prints your clients can get at Walmart. Pricing is always about demand and supply and if you offer something that’s in high demand but low supply, your profit goes up, together with the price you can charge for that.
      If you offer what everybody else offers, don’t expect to charge more for it than all the other guys. Unless you are a celebrity like Frank – but this does not happen overnight and I am sure it happened because Frank is good. His images are of high quality and they are different.
      I am not saying I have this figured out, but I do know that all rules of markets and competitive forces apply to photography businesses as much as they apply to any other business. If you want to succeed, you need to shield yourself against these forces. By selling a service just like anybody else, you will not be able to do so.

  8. Luke Blair
    Luke Blair says:

    I stand corrected. I just looked at Franks services and he does a hell of a lot more than just educate. But that is the reason I like Frank. I’ll buy your book when it comes out. My point was technology is revolutionizing the way people value photography. We hardly ever print photos anymore and there are trillions to view for free at home on my wifi connected 60″ lcd tv. Many portrait and wedding photographers just burn a DVD and charge for their time. Stock photography doesnt pay anymore and newspapers are dying. Im starting to think if you want to be a photographer you need to be an artist and be willing to just do it for the art and maybe a few people will throw some cash your way.

    • Frank Doorhof
      Frank Doorhof says:

      Thanks for correcting it 😀
      We do A LOT more than teach, although online teaching is my main focus.

      Earning money in photography is still possible but you have to network and network and when you’re done… well start some new network.

      And charge realistic prices. Maybe in the future I will post something about that.

  9. Klaas
    Klaas says:

    Thanks for a great article Frank.
    I did the math a few years ago and decided to not quit my daytime job, maybe after retirement I will kick it up a bit but for now just running some workhops at our group. Glad we have about 2000 members so there is a lot of people to educate. This is how I can pay for my equipment and keep my knowledge current. Following you here on the blog also helps to bust the bubbles some educators blow 🙂
    If you want to know this stuff, go and teach it, that way you will learn the most!

    • Frank Doorhof
      Frank Doorhof says:

      Some bubbles need to be bust 😀
      I really am serious when I say that I hear/read so much that is 100% false on the net that it almost makes me feel hopeless.

      Only about the topic light meters you could fill a book with things that are false but are taught as being correct.

      I recently saw a video from a “well known” educator that clearly did not understand the difference between reflective and incident metering and claimed that a meter would never be accurate because it showed the value for middle gray and that he used his eyes because he loved the model to be a bit more overexposed anyway so the skin looked nicer…. well tell that to a sitter…”yeah I know you’re not black anymore… but it’s really better that way”….. yeah sure… there are countries where that’s your final shot 😀 (literally)

  10. Martin Ranger
    Martin Ranger says:

    As someone who has just made the jump to professional photographer, all I can say is: spot on! Great article.

  11. Ken Cranney
    Ken Cranney says:

    And not to forget… you face everyday challenges of all those other people out shooting with they’re point and shoots claiming to be a pro… just looking for the fast earned cash that provide you with nothing but crappy shots.

    As well you have to fight off every uncle Buck with a camera to make your shots stand out… Everyday… it is an uphill battle with every 100.00 dollar camera sold over the counter and every 100 dollar camera “Professional” out there…

  12. Bernard Brunet
    Bernard Brunet says:

    I agree with everything you mention in your blog. I’m about to launch a new career in photography and I’m seeking good advice from the pro. Vincent Versace told me not long ago, “Sometimes you just have to take the Nestea plunge.” See if I don’t try than I’ll never know! But Vincent also said “the Light at the End of the Tunnel has been turned off.” I guess you really have to calculate the expenses of such an endeavor and not to expect to strike gold!

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